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Дата изменения: Mon Feb 17 14:56:02 1997
Дата индексирования: Sat Dec 22 04:37:40 2007
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@ALBUM: doors
THE DOORS


@SONG: BREAK ON THROUGH (TO THE OTHER SIDE)

You know the day destroys the night
Night divides the day
Tried to run
Tried to hide
Break on through to the other side
Break on through to the other side
Break on through to the other side, yeah

We chased our pleasures here
Dug our treasures there
But can you still recall
The time we cried
Break on through to the other side
Break on through to the other side

Yeah!
C'mon, yeah

Everybody loves my baby
Everybody loves my baby
She get
She get
She get
She get high

I found an island in your arms
Country in your eyes
Arms that chain us
Eyes that lie
Break on through to the other side
Break on through to the other side
Break on through, oww!
Oh, yeah!

Made the scene
Week to week
Day to day
Hour to hour
The gate is straight
Deep and wide
Break on through to the other side
Break on through to the other side
Break on through
Break on through
Break on through
Break on through
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah


@SONG: SOUL KITCHEN

Well, the clock says it's time to close now
I guess I'd better go now
I'd really like to stay here all night
The cars crawl past all stuffed with eyes
Street lights share their hollow glow
Your brain seems bruised with numb surprise
Still one place to go
Still one place to go

Let me sleep all night in your soul kitchen
Warm my mind near your gentle stove
Turn me out and I'll wander baby
Stumblin' in the neon groves

Well, your fingers weave quick minarets
Speak in secret alphabets
I light another cigarette
Learn to forget, learn to forget
Learn to forget, learn to forget

Let me sleep all night in your soul kitchen
Warm my mind near your gentle stove
Turn me out and I'll wander baby
Stumblin' in the neon groves

Well the clock says it's time to close now
I know I have to go now
I really want to stay here
All night, all night, all night


@SONG: CRYSTAL SHIP

Before you slip into unconsciousness
I'd like to have another kiss
Another flashing chance at bliss
Another kiss, another kiss

The days are bright and filled with pain
Enclose me in your gentle rain
The time you ran was too insane
We'll meet again, we'll meet again

Oh tell me where your freedom lies
The streets are fields that never die
Deliver me from reasons why
You'd rather cry, I'd rather fly

The crystal ship is being filled
A thousand girls, a thousand thrills
A million ways to spend your time
When we get back, I'll drop a line


@SONG: A TWENTIETH CENTURY FOX

Well, she's fashionably lean
And she's fashionably late
She'll never wreck a scene
She'll never break a date
But she's no drag
Just watch the way she walks

She's a twentieth century fox
She's a twentieth century fox
No tears, no fears
No ruined years, no clocks
She's a twentieth century fox, oh yeah

She's the queen of cool
And she's the lady who waits
Sent to manless school
It never hesitates
She won't waste time
On elementary talk

'Cause she's a twentieth century fox
She's a twentieth century fox
Got the world locked up
Inside a plastic box
She's a twentieth century fox, oh yeah
Twentieth century fox, oh yeah
Twentieth century fox
She's a twentieth century fox


@SONG: ALABAMA SONG - (WHISKEY BAR)

Well, show me the way
To the next whiskey bar
Oh, don't ask why
Oh, don't ask why

Show me the way
To the next whiskey bar
Oh, don't ask why
Oh, don't ask why

For if we don't find
The next whiskey bar
I tell you we must die
I tell you we must die
I tell you, I tell you
I tell you we must die

Oh, moon of Alabama
We now must say goodbye
We've lost our good old mama
And must have whiskey, oh, you now why

Oh, moon of Alabama
We now must say goodbye
We've lost our good old mama
And must have whiskey, oh, you now why

Well, show me the way
To the next little girl
Oh, don't ask why
Oh, don't ask why

Show me the way
To the next little girl
Oh, don't ask why
Oh, don't ask why

For if we don't find
The next little girl
I tell you we must die
I tell you we must die
I tell you, I tell you
I tell you we must die

Oh, moon of Alabama
We now must say goodbye
We've lost our good old mama
And must have whiskey, oh, you now why


@SONG: LIGHT MY FIRE

You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn't get much higher

Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire

The time to hesitate is through
No time to wallow in the mire
Try now we can only lose
And our love become a funeral pyre

Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire, yeah

The time to hesitate is through
No time to wallow in the mire
Try now we can only lose
And our love become a funeral pyre

Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire, yeah

You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn't get much higher

Come on baby, light my fire
Come on baby, light my fire
Try to set the night on fire
Try to set the night on fire
Try to set the night on fire
Try to set the night on fire


@SONG: BACK DOOR MAN

Wha, yeah!
C'mon, yeah
Yeah, c'mon, yeah
Yeah, c'mon
Oh, yeah, ma

Yeah, I'm a back door man
I'm a back door man
The men don't know
But the little girl understand

Hey, all you people that tryin' to sleep
I'm out to make it with my midnight dream, yeah
'Cause I'm a back door man
The men don't know
But the little girls understand
All right, yeah

You men eat your dinner
Eat your pork and beans
I eat more chicken
Than any man ever seen, yeah, yeah

I'm a back door man, wha
The men don't know
But the little girl understand

Well, I'm a back door man
I'm a back door man
Whoa, baby, I'm a back door man
The men don't know
But the little girls understand


@SONG: I LOOKED AT YOU

I looked at you
You looked me
I smiled at you
You smiled at me

And we're on our way
No we can't turn back, babe
Yeah, we're on our way
And we can't turn back

'Cause it's too late
Too late, too late
Too late, too late

And we're on our way
No we can't turn back, babe
Yeah, we're on our way
And we can't turn back, yeah

C'mon, yeah!

I walked with you
You walked with me
I talked to you
You talked to me

And we're on our way
No we can't turn back, yeah
Yeah, we're on our way
And we can't turn back, yeah

'Cause it's too late
Too late, too late
Too late, too late

And we're on our way
No we can't turn back
Yeah, we're on our way
And we can't turn back

'Cause it's too late
Too late, too late
Too late, too late


@SONG: END OF THE NIGHT

Take the highway to the end of the night
End of the night, end of the night
Take a journey to the bright midnight
End of the night, end of the night

Realms of bliss, realms of light
Some are born to sweet delight
Some are born to sweet delight
Some are born to the endless night
End of the night, end of the night
End of the night, end of the night

Realms of bliss, realms of light
Some are born to sweet delight
Some are born to sweet delight
Some are born to the endless night
End of the night, end of the night
End of the night, end of the night


@SONG: TAKE IT AS IT COMES

Time to live
Time to lie
Time to laugh
Time to die

Takes it easy, baby
Take it as it comes
Don't move too fast
And you want your love to last
Oh, you've been movin' much too fast

Time to walk
Time to run
Time to aim your arrows
At the sun

Takes it easy, baby
Take it as it comes
Don't move too fast
And you want your love to last
Oh, you've been movin' much too fast

Go real slow
You like it more and more
Take it as it comes
Specialize in havin' fun

Takes it easy, baby
Take it as it comes
Don't move too fast
And you want your love to last
Oh, you've been movin' much too fast
Movin' much too fast
Movin' much too fast


@SONG: THE END

This is the end
Beautiful friend
This is the end
My only friend, the end

Of our elaborate plans, the end
Of everything that stands, the end
No safety or surprise, the end
I'll never look into your eyes...again

Can you picture what will be
So limitless and free
Desperately in need...of some...stranger's hand
In a...desperate land

Lost in a Roman...wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain, yeah

There's danger on the edge of town
Ride the King's highway, baby
Weird scenes inside the gold mine
Ride the highway west, baby

Ride the snake, ride the snake
To the lake, the ancient lake, baby
The snake is long, seven miles
Ride the snake...he's old, and his skin is cold

The west is the best
The west is the best
Get here, and we'll do the rest

The blue bus is callin' us
The blue bus is callin' us
Driver, where you taken' us

The killer awoke before dawn, he put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived, and...then he
Paid a visit to his brother, and then he
He walked on down the hall, and
And he came to a door...and he looked inside
Father, yes son, I want to kill you
Mother...I want to...fuck you

C'mon baby, take a chance with us
C'mon baby, take a chance with us
C'mon baby, take a chance with us
And meet me at the back of the blue bus
Doin' a blue rock
On a blue bus
Doin' a blue rock
C'mon, yeah

Kill, kill, kill, kill, kill, kill

This is the end
Beautiful friend
This is the end
My only friend, the end

It hurts to set you free
But you'll never follow me
The end of laughter and soft lies
The end of nights we tried to die

This is the end
@ALBUM: STRANGE DAYS
------------

@SONG: STRANGE DAYS

Strange days have found us
Strange days have tracked us down
They're going to destroy
Our casual joys
We shall go on playing
Or find a new town

Yeah!

Strange eyes fill strange rooms
Voices will signal their tired end
The hostess is grinning
Her guests sleep from sinning
Hear me talk of sin
And you know this is it

Yeah!

Strange days have found us
And through their strange hours
We linger alone
Bodies confused
Memories misused
As we run from the day
To a strange night of stone


@SONG: YOU'RE LOST LITTLE GIRL

You're lost little girl
You're lost little girl
You're lost
Tell me who
Are you?

I think that you know what to do
Impossible? Yes, but it's true
I think that you know what to do, yeah
I'm sure that you know what to do

You're lost little girl
You're lost little girl
You're lost
Tell me who
Are you?

I think that you know what to do
Impossible? Yes, but it's true
I think that you know what to do, girl
I'm sure that you know what to do

You're lost little girl
You're lost little girl
You're lost


@SONG: LOVE ME TWO TIMES

Love me two times, baby
Love me twice today
Love me two times, girl
I'm goin' away
Love me two times, girl
One for tomorrow
One just for today
Love me two times
I'm goin' away

Love me one time
I could not speak
Love me one time
Yeah, my knees got weak
But love me two times, girl
Last me all through the week
Love me two times
I'm goin' away
Love me two times
I'm goin' away

Oh, yes

Love me one time
I could not speak
Love me one time, baby
Yeah, my knees got weak
But love me two times, girl
Last me all through the week
Love me two times
I'm goin' away

Love me two times, babe
Love me twice today
Love me two times, babe
'Cause I'm goin' away
Love me two time, girl
One for tomorrow
One just for today
Love me two times
I'm goin' away
Love me two times
I'm goin' away
Love me two times
I'm goin' away


@SONG: UNHAPPY GIRL

Unhappy girl
Left all alone
Playing solitaire
Playing warden to your soul
You are locked in a prison
Of your own devise
And you can't believe
What it does to me
To see you
Crying

Unhappy girl
Tear your web away
Saw thru all your bars
Melt your cell today
You are caught in a prison
Of your own devise

Unhappy girl
Fly fast away
Don't miss your chance
To swim in mystery
You are dying in a prison
Of your own devise


@SONG: HORSE LATITUDES

When the still sea conspires an armor
And her sullen and aborted
Currents breed tiny monsters
True sailing is dead
Awkward instant
And the first animal is jettisoned
Legs furiously pumping
Their stiff green gallop
And heads bob up
Poise
Delicate
Pause
Consent
In mute nostril agony
Carefully refined
And sealed over


@SONG: MOONLIGHT DRIVE

Let's swim to the moon, uh huh
Let's climb through the tide
Penetrate the evenin' that the
City sleeps to hide

Let's swim out tonight, love
It's our turn to try
Parked beside the ocean
On our moonlight drive

Let's swim to the moon, uh huh
Let's climb through the tide
Surrender to the waiting worlds
That lap against our side

Nothin' left open
And no time to decide
We've stepped into a river
On our moonlight drive

Let's swim to the moon
Let's climb through the tide
You reach your hand to hold me
But I can't be your guide

Easy, I love you
As I watch you glide
Falling through wet forests
On our moonlight drive, baby
Moonlight drive

Come on, baby, gonna take a little ride
Down, down by the ocean side
Gonna get real close
Get real tight
Baby gonna drown tonight
Goin' down, down, down


@SONG: PEOPLE ARE STRANGE

People are strange when you're a stranger
Faces look ugly when you're alone
Women seem wicked when you're unwanted
Streets are uneven when you're down

When you're strange
Faces come out of the rain
When you're strange
No one remembers your name
When you're strange
When you're strange
When you're strange

People are strange when you're a stranger
Faces look ugly when you're alone
Women seem wicked when you're unwanted
Streets are uneven when you're down

When you're strange
Faces come out of the rain
When you're strange
No one remembers your name
When you're strange
When you're strange
When you're strange

When you're strange
Faces come out of the rain
When you're strange
No one remembers your name
When you're strange
When you're strange
When you're strange


@SONG: MY EYES HAVE SEEN YOU

My eyes have seen you
My eyes have seen you
My eyes have seen you
Stand in your door
When we meet inside
Show me some more
Show me some more
Show me some more

My eyes have seen you
My eyes have seen you
My eyes have seen you
Turn and stare
Fix your hair
Move upstairs
Move upstairs
Move upstairs

My eyes have seen you
My eyes have seen you
My eyes have seen you
Free from disguise
Gazing on a city under
Television skies
Television skies
Television skies

My eyes have seen you
My eyes have seen you
Eyes have seen you
Let them photograph your soul
Memorize your alleys
On an endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll
Endless roll


@SONG: I CAN'T SEE YOUR FACE IN MY MIND

I can't see your face in my mind
I can't see your face in my mind
Carnival dogs
Consume the lines
Can't see your face in my mind

Don't you cry
Baby, please don't cry
And don't look at me
With your eyes

I can't seem to find the right lie
I can't seem to find the right lie
Insanity's horse
Adorns the sky
Can't seem to find the right lie

Carnival dogs
Consume the lines
Can't see your face in my mind

Don't you cry
Baby, please don't cry
I won't need your picture
Until we say goodbye


@SONG: WHEN THE MUSIC'S OVER

Yeah, c'mon

When the music's over
When the music's over, yeah
When the music's over
Turn out the lights
Turn out the lights
Turn out the lights, yeah

When the music's over
When the music's over
When the music's over
Turn out the lights
Turn out the lights
Turn out the lights

For the music is your special friend
Dance on fire as it intends
Music is your only friend
Until the end
Until the end
Until the end

Cancel my subscription to the Resurrection
Send my credentials to the House of Detention
I got some friends inside

The face in the mirror won't stop
The girl in the window won't drop
A feast of friends
"Alive!" she cried
Waitin' for me
Outside!

Before I sink
Into the big sleep
I want to hear
I want to hear
The scream of the butterfly

Come back, baby
Back into my arm
We're gettin' tired of hangin' around
Waitin' around with our heads to the ground

I hear a very gentle sound
Very near yet very far
Very soft, yeah, very clear
Come today, come today

What have they done to the earth?
What have they done to our fair sister?
Ravaged and plundered and ripped her and bit her
Stuck her with knives in the side of the dawn
And tied her with fences and dragged her down

I hear a very gentle sound
With your ear down to the ground
We want the world and we want it...
We want the world and we want it...
Now
Now?
Now!

Persian night, babe
See the light, babe
Save us!
Jesus!
Save us!

So when the music's over
When the music's over, yeah
When the music's over
Turn out the lights
Turn out the lights
Turn out the lights

Well the music is your special friend
Dance on fire as it intends
Music is your only friend
Until the end
Until the end
Until the end!

@ALBUM: WAITING FOR THE SUN
-------------------

@SONG: HELLO, I LOVE YOU

Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game
Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game

She's walking down the street
Blind to every eye she meets
Do you think you'll be the guy
To make the queen of the angels sigh?

Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game
Hello, I love you
Won't you tell me your name?
Hello, I love you
Let me jump in your game

She holds her head so high
Like a statue in the sky
Her arms are wicked, and her legs are long
When she moves my brain screams out this song

Sidewalk crouches at her feet
Like a dog that begs for something sweet
Do you hope to make her see, you fool?
Do you hope to pluck this dusky jewel?

Hello, Hello, Hello, Hello, Hello, Hello, Hello
I want you
Hello
I need my baby
Hello, Hello, Hello, Hello


@SONG: LOVE STREET

She lives on Love Street
Lingers long on Love Street
She has a house and garden
I would like to see what happens

She has robes and she has monkeys
Lazy diamond studded flunkies
She has wisdom and knows what to do
She has me and she has you

She has wisdom and knows what to do
She has me and she has you

I see you live on Love Street
There's this store where the creatures meet
I wonder what they do in there
Summer Sunday and a year
I guess I like it fine, so far

She lives on Love Street
Lingers long on Love Street
She has a house and garden
I would like to see what happens

La, la, la, la, la, la, la
La, la, la, la, la, la, la
La, la, la, la, la, la, la
La, la, la, la, la, la, la
La, la, la, la, la, la, la


@SONG: NOT TO TOUCH THE EARTH

Not to touch the earth
Not to see the sun
Nothing left to do, but
Run, run, run
Let's run
Let's run

House upon the hill
Moon is lying still
Shadows of the trees
Witnessing the wild breeze
C'mon baby run with me
Let's run

Run with me
Run with me
Run with me
Let's run

The mansion is warm, at the top of the hill
Rich are the rooms and the comforts there
Red are the arms of luxuriant chairs
And you won't know a thing till you get inside

Dead president's corpse in the driver's car
The engine runs on glue and tar
Come on along, not goin' very far
To the East to meet the Czar

Run with me
Run with me
Run with me
Let's run

Whoa!

Some outlaws lived by the side of a lake
The minister's daughter's in love with the snake
Who lives in a well by the side of the road
Wake up, girl, we're almost home

Ya, c'mon!

We should see the gates by mornin'
We should be inside the evenin'

Sun, sun, sun
Burn, burn, burn
Soon, soon, soon
Moon, moon, moon
I will get you
Soon!
Soon!
Soon!

I am the Lizard King
I can do anything


@SONG: SUMMER'S ALMOST GONE

Summer's almost gone
Summer's almost gone
Almost gone
Yeah, it's almost gone
Where will we be
When the summer's gone?

Morning found us calmly unaware
Noon burn gold into our hair
At night, we swim the laughin' sea
When summer's gone
Where will we be
Where will we be
Where will we be

Morning found us calmly unaware
Noon burn gold into our hair
At night, we swim the laughin' sea
When summer's gone
Where will we be

Summer's almost gone
Summer's almost gone
We had some good times
But they're gone
The winter's comin' on
Summer's almost gone


@SONG: WINTERTIME LOVE

Wintertime winds blow cold the season
Fallen in love, I'm hopin' to be
Wind is so cold, is that the reason?
Keeping you warm, your hands touching me

Come with me dance, my dear
Winter's so cold this year
You are so warm
My wintertime love to be

Winter time winds blue and freezin'
Comin' from northern storms in the sea
Love has been lost, is that the reason?
Trying desperately to be free

Come with me dance, my dear
Winter's so cold this year
And you are so warm
My wintertime love to be

La, la, la, la

Come with me dance, my dear
Winter's so cold this year
You are so warm
My wintertime love to be


@SONG: THE UNKNOWN SOLDIER

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier

Hut
Hut
Hut ho hee up
Hut
Hut
Hut ho hee up
Hut
Hut
Hut ho hee up
Comp'nee
Halt
Preeee-zent!
Arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over
The war is over
It's all over
The war is over
Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby
Wooooo, hah-hah
All over
All over, baby
Oh, woa-yeah
All over
All over
Heeeeyyyy


@SONG: SPANISH CARAVAN

Carry me Caravan take me away
Take me to Portugal, take me to Spain
Andalusia with fields full of grain
I have to see you again and again
Take me, Spanish Caravan
Yes, I know you can

Trade winds find Galleons lost in the sea
I know where treasure is waiting for me
Silver and gold in the mountains of Spain
I have to see you again and again
Take me, Spanish Caravan
Yes, I know you can


@SONG: MY WILD LOVE

My wild love went ridin'
She rode all the day
She wrote to the devil
And asked him to pay
The devil was wiser
It's time to repent
He asked her to give back
The money she spent

My wild love went ridin'
She rode to the sea
She gathered together
Some shells for her head
She rode and she rode on
She rode for a while
Then stopped for an evenin'
And lay her head down

She rode on to Christmas
She rode to the farm
She rode to Japan
And we entered a town
By this time the river
Had changed one degree
She asked for the people
To let her go free

My wild love is crazy
She screams like a bird
She moans like a cat
When she wants to be heard
My wild love went ridin'
She rode for an hour
She rode and she rested
And then she rode on
Ride, c'mon


@SONG: WE COULD BE SO GOOD TOGETHER

We could be so good together
Ya, so good together
We could be so good together
Ya, we could, I know we could

Tell you lies
I tell you wicked lies
Tell you lies
Tell you wicked lies

Tell you 'bout the world that we'll invent
Wanton world without lament
Enterprise, expedition
Invitation and invention

Ya, so good together
Ah, so good together
We could be so good together
Ya, we could, know we could

Alright!

Do da do do do do do bup bup de day

We could be so good together
Ya, so good together
We could be so good together
Ya, we could, know we could

Tell you lies
Tell you wicked lies
Tell you lies
Tell you wicked lies

The time you wait subtracts the joy
Beheads the angels you destroy
Angels fight, angels cry
Angels dance and angels die

Ya, so good together
Ah, but so good together
We could be so good together
Ya, we could, know we could


@SONG: YES, THE RIVER KNOWS

Please believe me
The river told me
Very softly
Want you to hold me, ooo

Free fall flow, river flow
On and on it goes
Breath under water 'till the end
Free fall flow, river flow
On and on it goes
Breath under water 'till the end
Yes, the river knows

Please believe me
If you don't need me
I'm going, but I need a little time
I promised I would drown myself in mysticated wine

Please believe me
The river told me
Very softly
Want you to hold me, ooo

I'm going, but I need a little time
I promised I would drown myself in mysticated wine

Free fall flow, river flow
On and on it goes
Breath under water 'till the end
Free fall flow, river flow
On and on it goes
Breath under water 'till the end


@SONG: FIVE TO ONE

Yeah, c'mon
Love my girl
She lookin' good
C'mon
One more

Five to one, baby
One in five
No one here gets out alive, now
You get yours, baby
I'll get mine
Gonna make it, baby
If we try

The old get old
And the young get stronger
May take a week
And it may take longer
They got the guns
But we got the numbers
Gonna win, yeah
We're takin' over
Come on!

Yeah!

Your ballroom days are over, baby
Night is drawing near
Shadows of the evening crawl across the years
Ya walk across the floor with a flower in your hand
Trying to tell me no one understands
Trade in your hours for a handful dimes
Gonna' make it, baby, in our prime

Come together one more time
Get together one more time
Get together one more time
Get together, aha
Get together one more time!
Get together one more time!
Get together one more time
Get together one more time
Get together, gotta, get together

Ohhhhhhhh!

Hey, c'mon, honey
You won't have along wait for me, baby
I'll be there in just a little while
You see, I gotta go out in this car with these people and...

Get together one more time
Get together one more time
Get together, got to
Get together, got to
Get together, got to
Take you up in my room and...
Hah-hah-hah-hah-hah
Love my girl
She lookin' good, lookin' real good
Love ya, c'mon

@ALBUM: THE SOFT PARADE

@SONG: TELL ALL THE PEOPLE

Tell all the people that you see
Follow me
Follow me down
Tell all the people that you see
Set them free
Follow me down

You tell them they don't have to run
We're gonna pick up everyone
Come out and take me by my hand
Gonna bury all our troubles in the sand, oh yeah

Can't you see the wonder at your feet
Your life's complete
Follow me down
Can't you see me growing, get your guns
The time has come
To follow me down

Follow me across the sea
Where milky babies seem to be
Molded, flowing revelry
With the one that set them free

Tell all the people that you see
It's just me
Follow me down

Tell all the people that you see
Follow me
Follow me down
Tell all the people that you see
We'll be free
Follow me down

Tell all the people that you see
It's just me
Follow me down
Tell all the people that you see
Follow me
Follow me down

Follow me down
You got to follow me down
Follow me down
Tell all the people that you see
We'll be free
Follow me down
Tell all the people you see
Follow me
You got to follow me down


@SONG: TOUCH ME

Yeah!

Come on, come on, come on, come on
Now touch me, baby
Can't you see that I am not afraid?
What was that promise that you made?
Why won't you tell me what she said?
What was that promise that you made?

Now, I'm gonna love you
Till the heavens stop the rain
I'm gonna love you
Till the stars fall from the sky for you and I

Come on, come on, come on, come on
Now touch me, baby
Can't you see that I am not afraid?
What was that promise that you made?
Why won't you tell me what she said?
What was that promise that you made?

I'm gonna love you
Till the heavens stop the rain
I'm gonna love you
Till the stars fall from the sky for you and I

I'm gonna love you
Till the heavens stop the rain
I'm gonna love you
Till the stars fall from the sky for you and I


@SONG: SHAMAN'S BLUES

There will never be
Another one like you
There will never be
Another one who can
Do the things you do, oh

Will you give another chance?
Will you try, little try?
Please stop and you remember
We were together, anyway, all right

And if you have a certain evenin'
You could lend to me
I'd give it all right back to you
A how it has to be with you
I know your moves and your mind
And your mind
And your mind
And your mind
And your mind
And your mind
And your mind

Will you stop and think and wonder?
Just what you'll see
Out on the train yard
Nursin' penitentiary
It's gone, I cry out long

Go head, brother

Did you stop it to consider?
How it will feel
Cold, grinded grizzly bear jaws
Hot on your heels

Do you often stop and whisper?
It's Saturday's shore
The whole world's a savior
Who could ever, ever, ever
Ever, ever, ever
Ask for more?

Do you remember?
Will you stop?
Will you stop?
The pain

And there will never be
Another one like you
There will never be
Another one who can
Do the things you do, oh

Will you give another chance?
Will you try, little try?
Please stop and you remember
We were together, anyway, all right

How you must of think and wondered
How I must feel
Out on the meadows
While you run the field
I'm alone for you
And I cry

The sweat, look at it
Optical promise
Heh, heh, heh
You'll be dead and in hell
Before I'm born
Sure thing
Brides maid
The only solution
Isn't it amazing?


@SONG: DO IT

Yuppa tuppa ta ta
Yuppa tuppa chic ta
Do thang, do thang
Do tuppa thang cho
Rikki te tatar
Te teen tar
De dow dow
Ha, ha, ha, ha
Ha, ha, ha, ha

Yeah
Yeah please me, yeah
Easy, babe
Please me

Please, please listen to me children
Please, please listen to me children
Please, please listen to me children
Said please, please listen to me children
You are the ones who will rule the world

Listen to me children
Listen to me children
Please, please listen to me children
Please, please listen to me children
You are the ones who will rule the world, ha

You gotta please me
All night
Please, please listen to me children
Said please, please listen to me children
Please, yeah, please me
I'm askin' you

Please, please listen to me children
Please, please listen to me children
Please, please listen to me children
Please, my children
Please, children
Please, children


@SONG: EASY RIDE

And I know
It will be
An easy ride, all right
And I know
It will be
Easy ride, ok

The mask that you wore
My fingers would explore
Costume of control
Excitement soon unfolds

And I know
It will be
Easy ride, yeah
Joy, for vaguely
Which' your pride
Which' your pride, yeah

Black polished stone
Black polished stone
I see your eyes
Like burnin' glass
Like burnin' glass
Hear you smile, smile, babe

The mask that you wore
My fingers would explore
Costume of control
Excitement soon unfolds, hey

Easy, baby

Call the queen, now
Be my bride
Ragin' darkness
By my side
Seize the summer
In your pride
Take the winter
In your stride

Let's ride, yeah
Easy, easy, easy
Easy, easy, ease, easy
Yeah, yeah, ride
Dum, dum, dum, dum
Dum, dum, dum
Ride


@SONG: WILD CHILD

All right

Wild child full of grace
Savior of the human race
Your cool face

Natural child, terrible child
Not your mother's or your father's child
Your our child, screamin' wild

An ancient rulage of grains
And the trees of the night
Ha, ha, ha, ha

With hunger at her heels
Freedom in her eyes
She dances on her knees
Pirate prince at her side
Stirrin' into a hollow idols eyes

Wild child full of grace
Savior of the human race
Your cool face
Your cool face
Your cool face

Do you remember when we were in Africa?


@SONG: RUNNIN' BLUE

Poor Otis dead and gone
Left me here to sing his song
Pretty little girl with the red dress on
Poor Otis dead and gone

Yeah, back down, turn around slowly
Try it again, remembering when
It was easy, try it again
Much to easy, rememberin' when

All right, look at my shoes
Not quite the walkin' blues
Don't fight, too much to lose
Can't fight the runnin' blues

Well, I've got the runnin' blues
Runnin' away, back to L.A.
Got to find the dock of the bay
Maybe find it back in L.A.

Runnin' scared
Runnin' blue
Goin' so fast
What'll I do

Well, I've got the runnin' blues
Runnin' away, back to L.A.
Got to find the dock of the bay
Maybe find it back in L.A.

All right, look at my shoes
Not quite the walkin' blues
Don't fight, too much to lose
Can't fight the runnin' blues

All right, look at my shoes
Not quite the walkin' blues
Don't fight, too much to lose
Can't fight the runnin' blues


@SONG: WISHFUL SINFUL

Wishful crystal
Water covers everything in blue
Coolin' water

Wishful sinful
Our love is beautiful to see
I know where I would like to be
Right back where I came

Wishful, sinful, wicked blue
Water covers you
Wishful, sinful, wicked you
Can't escape the blue

Magic risin'
Sun is shinin' deep beneath the sea
But not enough for you and me and sunshine
Love to hear the wind cry

Wishful sinful
Our love is beautiful to see
I know where I would like to be
Right back where I came

Wishful, sinful, wicked blue
Water covers you
Wishful, sinful, wicked you
Can't escape the blue

Love to hear the wind cry
Love to hear you cry, yeah, yeah


@SONG: THE SOFT PARADE

When I was back there in seminary school
There was a person there
Who put forth the proposition
That you can petition the Lord with prayer
Petition the lord with prayer
Petition the lord with prayer
You cannot petition the lord with prayer!

Can you give me sanctuary
I must find a place to hide
A place for me to hide

Can you find me soft asylum
I can't make it anymore
The Man is at the door

Peppermint, miniskirts, chocolate candy
Champion sax and a girl named Sandy
There's only four ways to get unraveled
One is to sleep and the other is travel, da da
One is a bandit up in the hills
One is to love your neighbor 'till
His wife gets home

Catacombs
Nursery bones
Winter women
Growing stones
Carrying babies
To the river

Streets and shoes
Avenues
Leather riders
Selling news
The monk bought lunch

Ha ha, he bought a little
Yes, he did
Woo!
This is the best part of the trip
This is the trip, the best part
I really like
What'd he say?
Yeah!
Yeah, right!
Pretty good, huh
Huh!
Yeah, I'm proud to be a part of this number

Successful hills are here to stay
Everything must be this way
Gentle streets where people play
Welcome to the Soft Parade

All our lives we sweat and save
Building for a shallow grave
Must be something else we say
Somehow to defend this place
Everything must be this way
Everything must be this way, yeah

The Soft Parade has now begun
Listen to the engines hum
People out to have some fun
A cobra on my left
Leopard on my right, yeah

The deer woman in a silk dress
Girls with beads around their necks
Kiss the hunter of the green vest
Who has wrestled before
With lions in the night

Out of sight!
The lights are getting brighter
The radio is moaning
Calling to the dogs
There are still a few animals
Left out in the yard
But it's getting harder
To describe sailors
To the underfed

Tropic corridor
Tropic treasure
What got us this far
To this mild equator?

We need someone or something new
Something else to get us through, yeah, c'mon

Callin' on the dogs
Callin' on the dogs
Oh, it's gettin' harder
Callin' on the dogs
Callin' in the dogs
Callin' all the dogs
Callin' on the gods

You gotta meet me
Too late, baby
Slay a few animals
At the crossroads
Too late
All in the yard
But it's gettin' harder
By the crossroads
You gotta meet me
Oh, we're goin', we're goin great
At the edge of town
Tropic corridor
Tropic treasure
Havin' a good time
Got to come along
What got us this far
To this mild equator?
Outskirts of the city
You and I
We need someone new
Somethin' new
Somethin' else to get us through
Better bring your gun
Better bring your gun
Tropic corridor
Tropic treasure
We're gonna ride and have some fun

When all else fails
We can whip the horse's eyes
And make them sleep
And cry

@ALBUM: Morrison Hotel

@SONG: ROADHOUSE BLUES

Yeah

Keep your eyes on the road, your hands upon the wheel
Keep your eyes on the road, your hands upon the wheel
Yeah, we're goin' to the Roadhouse
We're gonna have a real
Good time

Yeah, back at the Roadhouse they got some bungalows
Yeah, back at the Roadhouse they got some bungalows
And that's for the people
Who like to go down slow

Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, all night long

Do it, honey, do it

You gotta roll, roll, roll
You gotta thrill my soul, all right
Roll, roll, roll, roll
Thrill my soul
You gotta beep a gunk a chucha
Honk konk konk
You gotta each you puna
Each ya bop a luba
Each yall bump a kechonk
Ease sum konk
Ya, ride

Ashen lady, Ashen lady
Give up your vows, give up your vows
Save our city, save our city
Right now

Well, I woke up this morning, I got myself a beer
Well, I woke up this morning, and I got myself a beer
The future's uncertain, and the end is always near

Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, all night long




@SONG: PEACE FROG

There's blood in the streets, it's up to my ankles
She came
There's blood on the streets, it's up to my knee
She came
Blood on the streets in the town of Chicago
She came
Blood on the rise, it's following me
Think about the break of day

She came and then she drove away
Sunlight in her hair

She came
Blood in the streets runs a river of sadness
She came
Blood in the streets it's up to my thigh
She came
Yeah the river runs red down the legs of the city
She came
The women are crying rivers of weepin'

She came into town and then she drove away
Sunlight in her hair

Indians scattered on dawn's highway bleeding
Ghosts crowd the young child's fragile eggshell mind

Blood in the streets in the town of New Haven
Blood stains the roofs and the palm trees of Venice
Blood in my love in the terrible summer
Bloody red sun of Phantastic L.A.

Blood screams the pain as they chop off her fingers
Blood will be born in the birth of a nation
Blood is the rose of mysterious union

There's blood in the streets, it's up to my ankles
Blood in the streets, it's up to my knee
Blood in the streets in the town of Chicago
Blood on the rise, it's following me



@SONG: Queen of the Highway

She was a princess, Queen of the Highway
Sign on the road said: "Take us to Madre"
No one could save her, save the blind tiger
He was a monster, black dressed in leather
She was a princess, Queen of the Highway

Now they are wedded, she is a good girl
Naked as children out in a meadow,
Naked as children, wild as can be,
Soon to have offspring, start it all over

Start at all over

American boy, American girl,
Most beautiful people in the world!
Son of a frontier Indian Swirl,
Dancing through the midnight whirl-pool
Formless hope it can
continue a little while longer
@ALBUM: l.a.woman
L.A. WOMAN


@SONG: THE CHANGELING

Uh!
Uha!
Gedu!

I live uptown
I live downtown
I live all around

I had money, and I had none
I had money, and I had none
But I never been so broke
That I couldn't leave town

I'm a Changeling
See me change
I'm a Changelin'
See me change

I'm the air you breath
Food you eat
Friends your greet
In the sullen street, wow

See me change
See me change, you

I live uptown
I live downtown
I live all around

I had money, yeah, and I had none
I had money, yeah, and I had none
But I never been so broke
That I couldn't leave town

Well, I'm the air you breath
Food you eat
Friends your greet
In the sullen street, wow

Ew ma!
Uh, ah!

You gotta see me change
See me change
Yeah, I'm leavin' town
On a midnight train
Gotta see me change
Change, change, change
Change, change, change
Change, change, change
Change, change, change
Woa, change, change, change


@SONG: LOVE HER MADLY

Don't ya love her madly
Don't ya need her badly
Don't ya love her ways
Tell me what you say

Don't ya love her madly
Wanna be her daddy
Don't ya love her face
Don't ya love her as she's walkin' out the door
Like she did one thousand times before

Don't ya love her ways
Tell me what you say
Don't ya love her as she's walkin' out the door

All your love
All your love
All your love
All your love

All your love is gone
So sing a lonely song
Of a deep blue dream
Seven horses seem to be on the mark

Yeah, don't you love her
Don't you love her as she's walkin' out the door

All your love
All your love
All your love

Yeah, all your love is gone
So sing a lonely song
Of a deep blue dream
Seven horses seem to be on the mark

Well, don't ya love her madly
Don't ya love her madly
Don't ya love her madly


@SONG: BEEN DOWN SO LONG

Well, I've been down so Goddamn long
That it looks like up to me
Well, I've been down so very damn long
That it looks like up to me
Yeah, why don't one you people
C'mon and set me free

I said, warden, warden, warden
Won't you break your lock and key
I said, warden, warden, warden
Won't ya break your lock and key
Yeah, come along here, mister
C'mon and let the poor boy be

Baby, baby, baby
Won't you get down on your knees
Baby, baby, baby
Won't you get down on your knees
C'mon little darlin'
C'mon and give your love to me, oh yeah

Well, I've been down so Goddamn long
That it looks like up to me
Well, I've been down so very damn long
That it looks like up to me
Yeah, why don't one you people
C'mon, c'mon, c'mon and set me free


@SONG: CARS HISS BY MY WINDOW

The cars hiss by my window
Like the waves down on the beach
The cars hiss by my window
Like the waves down on the beach
I got this girl beside me
But she's out of reach

Headlight through my window
Shinin' on the wall
Headlight through my window
Shinin' on the wall
Can't hear my baby
Though I called and called

Yeah, right
Woo!

Windows started tremblin'
With a sonic boom
Windows started tremblin'
With a sonic boom, boom
A cold girl'll kill you
In a darkened room

Yeah, woo
Ride
Ride on
Weooooo!
Wawa, eooo!
Oooo, owa, owaaa!
Wa, waaaaea!
Ooo, wa, wa, wa, wa, waa!
Uh-huh


@SONG: L.A. WOMAN

Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows

Are you a lucky little lady in The City of Light
Or just another lost angel...City of Night
City of Night, City of Night, City of Night, woo, c'mon

L.A. Woman, L.A. Woman
L.A. Woman Sunday afternoon
L.A. Woman Sunday afternoon
L.A. Woman Sunday afternoon
Drive thru your suburbs
Into your blues, into your blues, yeah
Into your blue-blue Blues
Into your blues, ohh, yeah

I see your hair is burnin'
Hills are filled with fire
If they say I never loved you
You know they are a liar
Drivin' down your freeways
Midnite alleys roam
Cops in cars, the topless bars
Never saw a woman...
So alone, so alone
So alone, so alone

Motel Money Murder Madness
Let's change the mood from glad to sadness

Mr. Mojo Risin', Mr. Mojo Risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Got to keep on risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Mojo Risin', gotta Mojo Risin'
Mr. Mojo Risin', gotta keep on risin'
Risin', risin'
Gone risin', risin'
I'm gone risin', risin'
I gotta risin', risin'
Well, risin', risin'
I gotta, wooo, yeah, risin'
Woah, ohh yeah

Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows

Are you a lucky little lady in The City of Light
Or just another lost angel...City of Night
City of Night, City of Night, City of Night, woah, c'mon

L.A. Woman, L.A. Woman
L.A. Woman, your my woman
Little L.A. Woman, Little L.A. Woman
L.A. L.A. Woman Woman
L.A. Woman c'mon


@SONG: L'AMERICA

Yeeeaahh

I took a trip down to L'America
To trade some beads for a pint of gold
I took a trip down to L'America
To trade some beads for a pint of gold
L'America, L'America, L'America
L'America, L'America, L'America

C'mon people, don't ya look so down
You know the rain man's comin' ta town
Change the weather, change your luck
And then he'll teach ya how ta...find yourself
L'America

Friendly strangers came to town
All the people put them down
But, the women loved their ways
Come again some other day
Like the gentle rain
Like the gentle rain that falls

I took a trip down to L'America
To trade some beads for a pint of gold
I took a trip down to L'America
To trade some beads for a pint of gold
L'America, L'America, L'America
L'America, L'America, L'America
L'America


@SONG: HYACINTH HOUSE

What are they doing in the Hyacinth House?
What are they doing in the Hyacinth House?
To please the lions in this day

I need a brand new friend who doesn't bother me
I need a brand new friend who doesn't trouble me
I need someone and who doesn't need me

I see the bathroom is clear
I think that somebody's near
I'm sure that someone is following me, oh yeah

Why did you throw the Jack of Hearts away?
Why did you throw the Jack of Hearts away?
It was the only card in the deck that I had left to play

And I'll say it again, I need a brand new friend
And I'll say it again, I need a brand new friend
And I'll say it again, I need a brand new friend, the end


@SONG: CRAWLING KING SNAKE

Well, I'm the Crawlin' King Snake
And I rule my den
I'm the Crawlin' King Snake
And I rule my den
Yeah, don't mess 'round with my mate
Gonna use her for myself

Caught me crawlin', baby, window
Grass is very high
Keep on crawlin' till the day I die
Crawlin' King Snake
And I rule my den
You better give me what I want
Gonna crawl no more

Caught me crawlin', baby
Crawlin' 'round your door
Seein' everything I want
I'm gonna crawl on your floor
Let's crawl
And I rule my den
C'mon, give me what I want
Ain't gonna crawl no more

Alright, crawl a while

C'mon crawl
C'mon crawl
Get on out there on your hands and knees, baby
Crawl all over me
Just like the spider on the wall
Ooo, we gonn' crawl, one more

Well, I'm the Crawlin' King Snake
And I rule my den
Call me the Crawlin' King Snake
And I rule my den
Yeah, don't mess 'round with my mate
Gonna use her for myself


@SONG: THE WASP (TEXAS RADIO AND THE BIG BEAT)

I wanna tell you 'bout Texas Radio and the Big Beat
Comes out of the Virginia swamps
Cool and slow with plenty of precision
With a back beat narrow and hard to master

Some call it heavenly in it's brilliance
Others, mean and ruthful of the Western dream
I love the friends I have gathered together on this thin raft
We have constructed pyramids in honor of our escaping
This is the land where the Pharaoh died

The Negroes in the forest brightly feathered
They are saying, "Forget the night.
Live with us in forests of azure.
Out here on the perimeter there are no stars
Out here we is stoned - immaculate."

Listen to this, and I'll tell you 'bout the heartache
I'll tell you 'bout the heartache and the lose of God
I'll tell you 'bout the hopeless night
The meager food for souls forgot
I'll tell you 'bout the maiden with raw iron soul

I'll tell you this
No eternal reward will forgive us now for wasting the dawn

I'll tell you 'bout Texas Radio and the Big Beat
Soft drivin', slow and mad, like some new language

Now, listen to this, and I'll tell you 'bout the Texas
I'll tell you 'bout the Texas Radio
I'll tell you 'bout the hopeless night
Wandering the Western dream
Tell you 'bout the maiden with raw iron soul


@SONG: RIDERS ON THE STORM

Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm

There's a killer on the road
His brain is squirmin' like a toad
Take a long holiday
Let your children play
If ya give this man a ride
Sweet memory will die
Killer on the road, yeah

Girl ya gotta love your man
Girl ya gotta love your man
Take him by the hand
Make him understand
The world on you depends
Our life will never end
Gotta love your man, yeah

Wow!

Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm

Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm


@SONG: ***THE CELEBRATION OF THE LIZARD

Lions in the street and roaming
Dogs in heat, rabid, foaming
A beast caged in the heart of a city
The body of his mother
Rotting in the summer ground
He fled the town

He went down South and crossed the border
Left the chaos and disorder
Back there over his shoulder

One morning he awoke in a green hotel
With a strange creature groaning beside him
Sweat oozed from its shiny skin

Is everybody in?
The ceremony is about to begin


Wake up!
You can't remember where it was
Had this dream stopped?

The snake was pale gold
Glazed and shrunken
We were afraid to touch it
The sheets were hot dead prisons

Now, run to the mirror in the bathroom
Look!
I can't live thru each slow century of her moving
I let my cheek slide down
The cool smooth tile
Feel the good cold stinging blood
The smooth hissing snakes of rain . . .


Once I had, a little game
I liked to crawl back into my brain
I think you know the game I mean
I mean the game called 'go insane'

Now you should try this little game
Just close your eyes forget your name
Forget the world forget the people
And we'll erect a different steeple

This little game is fun to do
Just close your eyes no way to lose
And I'm right there I'm going too
Release control we're breaking thru


Way back deep into the brain
Back where there's never any pain
And the rain falls gently on the town
And in the labyrinth of streams
Beneath, the quiet unearthly presence of
Nervous hill dwellers in the gentle hills around
Reptiles abounding
Fossils, caves, cool air heights

Each house repeats a mold
Windows rolled
Beast car locked in against morning
All now sleeping
Rugs silent, mirrors vacant
Dust blind under the beds of lawful couples
Wound in sheets
And daughters, smug
With semen eyes in their nipples

Wait
There's been a slaughter here


(Don't stop to speak or look around
Your gloves and fan are on the ground
We're getting out of town
We're going on the run
And you're the one I want to come)


Not to touch the earth
Not to see the sun
Nothing left to do, but
Run, run, run
Let's run

House upon the hill
Moon is lying still
Shadows of the trees
Witnessing the wild breeze
C'mon baby run with me
Let's run

Run with me
Run with me
Run with me
Let's run

The mansion is warm, at the top of the hill
Rich are the rooms and the comforts there
Red are the arms of luxuriant chairs
And you won't know a thing till you get inside

Dead president's corpse in the driver's car
The engine runs on glue and tar
C'mon along, we're not going very far
To the East to meet the Czar


Some outlaws lived by the side of the lake
The minister's daughter's in love with the snake
Who lives in a well by the side of the road
Wake up, girl! We're almost home

Sun, sun, sun
Burn, burn, burn
Soon, soon, soon
Moon, moon, moon
I will get you
Soon!
Soon!
Soon!


Let the carnival bells ring
Let the serpent sing
Let everything

We came down
The rivers and highways
We came down from
Forests and falls

We came down from
Carson and Springfield
We came down from
Phoenix enthralled
And I can tell you
The names of the Kingdom
I can tell you
The things that you know
Listening for a fistful of silence
Climbing valleys into the shade


'I am the Lizard King
I can do anything
I can make the earth stop in its tracks
I made the blue cars go away

For seven years I dwelt
In the loose palace of exile
Playing strange games
With the girls of the island

Now I have come again
To the land of the fair, and the strong, and the wise

Brothers and sisters of the pale forest
O Children of Night
Who among you will run with the hunt?

Now Night arrives with her purple legion
Retire now to your tents and to your dreams
Tomorrow we enter the town of my birth
I want to be ready'

Poems By James Douglas Morrison, Page1

----------------------------------------------------------------------------
* AN AMERICAN PRAYER
* THE NEW CREATURES
* THE CELEBRATION OF THE LIZARD
* THE HITCHHIKER
----------------------------------------------------------------------------

[Image]
AN AMERICAN PRAYER

by James Douglas Morrison

----------------------------------------------------------------------------

Awake Ghost Song

Is everybody in?
Is everybody in?
Is everybody in?
The ceremony is about to begin.

WAKE UP!

You can't remember where it was
had this dream stopped?

Awake

Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and choose the sign of your day
The day's divinity
First thing you see.

A vast radiant beach in a cool jeweled moon
Couples naked race down by it's quiet side
And we laugh like soft, mad children
Smug in the wooly cotton brains of infancy
The music and voices are all around us.
Choose they croon the Ancient Ones
The time has come again
Choose now, they croon
Beneath the moon
Beside an ancient lake
Enter again the sweet forest
Enter the hot dream
Come with us
Everything is broken up and dances.

----------------------------------------------------------------------------

Dawn's Highway

Indians scattered on dawn's highway bleeding
Ghosts crowd the young child's fragile eggshell mind.

Me and my -ah- mother and father - and a
grandmother and a grandfather - were driving through
the desert, at dawn, and a truck load of Indian
workers had either hit another car, or just - I don't
know what happened - but there were Indians scattered
all over the highway, bleeding to death.

So the car pulls up and stops. That was the first time
I tasted fear. I musta' been about four - like a child is
like a flower, his head is just floating in the
breeze, man.
The reaction I get now thinking about it, looking
back - is that the souls of the ghosts of those dead
Indians...maybe one or two of 'em...were just
running around freaking out, and just leaped into my
soul. And they're still in there.

Indians scattered on dawn's highway bleeding
Ghosts crowd the young child's fragile eggshell mind.

Blood in the streets in the town of New Haven
Blood stains the roofs and the palm trees of Venice
Blood in my love in the terrible summer
Bloody red sun of Phantastic L.A.

Blood screams her brain as they chop off her fingers
Blood will be born in the birth if a nation
Blood is the rose of mysterious union
Blood on the rise, it's following me.

Indian, Indian what did you die for?
Indian says, nothing at all.

----------------------------------------------------------------------------

Newborn Awakening

gently they stir, gently rise
The dead are newborn awakening
With ravaged limbs and wet souls
Gently they sigh in rapt funeral amazement
Who called these dead to dance?
Was it the young woman learning to play the ghost song on her baby grand?
Was it the wilderness children?
Was it the ghost god himself, stuttering, cheering, chatting blindly?
I called you up to anoint the earth
I called you to announce sadness falling like burned skin
I called you to wish you well
To glory in self like a new monster
And now I call you to pray

----------------------------------------------------------------------------

To Come of Age

A military station in the desert.

Can we resolve the past
Lurking jaws, joints of time?
The Base
To come of age in a dry place
Holes and caves.

My friend drove and hour each day from the mountains
The bus gives you a hard-on with books in your lap
Someone shot the bird in the afternoon dance show
They gave out free records to the best couple
Spades dance best, from the hip.

----------------------------------------------------------------------------

Black Polished Chrome (Latino Chrome.)

The music was new
black polished chrome
And came over the summer
like liquid night.
The DJ's took pills to stay awake
and play for seven days
They went to the studio
And someone knew him
Someone knew the TV showman
He came to our homeroom party
and played records
And when he left in the hot noon sun
and walked to his car
We saw the chooks had written
F-U-C-K on his windshield
He wiped it off with a rag
and smiling cooly drove away
He's rich. Got a big car.

My gang will get you
Scenes of rape in the arroyo
Seduction in cars, abandoned buildings
Fights at the food stand
The dust
the shoes
Open shirts and raised collars
Bright sculptured hair.

Hey man, you want girls, pills, grass? C'mon...
I show you good time.
This place has everything. C'mon...
I show you.

----------------------------------------------------------------------------

Angels and Sailors

Angels and sailors
rich girls
backyard fences
tents

Dreams watching each other narrowly
soft luxuriant cars
Girls in garages, stripped
out to get liquor and clothes
half gallons of wine and six-packs of beer
Jumped, humped, born to suffer
made to undress in the wilderness.

I will never treat you mean
Never start no kind of scene
I'll tell you every place and person that I've been.

Always a playground instructor, never a killer
Always a bridesmaid on the verge of fame or over
He manouvered two girls into his hotel room
One a friend, the other, the young one, a newer stranger
Vaguely Mexican or Puerto Rican
Poor boys thighs and buttock scarred by a father's belt
She's trying to rie
Story of her boyfriend, of teenage stoned death games
Handsome lad, dead in a car
Confusion
No connections
Come 'ere
I love you
Peace on earth
Will you die for me?
Eat me
This way
The end

I'll always be true
Never go out, sneaking out on you, babe
If you'll only show me Far Arden again.

I'm surprised you could get it up
He whips her lightly, sardonically, with belt
Haven't I been through enough? she asks
Now dressed and leaving
The Spanish girl begins to bleed
She says her period
It's Catholic heaven
I have an ancient Indian crucifix around my neck
My chest is hard and brown
Lying on stained, wretched sheets with a bleeding virgin
We could plan a murder
Or start a religion.

----------------------------------------------------------------------------

Stoned Immaculate

I'll tell you this...
No eternal reward will forgive us now
For wasting the dawn.

Back in those days everything was simpler and more confused
One summer night, going to the pier
I ran into two young girls
The blonde one was called Freedom
The dark one, Enterprise
We talked and they told me this story
Now listen to this...
I'll tell you about Texas radio and the big beat
Soft driven, slow and mad
Like some new language
Reaching your head with the cold, sudden fury of a divine messenger
Let me tell you about heartache and the loss of god
Wandering, wandering in hopless night
Out here in the perimeter there are no stars

Out here we is stoned
Immaculate.

----------------------------------------------------------------------------

The Movie

The movie will begin in five moments
The mindless voice announced
All those unseated will await the next show.

We filed slowly, languidly into the hall
The auditorium was vast and silent
As we seated and were darkened, the voice continued.

The program for this evening is not new
You've seen this entertainment through and through
You've seen your birth your life and death
you might recall all of the rest
Did you have a good world when you died?
Enough to base a movie on?.

I'm getting out of here
Where are you going?
To the other side of morning
Please don't chase the clouds, pagodas

Her cunt gripped him like a warm, friendly hand.

It's alright, all your friends are here
When can I meet them?
After you've eaten
I'm not hungry
Uh, we meant beaten

Silver stream, silvery scream
Oooooh, impossible concentration.

----------------------------------------------------------------------------

Curses, Invocations

Curses, Invocations
Weird bate-headed mongrels
I keep expecting one of you to rise
Large buxom obese queen
Garden hogs and cunt veterans
Quaint cabbage saints
Shit hoarders and individualists
Drag strip officials
Tight lipped losers and
Lustful fuck salesman
My militant dandies
All strange orders of monsters
Hot on the tail of the woodvine
We welcome you to our procession

Here come the Comedians
look at them smile
Watch them dance an Indian mile
Look at them gesture
How aplomb
So to gesture everyone
Words dissemble
Words be quick
Words resemble walking sticks
Plant them they will grow
Watch them waver so
I'll always be a word man
Better then a bird man

----------------------------------------------------------------------------

American Night

All hail the American night!

What was that?
I don't know
Sounds like guns...thunder.

(Roadhouse Blues cuts in here with Jim doing a little audience participation
section at the end.)

...Alright! Alright! Alright!
Hey, listen! Listen! Listen, man! listen, man!
I don't know how many you people believe in astrology...

Yeah, that's right...that's right, baby, I...I am a
Sagittarius
The most philosophical of all the signs
But anyway, I don't believe in it
I think it's a bunch of bullshit, myself
But I tell you this, man, I tell you this
I don't know what's gonna happen, man, but I wanna have
my kicks before the whole shithouse goes up in flames
Alright!

----------------------------------------------------------------------------

The World on Fire

The World on Fire...Taxi from Africa...The Grand Hotel...
He was drunk a big party last night back going back
in all directions sleeping these insane hours I'll never wake up
in a good mood again I'm sick of these stinky boots

----------------------------------------------------------------------------

Lament

Lament for my cock
Sore and crucified
I seek to know you
Aquiring soulful wisdom
You can open walls of mystery
Stripshow

How to aquire death in the morning show
TV death which the child absorbs
Deathwell mystery which makes me write
Slow train, the death of my cock gives life

Forgive the poor old people who gave us entry
Taught us god in the child's praye in the night

Guitar player
Ancient wise satyr
Sing your ode to my cock

Caress it's lament
Stiffen and guide us, we frozen
Lost cells
The knowledge of cancer
To speak to the heart
And give the great gift
Words Power Trance

this stable friend and the beast of his zoo
Wild haired chicks
Women flowering in their summit
Monsters of skin
Each color connects
to create the boat
which rocks the race
Could any hell be more horrible
than now
and real?

I pressed her thigh and death smiled

death, old friend
death and my cock are the world
I can forgive my injuries in the name of
Wisdom Luxury Romance

Sentence upon sentence
Words are the healing lament
For the death of my cock's spirit
Has no meaning in the soft fire
Words got me the wound and will get me well
I you believe it

All join now and lament the death of my cock
A tounge of knowledge in the feathered night
Boys get crazy in the head and suffer
I sacrifice my cock on the alter of silence

----------------------------------------------------------------------------

The Hitchhiker

Thoughts in time and out of season
The Hitchhiker
Stood by the side of the road
And leveled his thumb
In the calm calculus of reason

Hi. How you doin'? I just got back into town L.A.
I was out on the desert for awhile

Riders on the storm

Yeah. In the middle of it

Riders on the storm

Right...

Into this world we're born

Hey, listen, man, I really got a problem

Into this world we're thrown

When I was out on the desert, ya know

Like a dog without a bone
An actor out on loan

I don't know how to tell you

Riders on the storm

but, ah, I killed somebody

There's a killer on the road

No...

His brain is squirming like a toad

It's no big deal, ya know
I don't think anybody will find out about it, but...

take a long holiday

just, ah...

Let your children play

this guy gave me a ride, and ah...

If you give this man a ride

started giving me a lot of trouble

Sweet family will die

and I just couldn't take it, ya know

Killer on the road

And I wasted him

Yeah

----------------------------------------------------------------------------

An American Prayer

Do you know the warm progress
under the stars?
Do you know we exist?
Have you forgotten the keys
to the Kingdom
Have you been born yet
and are you alive?
Let's reinvent the gods, all the myths
of the ages
Celebrate symbols from deep elder forests
[Have you forgotten the lessons
of the ancient war]
We need great golden copulations
The fathers are cackling in trees
of the forest
our mother is dead in the sea
Do you know we are being led to
slaughters by placid admirals
And that fat slow generals are getting
obscene on young blood
Do you know we are ruled by TV
The moon is a dry blood beast
Guerrilla bands are rolling numbers
in the next block of green vine
amassing for warfare on innocent
herdsmen who are just dying
O great creator of being
grant us one more hour to
perform our art
and perfect our lives
The moths and atheists are doubly divine
and dying
We live, we die
and death not ends it
Journey we more into the
Nightmare
Cling to life
Our passion'd flower
Cling to cunts and cocks
of despair
We got our final vision
by clap
Columbus' groin got
filled with green death
(I touched her thigh
and death smiled)
We have assembled inside this ancient
and insane theatre
To propogate our lust for life
and flee the swarming wisdom
of the streets
The barns are stormed
The windows kept
And only one of all the rest
To dance and save us
With divine mockery
of words
Music inflames temperament
(When the true King's murderers
are allowed to run free
a thousand Magicians arise
in the land)
Where are the feasts we were promised
Where is the wine
The New Wine
(dying on the vine)
resident mockery
give us an hour for magic
We of the purple glove
We of the starling flight
and velvet hour
We of arabic pleasure's breed
We of sundome and the night
Give us a creed
To believe
A Night of lust
Give us trust in
The Night
Give of color
Hundred hues
a rich mandala
For me and you
And for your silky
pillowed house

A head, wisdom
And a bed
Troubled decree
Resident mockery
has claimed thee
We used to believe
In the good old days
We still receive in
little ways
The Things of Kindness
An unsporting brow
Forget and allow
Did you know freedom exists
in a school book
Did you know madmen are
roaming our prison
within a jail, within a gaol
within a white free protestant
maelstrom
We're perched headlong
on the edge of boredom
We're trying for something
That's already found us.

We can invent a Kingdom of our own
grand purple thrones, those chairs of lust
and love we must, in beds or rust
Steel doors lock in prosoner's screams
amd musak, AM, rocks their dreams
No black men's pride to hoist the beams
while mocking angels sift what seems
To be a collage of magazine dust
Scratched on foreheads of walls of trust
This is just jail for those who must
get up in the morning and fight for such
unusable standards
while weeping maidens
show-off penury and pout
ravings for a mad
staff.

Wow, I'm sick of doubt
Live in the light of certain
South
Cruel bindings.
The servants have the power
dog-men and their mean women
pulling poor blankets over
our sailors.

(And where were you in our lean hour)
Milking your moustache
or grinding a flower?

I'm sick of these dour faces
Staring at me from the TV
Tower, I want roses in
my garden bower; dig?
Royal babies, rubies
must now replace aborted
Strangers in the mud
These mutants, blood-meal
for the plant that's plowed.

They are waiting to take us into
the severed garden.
Do you know how pale and wanton thrillful
comes death on a strange hour
unannounced, unplanned for
like a scaring over-friendly guest you've
brought to bed.
Death makes angels of us all
and gives us wings
where we had shoulders
smooth as raven's
claws.

No more money, no more fancy dress
This other kingdom seems by far the best
until it's other jaw reveals incest
and loose obedience to a vegetable law.
I will not go
Prefer a Feast of Friends
To the Giant Family.

----------------------------------------------------------------------------

[Image]
THE NEW CREATURES

TO PAMELA SUSAN

by James Douglas Morrison

----------------------------------------------------------------------------

I

Snakeskin jacket
Indian eyes
Brilliant hair

He moves in disturbed
Nile Insect
Air

----------------------------------------------------------------------------

II

You parade thru the soft summer
We watch your eager rifle decay
Your wilderness
Your teeming emptiness
Pale forests on verge of light
decline.

More of your miracles
More of your magic arms

----------------------------------------------------------------------------

III

Bitter grazing in sick pastures
Animal sadness & the daybed
Whipping.
Iron curtains pried open.
The elaborate sun implies
dust, knives, voices.

Call out of the Wilderness
Call out of fever, receiving
the wet dreams of an Aztec King.

----------------------------------------------------------------------------

IV

The banks are high & overgrown
rich w/ warm green danger.
Unlock the canals.
Punish our sister's sweet playmate distress.
Do you want us that way w/ the rest?
Do you adore us?
When you return will you still want to play w/ us?

----------------------------------------------------------------------------

V

Fall down.
Strange gods arrive in fast enemy poses.
Their shirts are soft marrying cloth and hair together.
All along their arms ornaments conceal veins bluer that blood pretending
welcome.
Soft lizard eyes connect.
Their soft drained insect cries erect new fear, where fears reign.
The rustling of sex against their skin.
The wind withdraws all sound.
Stamp your witness on the punished ground.

----------------------------------------------------------------------------

VI

Wounds, stags, & arrows
Hooded flashing legs plunge near the tranquil women.
Startling obedience from the pool people.
Astonishing caves to plunder.
Loose, nerveless ballets of looting.
Boys are running.
Girls are screaming, falling.
The air is thick w/ smoke.
Dead crackling wires dance pools of sea blood.

----------------------------------------------------------------------------

VII

Lizard woman
w/ your insect eyes
w/ your wild surprise.
Warm daughter of silence.
Venom.
Turn your back w/ a slither of moaning wisdom.
The unblinking blind eyes behind walls new histories rise
and wake growling & whining the weird dawn of dreams.
Dogs lie sleeping.
The wolf howls.
A creature lives out the war.
A forest.
A rustle of cut words, choking
river.

----------------------------------------------------------------------------

VIII

The snake, the lizard, the insect eye
the huntsman's green obedience.
Quick, in raw time, serving stealth & slumber,
grinding warm forests into restless lumber.

Now for the valley.
Now for the syrup hair.
Stabbing the eyes, widening skies
behind the skull bone.
Swift end of hunting.
Hug round the swollen torn breast & red-stained throat.
The hounds gloat.
Take her home.
Carry our sister's body, back
to the boat.

----------------------------------------------------------------------------
A pair of Wings
Crash
High winds of Karma

Sirens

Laughter & young voices
in the mts.

----------------------------------------------------------------------------
Saints
the Negro, Africa
Tattoo
eyes like time

----------------------------------------------------------------------------
Build temporary habitations, games
& chambers, play there, hide.

First man stood, shifting stance
while germs of sight
unfurl'd Flags in his skull

and quickening, hair, nails, skin
turned slowly, whirl'd, in
the warm aquarium, warm
wheel turning.

Cave fish, eels, & gray salamanders
turn in their night career of sleep.

The idea of vision escapes
the animal worm whose earth
is an ocean, whose eyes is its body.

----------------------------------------------------------------------------
The theory is that birth is prompted
by the child's desire to leave the womb.
But in the photograph an unborn horse's
neck strains inward w/ legs scooped out.

From this everything follows:

Swallow milk at the breast
until there's no milk.

Squeeze wealth at the rim
until tile pools claim it.

He swallows seed, his pride
until w/ pale mouth legs

she sucks the root, dreading
world to devour child.

Doesn't the ground swallow me
when I die, or the sea
if I die at sea?

----------------------------------------------------------------------------
The City. Hive, Web, or severed
insect mound. All citizens heirs
of the same royal parent.

The caged beast, the holy center,
a garden in the midst of the city.

"See Naples & die."
Jump ship. Rats, sailors
& death.

So many wild pigeons.
Animals ripe w/ new diseases.
"There is only one disease
and I am its catalyst,"
cried doomed pride of the carrier.

Fighting, dancing, gambling,
bars, cinemas thrive
in the avid summer.

----------------------------------------------------------------------------
Savage destiny

Naked girl, seen from behind,

on a natural road

Friends
explore the labyrinth

- Movie
young woman left on the desert

A city gone mad w/ fever

----------------------------------------------------------------------------
Sister of the unicorn, dance
Sisters & brothers of Pyramid
Dance

Mangled hands
Tales of the Old Days
Discovery of the Sacred Pool
changes
Mute-handed stillness baby cry

The wild dog
The sacred beast

Find her!

----------------------------------------------------------------------------
He goes to see the girl
of the ghetto
Dark savage streets.
A hut, lighted by candle.
She is magician
Female prophet
Sorceress
Dressed in the past
All arrayed.

The stars
The moon
She reads the future
in your hand.

----------------------------------------------------------------------------
The walls are garish red
The stairs
High discordant screaming
She has the tokens.
"You too"
"Don't go"
He flees.
Music renews.

The mating-pit.
"Salvation"
Tempted to leap in circle.

Negroes riot.

----------------------------------------------------------------------------
Fear the Lords who are secret among us.
The Lords are w/ in us.
Born of sloth & cowardice.

----------------------------------------------------------------------------
He spoke to me. He frightened
me w/ laughter. He took
my hand, & led me past
silence into cool whispered
Bells.

----------------------------------------------------------------------------
A file of young people
going thru a small woods

----------------------------------------------------------------------------
They are filming something
in the street, in front of
our house.

----------------------------------------------------------------------------
Walking to the riot
Spreads to the houses
the lawns

suddenly alive now
w/ people
running

----------------------------------------------------------------------------
I don't dig what they did
to that girl
Mercy pack
Wild song they sing
As they chop her hands
Nailed to a ghost
Tree

I saw a lynching
Met the strange men of the souther swamp
Cypress was their talk
Fish-call & bird-song
Roots & signs out of all knowing
They chanced to be there
Guides, to the white
gods.

----------------------------------------------------------------------------
An armed camp.
Army army
burning itself in
feasts.

----------------------------------------------------------------------------
Jackal, we sniff after the survivors of caravans.
We reap bloody crops on war fields.
No meat of any corpse deprives our lean bellies.
Hunger drives us on scented winds.
Stranger, traveler,
peer into our eyes & translate
the horrible barking of ancient dogs.

----------------------------------------------------------------------------
Camel caravans bear
witness guns to Caesar.
Hordes crawl & seep inside
the walls. The streets
flow stone. Life goes
on absorbing war. Violence
kills the temple of no sex.

----------------------------------------------------------------------------
Terrible shouts start
the journey
- If they had migrated sooner

- a high wailing keening
piercing animal lament
from a woman
high atop a Mt. tower

- Thin wire fence
in the mind
dividing the heart

----------------------------------------------------------------------------
Surreptitiously
They smile
Inviting - Smiling

Choktai
leave!
evil
leave!
No come here
Leave her!

A creature is nursing
its child
soft arms around
the head & the neck
a mouth to connect
leave this child alone
This one is mine
I'm taking her home
Back to the rain

----------------------------------------------------------------------------
The assassin's bullet
Marries the King
Dissembling miles of air
To kiss the crown.
The Prince rambles in blood.
Ode to the neck
That was groomed
For rape's gown.

----------------------------------------------------------------------------
Cancer city
Urban fall
Summer sadness
The highways of the old town
Ghosts in cars
Electric shadows

----------------------------------------------------------------------------
Ensenada
the dead seal
the dog crucifix
ghosts of the dead car sun.
Stop the car.
Rain. Night.
Feel.

----------------------------------------------------------------------------
Sea-bird sea-moan
Earthquake murmuring
Fast-burning incense
Clamoring surging
Serpentine road
To the Chinese caves
Home of the winds
The gods of mourning

----------------------------------------------------------------------------
The city sleeps
& the unhappy children
roam w/ animal gangs.
They seem to speak
to their friends
the dogs
who teach them trails.
Who can catch them?
Who can make them come
inside?

----------------------------------------------------------------------------
The tent girl
at midnight
stole to the well
& met her lover there
They talked a while
& laughed
& then he left
She put an orange pillow
on her breast

In the morning
Chief w/drew his troops
& planned a map
The horsemen rose on up
the women fixed the ropes
on tight
The tents are folded now
We march toward the sea

----------------------------------------------------------------------------
Catalog of Horrors
Descriptions of Natural disaster
Lists of miracles in the divine corridor
Catalog of fish in the divine canal
Catalog of objects in the room
List of things in the sacred river

----------------------------------------------------------------------------

I

The soft parade has now begun
on Sunset.
Cars come thundering down
the canyon.
Now is the time & the place.
The cars come rumbling.
"You got a cool machine."
These engine beasts
muttering their soft
talk. A delight
at night
to hear their quiet voices
again
after 2 years.

Now the soft parade
has soon begun.
Cool pools
from a tired land
sink now
in the peace of evening.
Clouds weaken
& die.
The sun, an orange skull,
whispers quietly, becomes an
island, & is gone.

There they are
watching
us everything
will be dark.
The light changed.
We were aware
knee-deep in the fluttering air
as the ships move on
trains in their wake.
Trench mouth
again in the camps.
Gonorrhea
Tell the girl to go home
We need a witness
to the killing.

----------------------------------------------------------------------------

II

The artists of Hell
set up easels in parks
the terrible landscape,
where citizens find anxious pleasure
preyed upon by savage bands of youths

I can't believe this is happening
I can't believe all these people
are sniffing each other
& backing away
teeth grinning
hair raised, growling, here in
the slaughtered wind

I am ghost killer.
witnessing to all
my blessed sanction

This is it
no more fun
the death of all joy
has come.

Do you dare
deny my
potency
my kindness
or forgiveness?
Just try
you will fry
like the rest
in holiness

And not for a
penny
will I spare
any time
for you
Ghost children
down there
in the frightening world

You are alone
& have no need of other
you & the child mother
who bore you
who weaned you
who made you man

----------------------------------------------------------------------------

III

Photo-booth killer
fragile bandit
straight from ambush

Kill me!
Kill the child who made
Thee.
Kill the thought-provoking
senator of lust
who brought you to this state.

Kill hate
disease
warfare
sadness

Kill badness
Kill madness

Kill photo mother murder tree
Kill me.
Kill yourself
Kill the little blind elf.

The beautiful monster
vomits a stream of watches
clocks jewels knives silver
coins & copper blood

The well of time & trouble
whiskey bottles perfume
razor blades beads
liquid insects hammers
& thin nails the feet of
birds eagle feathers & claws
machine parts chrome
teeth hair shards of
pottery & skulls the ruins
of our time the debris by
a lake the gleaming
beer cans & rust & sable
menstrual fur

Dance naked on broken
bones feet bleed & stain
glass cuts cover your mind
& the dry end of vacuum
boat white the people
drop lines in still pools
& pull ancient trout
from the deep home. Scales
crusted & gleaming green
A knife was stolen. A
valuable hunting knife
By some strange boys
from the other camp across
the Lake

----------------------------------------------------------------------------

I

Are these our friends
racing & shuddering
thru the calm vales of parliament

My son will not die in the war
He will return
numbed peasent voice of Orient
fisherman

Last time you said
this was the only way
voice of tender young girl

Running & speaking
infected green
jungles

consult the oracle
bitter creek
crawl
they exist on rainwater

monkey-love
mantra mate
maker of brandy

The poison isles
The poison

Take this thin granule
of evil snakeroot
from the southern
shore

way out miracle
will find thee

The chopper blazed over
inward click & sure
blasted matter, made
the time bombs free
of leprous lands
spotted w/ hunger
& clinging to law

Please
show us your ragged head
& silted smiling eyes
calm in fire
a silky flowered shirt
edging the eyes, alive
spidery, distant
dial lies

come, calm one
into the life-try

already wifelike
latent, leathery, loose
lawless, large & languid
She was a kingdom-cry
legion of lewd marching
mind-men

Where are your manners
out there on the sunlit
desert
boundless galaxies of dust
cactus spines, beads
bleach stones, bottles
& rust cars, stored for shaping

The new man, time-soldier
picked his way narrowly
thru the crowded ruins
of once grave city, gone
comic now w/ rats
& the insects of refuge

He lives in cars
goes fruitless thru
the frozen schools
& finds no space
in shades of obedience

the monitors are silenced
the great graveled guard-towers
sicken on the westward beach
so tired of watching

if only on horse were left
to ride thru the waste
a dog at his side
to sniff meat-maids
chained on the public poles

there is no more argument
in beds, at night
blackness is burned
Stare into the parlors of town
where a woman dances
in her European gown
to the great waltzes
this could be fun
to rule a wasteland

II

Cherry palms
Terrible shores
& more
& many more

This we know
that all are free
in the school-made
text of the unforgiven

deceit smiles
incredible hardships are suffered
by those barely able
to endure

but all will pass
lie down in green grass
& smile, & muse, & gaze
upon her smooth
resemblance
to the mating-Queen
who it seems
is in love
w/ the horseman

now, isn't that fragrant
Sir, isn't that knowing
w/ a wayward careless
backward glance

July 24, 1968
Los Angeles, The United States, Hawaii

----------------------------------------------------------------------------

[Image]
THE CELEBRATION OF THE LIZARD

by James Douglas Morrison

----------------------------------------------------------------------------
Lions in the street and roaming
Dogs in heat, rabid, foaming
A beast caged in the heart of a city
The body of his mother
Rotting in the summer ground.
He fled the town.

He went down South and crossed the border
Left the chaos and disorder
Back there over his shoulder.

One morning he awoke in a green hotel
With a strange creature groaning beside him.
Sweat oozed from its shiny skin.

Is everybody in?
The ceremony is about to begin.

Wake up!
You can't remember where it was.
Had this dream stopped?

The snake was pale gold
Glazed & shrunken.
We were afraid to touch it.
The sheets were hot dead prisons.

Now, run to the mirror in the bathroom,
Look!
I can't live thru each slow century of her moving.
I let my cheek slide down
The cool smooth tile
Feel the good cold stinging blood
The smooth hissing snakes of rain...

Once I had a little game
I liked to crawl back into my brain
I think you know the game I mean
I mean the game called 'go insane'

Now you should try this little game
Just close your eyes forget your name
Forget the world, forget the people
And we'll erect a different steeple.

This little game is fun to do.
Just close your eyes, no way to lose.
And I'm right thre, I'm going too.
Release control, we're breaking through.

Way back deep into the brain
Back where there's never any pain.
And the rain falls gently on the town.
And in the labyrinth of streams
Beneath, the quiet unearthly presence of
Nervous hill dwellers in the gentle hill around,
Reptiles abounding
Fossils, caves, cool air heights.

Each house repeats a mold
Windows rolled
Beast car locked in against morning.
All now sleeping
Rugs silent, mirrors vacant,
Dust blind under the beds of lawful couples
Wound in sheets.
And daughters, smug
With semen eyes in their nipples

Wait
There's been a slaughter here.

(Don't stop to speak or look around
Your gloves & fan are on the ground
We're getting out of town
We're going on the run
And you're the one I want to come)

Not to touch the earth
Not to see the sun
Nothing left to do, but
Run, run, run
Let's run

House upon the hill
Moon is lying still
Shadows of the trees
Witnessing the wild breeze
C'mon baby run with me
Let's run

Run with me
Run with me
Run with me
Let's run

The mansion is warm, at the top of the hill
Rich are the rooms and the comforts there
Red are the arms of luxuriant chairs
And you won't know a thing till you get inside

Dead president's corpse in the driver's car
The engine runs on glue and tar
C'mon along, we're not going very far
To the East to meet the Czar.

Some outlaws lived by the side of a lake
The minister's daughter's in love with the snake
Who lives in a well by the side of the road
Wake up, girl! We're almost home

Sun, sun, sun
Burn, burn, burn
Soon, soon, soon
Moon, moon, moon,
I will get you
Soon!
Soon!
Soon!

Let the carnival bells ring
Let the serpent sing
Let everything

We came down
The rivers & highways
We came down from
Forests & falls

We came down from
Carson & Springfield
We came down from
Phoenix enthralled
& I can tell you
The names of the Kindom
I can tell you
The things that you know
Listening for a fistful of silence
Climbing valleys into the shade

'I am the Lizard King
I can do anything
I can make the earth stop in its tracks
I made the blue cars go away

For seven years I dwelt
In the loose palace of exile,
Playing strange games
With the girls of the island.

Now I have come again
To the land of the fair, & the strong, & the wise.

Brothers & sisters of the pale forest
O children of Night
Who among you will run with the hunt?

Now Night arrives with her purple legion.
Retire now to your tents & to your dreams.
Tomorrow we enter the town of my birth.
I want to be ready.'

----------------------------------------------------------------------------

[Image]
THE HITCHHIKER

(An American Pastoral)

by James Douglas Morrison

----------------------------------------------------------------------------

THE SCREEN IS BLACK. We hear a young man's voice in
casual conversation with friends.

No, this guy told me you can go
down across the border and buy a
girl and bring her back and that's
what I'm goin' to do, I'm gonna go
down there and buy one of them and
bring her back and marry her. I am.

An older woman's voice

Billy, are you completely crazy?

We hear the good-natured laughter of the woman, a man
and another friend as Billy's insistent voice rises through
saying:

BILLY
No, it's true. Really. This guy told
me. It's true. I'm really gonna do it.

The film changes to COLOR. A couple sit at a small table in
a simulated border town nightclub. It is a CLOSE shot,
reminding us possibly of Picasso's "Absinthe Drinkers." The
atmosphere is suggested by peripheral sounds such as bois-
terous young voices, curses in a foreign language, the tin-
kling of glasses and music from a small rock band. Perhaps a
dancer is visible in the background. Perhaps topless. An
anonymous waitress could enter the frame and leave, serving
drinks.

The HERO is drunk and he's trying to persuade an attractive
Mexican girl, a waitress in the bar, a whore, to cross the
border and marry him. The girl tolerates him. She is work-
ing, hustling drinks, and has to listen but also she likes him.
In some way, he interests her.

BILLY
I bet only reason you won't come
with me is because I ain't got any
money. Well, listen. I'm tellin' you.
I'm gonna go back up there and get
me some money, lots of it, maybe
even ten thousand. And then I'm
comin' back for you. I'm comin'
back.

He weaves offscreen, determined, drunk, camera hold on
girl, smiling wistfully and ironically after him. Then she
grabs another young American and pulls him down beside
her.

THE GIRL
Hey, man, you want to buy me a
drink?

TITLE

THE HITCHHIKER
(An American Pastoral)

Film changes to BLACK and WHITE. It is dawn on the
American desert; it's cold, and he stands hunched in his
jacket, by the side of the highway. The sun is rising. We
hold on him as a few cars go by at long intervals. We hear
the car coming, watch his eyes watching, he sticks his thumb
out. CUT TO profile shot, as a car swishes by. The third
car stops and he runs, not too energetically and get inside.

INTERIOR car. Middle-aged man in a business suit. He asks
the hitchhiker where he is going.

BILLY
(mumbling)
L.A.

He is obviously reluctant to do any talking.

THE DRIVER
I can take you as far as Amarillo and
then you'll have to go on from there.

BILLY
(No reply. No recognition.)

DRIVER
What are you going to do when you
get to L.A.? Have you got a job lined
up?

BILLY
(No answer. He is beginning to nod.)

The man drives on. We see glimses of the American land-
scape out the window of the car. The man glances sideways
occasionally at Billy who is sleeping.

CLOSE UP of the man's right hand moving snake-like to-
wards the hiker's left leg. He hesitates and then touches it
above the knee. Immediately, a .38 revolver appears from
Billy jacket and points at the driver.

BILLY
Pull over.

Profile of car, left side, extremely long shot. We hear a shot.
The hitchhiker comes around the rear of the car, opens the
door, and pulls the driver toward camera, his corpse that is,
to the gully, and, after stripping his wallet of all the cash,
gets into the car and drives away.

The kid is standing beside the car with his thumb out. The
hood is raised. The engine has failed. A State Patrolman (we
learn this from his uniform, western hat, and badge) stops in
his own unmarked car. Billy gets in the car. The sheriff is
friendly. He talks a lot. He tells Billy that he's just getting
back home after delivering two lunatics from his local jail to
the state asylum.

SHERIFF
I had to put them both in straight-
jackets and throw them in the back
of the wagon. I had to. They were
totally uninhibited. I mean, if I let
'em loose, they just start jerking off
and playing with each other, so I had
to keep them tied up.

The killer is trying to stay awake. He's strung out on ben-
nies, and also just plain exhausted, and he's fighting to fol-
low the man's conversation. The sheriff rambles on. Billy is
in that weird state between what's being said in reality and what
he hears in his dream. The sheriff asks a question. He an-
swers and then jerks up suddenly to realize that he's been
inventing his own dialogue inside his head. Finally, he can
take it no longer. He pulls the gun out and orders the sheriff
to pull over to the side of the road. Then he forces him to
unlock the trunk, orders him inside and slams the lid.

INTERIOR of car. The hitchhiker is driving on.

As the car slows down for an upgrade, the trunk flies open
and the sheriff tumbles out into the dust. Billy sees it in the
rearview mirror. He slams on the brakes, jumps out of the
car and runs back to the spot. From off in the desert, we see
the sheriff racing insanely toward the camera. He suddenly
leaps and throws himself flat on the ground behind a sand
dune, next to the camera. From this point of view, the sheriff
crouched and breathing in heavy gasps, we watch the kid
stand on the side of the road, stare out into the desert and
finally get back into the car and drive away.

Billy is hitchhiking again. Obviously, he has ditched the
sheriff's car somewhere along the way. A car pulls over.
There is a young man driving and in the back seat are his
wife and two small children, a boy and a girl. The driver is
friendly, tells him he used to hitchhike a lot himself and
volunteers the information that he has just returned home
from two years in Viet Nam, where he was a pilot. Billy
pulls out the gun and lets them know immediately that he
wants them to take him anywhere he wants to go. Other-
wise, he'll kill them.

It is NIGHT. They pull into a gas station. Billy is hungry,
so are the kids. So he goes with the ex-aviator into a small
country store that's part of the station. He warns the family
to keep quiet or he'll kill everyone.

INSIDE the country store. A seedy old man behind the
counter. They ask him for a bunch of ham sandwiches. In
close-up, we watch him slice the meat, the knife hesitating
minutely, deciding on the thickness of each slice. The two
men stand there watching him. Suddenly, the husband
wheels around and gets a grip on the hitchhiker from behind.
They whirl madly around the store, the father screaming for
the proprietor to call the police.

THE MAN
Stop him! He's got a gun!! He's
gonna kill us!!! Help me!!!!

Billy somehow manages to get his gun out and forces the
man to the car. The store owner stares after him, mouth
agape, then picks up the receiver to call the police.

MORNING. A young boy finds the car, pulled off on a side
road, splattered with blood. He opens the door and sees the
little girl's baby doll, the naked, flesh-colored rubber kind,
and in close-up, we see blood on it.

The EXTERIOR of a run-down shack in the country. We
hear the sounds from inside. INTERIOR of shack. Televi-
sion and radio and newspaper reporters, including an attrac-
tive woman with a notebook, are interviewing the killer's
father. He's a very old man, an alcoholic, who is slightly
pleased to be thrust suddenly into the spotlight, but who
treats the situation with a grave sense of public image and
self-irony.
THE FATHER
He was always a pretty strange boy,
specially after his mother passed
away. Then he got real quiet. He
didn't have many friends. Just his
brothers and sisters.

GIRL REPORTER
Mr. Cooke, is there anything you'd
like to tell your son?

FATHER
Yes, there is. Billy, if you can hear
me, son, please turn yourself in.
Cause what you're doin', it just ain't
right. You're not doin' right, son.
And you know it.

During this appeal, the camera has moved slowly into a
CLOSE-UP of the old man's face.

INTERIOR. Car. Night. Rain. A car radio. The light glows
yellow in the dark car. The radio is playing a country gospel
hour. A revival meeting. The preacher and his flock. As Billy
listens, we flash back into his past, over the rain and wind-
shield wipers. We see an old man and a young boy in the
woods. The man is Billy's father and the boy is Billy himself
at about age seven or eight. The father teaches his son how
to shoot a gun. He tell him to aim at a rabbit.

THE FATHER
Don't be afraid, son. Don't be afraid.
Just squeeze one off.

We see a rabbit pinioned in a rifle's telescopic sight.

A small town high school, 3:30, bell rings, school is out. The
kids gush from the building and flow like a human stream to
the favorite drive-in restaurant.

INTERIOR of car. Billy is eating a cheeseburger and Coke.
Through his windows he watches the movements of one of
the carhops. She is wearing slacks and with him we watch
her ass and thighs. When she comes to collect, he asks her to
come for a ride with him. We hear him say this but the
ensuing dialogue is shown in pantomime. The actual voices
are drowned out by the sounds of radios, kids talking.

They are driving up a mountain road. The Rolling Stones'
"I Can't Get No Satisfaction" comes on the radio. Billy sings
along with the record with wild abandon and squirms in his
seat like a toad.

The car is parked on a rocky view overlooking the ocean.
He gets out of the car and dances around it, acting crazy, and
howling like an Indian. He ducks up and down, appearing
and reappearing in different windows. She laughs at his
clowning.

The couple are in the back seat, vaguely we see their move-
ments, hear them whispering, laughing, talking. CUT TO
outside of car. They get out of the back of the car, hair and
clothes disarranged and move side by side into a rough ter-
rain behind some rocks. Camera holds on the rocks. A pri-
meval rock formation. At a rhythm that is peculiarly
excruciating, we hear three gunshots.

A rest room in an LA service station. EXTERIOR. Billy
enters rest room.

INTERIOR rest room. Billy shaves with soap in rest room
mirror, runs his wet hands through his hair.

EXTERIOR, downtown LA. Camera follows him from a
car, as he wanders through the downtown crowds of Broad-
way and Main Street. Many times he is lost to our view. We
see him in an arcade, where he plays a pinball machine.

CLOSE-UP of pinball game in progress.

Billy in photo booth. Flash of the lights.

CLOSE-UP of four automatic photos: flash flash flash flash.
Four faces of Billy.

Billy in downtown hamburger stand. He is eating, seen from
behind, Gun enters frame left. He turns and sees it, stares
back blankly.

CUT TO EXTERIOR, street. In hand-held confused close-
up sequence, we see him dragged and shoved into the back
seat of a car (police car). He is kicked and beaten. During the
struggle, we hear many men's voices, gloating righteous ex-
clamations.

MEN
So you're the little bastard that
killed all those people! (Kick) You
had a good time, didn't you? (Kick)
You really killed 'em, didn't you?

Hands cuffed behind his back, he looks up with a confused
expression and says:

BILLY
But I'm a good boy.

The men laugh.

Film switches to COLOR. A montage of extant photo-
graphs representing death. The body of Che Guevara, a
northern Renaissance Dutch crucifixion, bullfight, slaugh-
terhouse, mandalas and into abstraction. A nature film of a
mongoose killing a cobra, a black dog runs free on the beach.
FADE INTO BLACKNESS.

EXTERIOR night. On the steps of City Hall of Justice we
see the hitchhiker descend dreamlike in slow motion, move
languorously across a deserted city square toward the camera
until he covers the lens and seems to pass through it.

Seen now from behind, as he moves away from lens, he
enters a desert outskirt region where he finds an automobile
graveyard. He is wandering in Eternity. In the junkyard,
three people squat around a small fire. They're cooking po-
tatoes in the coals, an older man named DOC pokes the fire
with a stick. There is an older woman, funky, glamorous,
and the third person is a young boy, a mute, of indeterminate
age. He is slightly made up with white makeup. They are
hoboes in Eternity and are not surprised to see him. He nears
the fire.

DOC
Well, how ya doin', kid? I see you
did it again. Ya hungry? There's
some food here if ya want it.

Billy doesn't speak. He stares at the moon. The woman has
kept her head down, her hair covering her face.

DOC
Billy's back. Blue Lady, didja hear
me? I said Billy's back.

She looks up for the first time.

BLUE LADY
Hi, Billy.

BILLY
Hello, Blue Lady.

He looks at the boy.

Hiya, Clown Boy.

CLOWN BOY claps his hands and nods, his face contorted
grotesquely in greeting. They sit for a while like this, and
stare at the fire. They eat the potatoes. Then Doc rises and
says:

DOC
The sun's gonna be up in a while. I
guess we'd better move on.

Slowly, one by one, the other two rise. Doc puts out the fire
with dirt and says:

DOC
Ya comin' with us, Billy?

BILLY
(thinking hard)
I don't know, Doc, I just don't know.

Doc smiles.

DOC
Well, we'll see ya later, kid. The rest
of the gang will be real glad to see
ya. They sure will. Well...

Doc, Clown Boy and the Blue Lady start moving toward
the rising sun into the mountain desert. Every now and then
they turn and wave, Clown Boy leaping up and down madly
and waving good-bye.

As they slowly disappear, camera changes focus to Billy, the
hitchhiker, the kid, the killer, hunkered over the dead smol-
dering fire.

THE END

Copyright © Doors Music Co
Poems By James Douglas Morrison, Page 2

----------------------------------------------------------------------------
* PARIS JOURNAL
* NOTEBOOK POEMS
* POEMS FROM DRYWATER
* POEMS FROM TAPE NOON
* POEMS FROM THE VILLAGE READING
----------------------------------------------------------------------------

[Image]
PARIS JOURNAL

by James Douglas Morrison

----------------------------------------------------------------------------

So much forgetten already
So much forgotten
So much to forget

Once the idea of purity
born, all was lost
irrevocably

The Black Musician
in a house up the hill

Nigger in the woodpile
Skeleton in the closet

Sorry. Didn't mean you.

An old man, someone's
daughter

Arises
& sees us still in the room
of off-key piano & bad
paintings

him off to work
&new wife arriving

(The candle-forests of
Notre-Dame)

beggar nuns w/ moving
smiles, small velvet sacks
& cataleptic eyes

straying to the gaudy
Mosaic calendar
Windows

I write like this
to seize you

give me your love, your
tire eyes, sad for
delivery

A small & undiscover'd
park -- we ramble

And the posters scream
safe revolt

& the tired walls barely
fall, graffiti into
dry cement sand

an overfed vacuum
dust-clock

I remember freeways

Summer, beside you
Ocean -- brother

Storms passing

electric fires in the night

"rain, night, misery --
the back-ends of wagons"

Shake it! Wanda,
fat stranded swamp
Woman

We still need you

Shake your roly-poly
Thighs inside that
Southern tent

So what.

It was really wild
She started nude & put
on her clothes.

An old & cheap hotel
w/ bums in the lobby
genteel bums of satisfied
poverty

Across the street, a
famous pool-hall
where the actors meet

former ace -- home of
beat musicians
beat poets & beat
wanderers

in the Zen tradition
from China to the
Subway
in 4 easy lifetimes

Weeping, he left his pad
on orders from police
& furnishings hauled
away, all records &
momentos, & reporters
calculating tears &
curses for the press:

"I hope the Chinese junkies
get you"

& they will
for the poppy
rules the world

That handsome gentle
flower

Sweet Billy!

Do you remember
the snake
your lover

tender in the tumbled
brush-weed
sand & cactus

I do.

And I remember
Stars in the shotgun
night

eating pussy
til the mind runs
clean

Is it rolling, God

in the Persian Night?

"There's a palace
in the canyon
where you & I
were born

Now I'm a lonely Man
Let me back into
the Garden

Blue Shadows
of the Canyon
I met you
& now you're gone

& now my dream is gone
Let me back into your Garden

A man searching
for lost Paradise
Can seem a fool
to those who never
sought the other world

Where friends do lie & drift
Insanely in
Their own private gardens"

The cunt bloomed
& the paper walls
Trembled

A monster arrived
in the mirror
To mock the room
& its fool
alone

Give me songs
to sing
& emerald dreams
to dream

& I'll give you love
unfolding

Sun

underwater, it was
immediately strange
& familiar

the black boy's
from the boat, fins & mask,

Nostrils bled liquid
crystal blood
as they rose to surface

Rose & moved strong
in their wet world

Below was a Kingdom
Empire of still sand
& yes, party-colored
fishes
-- they are the last
to leave

The gay sea

I eat you
avoiding your wordy
bones

& spit out pearls

The little girl gave
little cries of surprise
as the club struck
her sides

I was there
By the fire in the
Phonebooth

I saw them charge
& heard the indian
war-scream

felt the adrenalin
of flight-fear

the exhilaration of terror
sloshed drunk in
the flashy battle blood

Naked we come
& bruised we go
nude pastry
for the slow soft worms
below

This is my poem
for you
Great flowing funky flower'd beast

Great perfumed wreck of hell

Great good disease
& summer plague

Great god-damned shit-ass
Mother-fucking freak

You lie, you cheat,
you steal, you kill

you drink the Southern
Madness swill
of greed

you die utterly & alone

Mud up to your braces
Someone new in your
knickers

& who would that be?

You know

You know more
than you let on

Much more than you betray

Great slimy angel-whore
you've been good to me

You really have

been swell to me

Tell them you came & saw
& look'd into my eyes
& saw the shadow
of the guard receding
Thoughts in time
& out of season
The Hitchhiker stood
by the side of the road
& levelled his thumb
in the calm calculus
of reason.

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[Image]
NOTEBOOK POEMS

by James Douglas Morrison

----------------------------------------------------------------------------

There are images I need to
complete my own reality

TALES OF THE AMERICAN NIGHT

Discovery
Angels & Sailors (rich girls)
Backyard fences, tents
dreams watching each other
narrowly
Soft luxuriant cars
Girls in garages
stripped, out to get
liquor & clothes
Half-gallons of wine
& six-packs of beer
Tender corral. Jumped.
Humped. Born to suffer.
Made to undress in
the wilderness

----------------------------------------------------------------------------

CAN WE RESOLVE THE PAST

- Hey man you want girls
Pills grass come-on
I show you good time
This place has everything
Come-on, I show you

Burlesque Beat

Can we resolve the past -- lurking jaws
joints of Time -- the base -- to come
of age in a dry place -- holes & caves

The music was new black polished
chrome & came over the summer
like liquid night -- the D.J.'s
Took pills to stay awake & play
for 7 days

The General's son had a sister.
They went down to see him.
They went to the studio & someone
knew him. Someone knew
the T.V. Showman.

He came to our home room party &
played records & when he left,
in the hot noon sun, & walked
to his car, we saw the Chooks
had written F-U-C-K on his
windshield. He wiped it off
w/ a white rag &, smiling cooly,
drove away.

"He's rich. Got a big car."

My friend drove an hour each day
from the Mts. The bus gives
you a hard-on w/books in your
lap. We shot the bird at the
black M.P.

My gang will get you. Scenes
of rape in the arroyo. Seductions
in cars, abandoned buildings.
Fights at the food stand.
The dust. The Shoes
Opened shirts & raised collars.
Bright sculptured hair.
Spades dance best, from the hip.

Someone shot the bird on the
afternoon dance show. They gave
out free records to the best
couple.

----------------------------------------------------------------------------

ALWAYS A PLAYGROUND INSTRUCTOR

Always a playground instructor,
never a killer. Always a bridesmaid
on the verge of fame, or over,
he maneuvered 2 girls into his
hotel room. One, a friend,
and a newer stranger, vaguely
Mexican or Puerto Rican.

Poor boy's thighs & buttocks, scarred
by a father's belt. She's trying
to rise. Story of her boyfriend
& teen-age stone death games.
Handsome cat, dead in a car.

Come here
I love you.
Peace on earth
Will you die for me
eat me
this way
the end

- I'm surprised you could get it up.
He whips her lightly, sardonically
w/ belt.
- Haven't I been thru enough? she asks.

The dark girl begins to bleed.
It's Catholic heaven. I have an
ancient Indian crucifix around
my neck. My chest is hard
& brown. Lying on stained &
wretched sheets w/ a bleeding Virgin.
We could plan a murder, or
Start a religion.

----------------------------------------------------------------------------

I WANT TO TELL YOU

I want to tell you
about
Texas Radio & the Big Beat

it comes out of the Virgin Swamps
cool & slow
w/ plenty of precision
& a back beat narrow
& hard to master
some call it heavenly
in its brilliance
other mean & rueful
of the Western dream

I love the friends I have
gathered together
On this thin raft
we have constructed pyramids
in honor of our escaping
This is the land where
The pharaoh died --
Children
The river contains specimens
The voices of singing women
call us on the far shore

& they are saying
"Forget the Night
live w/ us in Forests
of azure" (meager food for
souls forgot)

I tell you this;
no eternal reward will
forgive us now for
wasting the dawn

One morning you awoke
& the strange sun
& opening your door...

----------------------------------------------------------------------------

NOW LISTEN TO THIS

"Now listen to this:
I'll tell you about
Texas Radio & the Big Beat
Soft driven slow & mad
like some new language

Reaching your head
w/ the cold & sudden fury
of a divine messenger
Let me tell you about
heartache & the loss
of God
Wandering, wandering
in hopeless night

The negroes in the forest
brightly feathered
let me show you the maiden
w/ wrought-iron soul
Out here on the perimeter
there are no stars
Out here we is stoned
immaculate"

----------------------------------------------------------------------------

TIME WORKS LIKE ACID

Time works like acid
Stained eyes
You see time fly

The face changes as the heart beats
& breathes

We are not constant
We are an arrow in flight
The sum of the angles of change

Her face changed in the car
eyes & skin & hair remain
the same. But a hundred similar
girls succeed each other

----------------------------------------------------------------------------

THE SIDEWALKERS MOVED...

The sidewalkers moved faster
We joined the current. Suddenly
the cops, plastic shields & visors,
wielding long thin truncheons
like wands, in formation,
clearing the street the other way.
To get near or stay away.
Cafes were taking in tables
putting chairs on upside
down, pulling teh steel playpen
safety bars. Whistles as
the vans arrive. Moustached
soldiers. We leave the scene.
Eyes of youth, wary, gleaming.
The church. A pastoral scene
of guitars, drums, flutes,
harps, & lovers. Past
Shakespeare & Co., the restaurants
w/ elegant patrons, cross
street, the small Jazz
district (Story Ville) a
miniature New Orleans.
Negroes in African shirts.
A street brass band.
"Fare well to my web footed friends"
Crowd smiles, jogs, & sings.
Move past. San Michel Blvd.
The Statue. The Seine. Bonfires
of cardboard buzz evilly,
down the blvd. Fire-tenders.
Smell of smoke. Approach closer
nearer. Suddenly screams
long warhoops & the crowd runs
back. And as we flee,
they attack from behind,
Pressed against cafe tables.
Subway & news Kiosk -- A
girl beaten, her cries. Can't
hear blows. Rain. (Man w/ bottle)
Join me at the demonstration

We join groups under trees
& rain. Tall public buildings.

Join us at the demonstration

----------------------------------------------------------------------------

Dreams are at once fruit & outcry
against an atrophy of the senses.

Dreaming is no solution

WE AWOKE, TALKING...

We awoke, talking. Telling dreams.
an explosion during the night

A new siren. Not cop, Fire,
New York ambulance or european
movie riot news but the strange
siren predicting war. She ran
to the window. The yellow thing
had risen.

----------------------------------------------------------------------------

FEAR IS A PORCH...

Fear is a porch where winds
slide thru in the North
A face at the Window that
becomes a leaf
An eagle sensing its disaster
But soaring gracefully above
A rabbit shining in the night

----------------------------------------------------------------------------

STILL WET FROM...

Still wet from a strange dream
dawn burst
scarring the chamber's
roof where all things lie

I sat w/ her & sipped cold sherry

Airport.

(Caesura = ante-room to hell)

----------------------------------------------------------------------------

START AGAIN

Start again: Should the events of those
days... Dream of incest & expulsion
from the tribe. Big Sister. It's called
the clap. Get on over here, mother-of-pearl.
I was a virgin. It lasted 10 seconds.
Well don't then. "I can't relax." Roll the
leather pants up tightly for the morrow
hour.
They deserted me, deserted the cause, message
or word for another god. "We're kicking
you out of our universe!" He ask'd for you.
I'll bet he did.

----------------------------------------------------------------------------

MYSTERY OF THE DREAM

Mystery of the dream
a woman or girl is trying
to appear

The Killer -- Mexican, naked
except for shoes.

People, a family not connected
move at hypnotic cross lines
out of still frame

2 men, detectives, following
searching, sifting thru
back & side lit rooms, holding
muted counsel. Hats, suits.
Brothers.

People in a wood, a park.
The Killer lurks in his
own world.

dreams of children & families
return to the sub-world
to assimilate & guide events

New Orleans, sleep, (death's
friend, death's sister)
cattle, horses
faces get rubbery, clown-painted,
stupid sly & wise & knowing

The mystery of flight
To be inside the brain of a bird
goal -- the end of a goddess
to slide gracefully &
knowledgeably into graveland
The Big dream
vs
Violent assassination of
Spirit & neck & skull
wounded he arrived

----------------------------------------------------------------------------

THE DARK AMERICAN SUNSET

The dark American Sunset
The night like a vast
conspiracy to dream, hold
court in the swaying sand

Tijuana -- the anus of Night
a cartoon of civilization
Whores are bores in the
American Night

What will we see in the
bowels of the night, in
The frosted cave where dreams
are made, right before your
eyes. Prophecy w/out money.

This song must have the sad
common strangeness of currency
coin of the realm. Bitter
embers. Scent of pine smoke
Fire-Night, special breeding
exercises. An excuse for
crime. High School of the
Night. Silence of a school
at night.

----------------------------------------------------------------------------

L'AMERICA

Acid dreams & Spanish Queens
L'america (another?, lone?, voice)
Asthma child, the fumidor
Lamerica
Duchess, rabbit, the woods by the road
Lamerica
Pearl Harbor -- Shot off the road
Lamerica
Conceived in a beach Town
Lamerica
Relevance of beach or Lakes
Lamerica
Sinks, snakes, caves w/ water
Florida
Homo/-sex/-uality
Lamerica
Religion & the Family
Lamerica
Plane crash in the Eastern Woods
Virginia
Bailing-out over rice-fields
Lamerica
Guerrilla band inside the town
Lamerica
Bitter tree of consciousness
Lamerica
A fast car in the night -- the road
Lamerica
Progress of The Good Disease
Lamerica

----------------------------------------------------------------------------

AMERICA AS BULLRING ARENA

Those indians, dreams, &
the cosmic spinal bebop in blue.
The cosmic horrors. The cosmic
heebeejeebies. A combo of brain
tissue, blood, shit, sweat
sperm & steel, mixed w/ grease
& liquid fire, ovaric calendars
Magnified on inner
Television lust-face, mirrors
into Nothing, great silence
opens layers of prehistoric
chinese monsters. The mouths,
the mouths, the cellular MAW.
A young Witch from
N.Y. is laying novice hexes
on my brain-pan, projecting
images of embryo development
on my psychology.

Her terrified wildness
disturbs my generals.
Baby, now I dig your
nightmare visions, & your
sadness & your bitchery

But, yet, thank you for
These spells. It gets my
pen moving.

The screaming maggot
group-grope called life.

It's time for the desert wild.

Lust capital.

Time for an island, get
drunk, write & sail.

"I saw the Hell of women
back there."

Women are obsolete

"Little Wine -- dig that girl"

We placate women w/
food & song
w/ sex, marriage, babies

You dig kids, Jim

Yeah, some of them are nice

I like your wife

Democracy of souls

----------------------------------------------------------------------------

THE GUIDED TOUR

The guided tour
"I am a guide to the labyrinth"

city is inside of body made manifest
meat organs & electrical
power plants

The place where, walking down
death-row ("You look like you're"),
maps -- AMERICUS -- a river-vein
we ride along.

give form to the passing world

Freeways are a drama, a new
art form. Signs. Houses.
Faces. Loud gabble of Blacks
at a bus-stop.

----------------------------------------------------------------------------

CAR CEMETERY

car cemetery
The abandoned cars
The color of car paint, new at night
under neon
The dead reside in cars
-- the old man, filthy,
keeper of the graveyard
Children, curious, throw stones

----------------------------------------------------------------------------

PLEASE LIKE ME

please like me
says the shrew
what can I do?
I love her.

----------------------------------------------------------------------------

WOMAN'S VOICE

Woman's Voice:
The palace of sperm seems warm tonight

Man:
Umm. gloom gloom doom ruin.

Woman:
Marble porches. The grand ball room.
Silver smiles. Trumpets. Dancing

Man
I want only you

Woman
This time come in me like an astronaut
Send snakes in my orbit

Man
We can accomplish miracles
when we're together.

Woman
Alone

Man
w/ the night to guide us

----------------------------------------------------------------------------

DON'T START THAT...

Don't start that panic
Love Street parade

No one's afraid of the law

Someone escaped
To the shore

Your image of me / my image of you
in
one-night scenes
out on the coast

Won't work anymore

Soft parade
Love Street brigade

----------------------------------------------------------------------------

I BRING THESE...

I bring these few rags
back home this evening
& lay them at your feet
Miserable witness
to a day of tragic
sadness & disbelief
Hope you'll find me wanting
Take me to bed
Get me drunk (lay me out)

----------------------------------------------------------------------------

THE WEDDING-DRESS

The bride-to-be lies in her bed
listening to
Festivities below
He steals her -- in a dream

----------------------------------------------------------------------------

STAR FISH GLUTTONY

Star fish gluttony
What are the word-forms
for co(s)mic encounter
wedding flesh & mind
in one body

----------------------------------------------------------------------------

TENDER ISLAND NIGHT

Tender island Night
And a promise of fever
& scars that burst
at blossom depths
& more green silver

Us wrestling in the warm temple of summer
beside the temple
cool inside
-- He took my hand.
He spoke to me --

Black horse hooves galloping sun
mad chariot race burning
mad fiery chariot race
mad girl & mad boy
My feathered son flew
too near to the sun.

----------------------------------------------------------------------------

A MOVING

a moving
or movement
away from
a station

(weigh station)

Sound of lone car & low radio

A waving [good-bye to relations]
a way from |
a waving |
a motion

amazement
a moment
amazing
a waving

(call radio breaks in)

Uh, we have a message
brak brak

----------------------------------------------------------------------------

HE FOLLOWS A WOMAN...

He follows a woman into the firmament
The solids, sonnets
elaborate requisitions for the god-soul

ah my bright jewelled town
a Widow's band
roping sailors & hill-folk together
congeal on this flat spire
to partake of mineral jets
"he's sick" he should be sleeping
peaceful by air, a movie of dead nights
in a wound, suffer to give out
your red-blue lighter's flame
w/ calm precision
your certainty lives in a match
or a mind
The huts are free evening cliff-dwellers
The trees, losing their variance, die sadly
w/ grandeur
O soft redness & palest blue
like a babie's window
This is the hour you rule
& invite Ventures, quests,
trips to the electric valley down

----------------------------------------------------------------------------

PROMISES

"Mana Man"

He gets them into the dark hour
By playing singing stories hypnosis
wilderness the island
Led out of bondage (back there)
Viciously peeling fruit

Disguised as "Players"
command Performance

See-thru village
old hot forest of cars

cruel ambience
Leopard snake dance

swift lions of doubt
crouch in the window
& wait
for her to come

----------------------------------------------------------------------------

DO YOU HAVE

do you have
straight jackets
for the guests
yes we do

----------------------------------------------------------------------------

HORSE LATITUDES

When the still sea conspires an armor
And her sullen and aborted
Currents breed tiny monsters,
True sailing is dead.

Awkward instant
And the first animal is jettisoned,
Legs furiously pumping
Their stiff green gallop,
And heads bob up
Poise
Delicate
Pause
Consent
In mute nostril agony
Carefully refined
And sealed over

----------------------------------------------------------------------------

THE ORIGINAL TEMPTATION...

The original temptation was to destroy.
The Cliffs. The Road. The Walls.
Original heroism -- to bluff the elements
of fire. To call creatures into the storm.
The original heroism was to fall. To ball.
The All. Natural man.

To participate in the creation.
To screw things up. To bring Things
into being.

The Crossroads where the car hides.
Lies. Resides. A meeting-place
of Worlds. Where dreams are made.
Where anything is possible. Demons
lie.

The car is steel & chrome. The wood-pile.
Top of the pile. The heap. The graveyard.
Where metal is reduced to its common
mute element. To be reborn. A tale
of rebirth in the wilderness. To become
chaos & come back.

2 spade chicks, or a king & queen,
comment from the balcony.

The types of society pass on the boards.
Microcosm in a thimble

----------------------------------------------------------------------------

TIMES CHANGE, DAMAGED

times change, damaged
cat's blood rectify in haste
cactus furrows, wild
thrift catalog of grace

The chase bore inward
raise'd wet & westward shadows
To the strange trust
on the south bow

Augment pure shouter's drawl
& light the candle
Night is comin' on
& we're outnumbered

By the waves, each soldier
bristling w/ his trowel
To search & claim us
Teach our burial

The mind works wonders
for a spell, the lantern breathes
enlightens, then farewell

Each shipmate oars to under-
stand & eyes unoptic strains
to hear:

We came from over here,
to over there

Then old we wonder
mindless to degree
Most seldom furls
in slumber, burns
begins a century

----------------------------------------------------------------------------

PLANES ARE GROANING MOTHERS

Planes are groaning mothers
In our feeble insect wars.

Nylon condoms stream behind her Trojan
Warriors on their dreadful writhing flight.

Bailed out, sucked
from her metal belly,
one thin wire is left to prophecy return,
jump freely.

Swallowing air in the brief canal.
The ground leaps up like dogs
to snap, the field, & rolling pain.

Swamps, rice fields, danger.
Gunned down, over ten of them
struggling w/ the wet placenta

While some land back in oceans.
Skin-divers float, free-float,
in the uterus.

The sea is a Vagina which
may be penetrated at any point.

----------------------------------------------------------------------------

AH, THE RULE...

Ah, the rule was war, as friendship
faltered. Families quarrelled, as usual,
in their chambers. The race suffered.
We traveled. We left home & beauty.
Ah, into these ship, again, we hastened.
The creation of power is slow-wasted.
Borrowed fillings. Brace for the brine.
Heaven kept, hour dated. Winds fermented
madness & kept parlour rife & rancind.

Crews took leave of sour concubines
& habits. The sea is no place for a lady.
Lads larked & frolicked, pulvering waves
they would seek into the deep. Ark! Ark!
Cathay or Venice. Worlds beyond, &
Worlds after.

This story has no moral.
Trust not sleep or sorrow.
The fife-man croons the lull to wake
& Brings strong soldiers to a windy beach

----------------------------------------------------------------------------

ENSENADA

India ink, ink of India
There are no more rich colors
Black neon, blocks away,
Escapes back smooth
in the desert sea.

There's an appearance of sweat
on Italian silk skin.
Slap the rude face, & twist
into the doorway.

Then reappear, w/ drums & glass
in jewels of laughter as one
called "The Gladiator,"
Hair claimed by flame of fire

(Insulting to be back.
The dreaded, dismal day.)

Jail is a pussy coil,
dry as meat, dog-faced,
clever.

(Handsome dog & the shot gun eye.)

We leap the wall, dog & I,
To hang choking on fence collar chain.
Mate follows leap to suffer
String-throat, hollow, madness cry.

(In this "hollow" we were born.)

Mexican Khaki, the green womb.
Distrust all lovely words like green & womb.

(Obey the father.
Run.)

Escape back into the landscape,
dry as meat, dusty, narrow.

Dog licks shit
Mexican girl whore sucks my prick.

(Open windows on the town.
Open pores on foreign air.)

The car rasps quiet.
Motor destroys itself on rotten fuel.
The pump is ill.
The hose has a steel nozzle.

----------------------------------------------------------------------------

FLESH OF HER...

Flesh of her rolls flesh away
in waves, The waters part
dry scalps beneath the hair
nude-white & very rare

And when she exits bed, the barge
To bathe in ocean's tile & under
surgeon's glare, blinking
I bask on the red floor of a Red Sea

Crime begins in the bed, the home,
It's a low tide that talks
to rocks, & leaves
rust in its wake, & dry things crackling.

----------------------------------------------------------------------------

I FUCKED THE DREGS...

I fucked the dregs of the ruins
of an empire
I fucked the dust and the
horrible queen
I fucked the chick at the
gates of the Maya
I fucked all your women
& treated the same
w/ respect for your warriors
returned from the
Kingdom
fucked w/ the Negroes
in cabs of the drivers
Fucked little infants of North
Indo-China
Branded w/ Napalm & screaming
in pain

----------------------------------------------------------------------------

PENCILLED HEAVEN

pencilled heaven
my regards
no when to stop

----------------------------------------------------------------------------

THERE'S SOMEONE AT THE DOOR

There's someone at the door.
A rapist rushes in.
No pain. No death.

It's us, over & over again.

We're coming in.
All right, search the place.
You won't find anything.

Seeing all perspectives at once.

When everything freezes
& kind of turns back
in on itself.

----------------------------------------------------------------------------

FEAST GREEN BEAST...

feast green beast, spurred on by
sex, seasoned in silence, w/held
from slumber, silent in the deep pale
night beast languid a cool a cunt
a forest flower awoken now breathe
utter a word of reproach for fair
swifty flyers agon of night
The dream car the outlaw star
now he sits reclines in a terrible mansion
made more monstrous by the dark stroke
of slumber

The car is purple foil beast dead in the
night. Neon is its sign his rich home
soft luxuriant car death gave grace
shaken to the soil He stood in a strange
centre by the meeting pt. of worlds
This crossroads of desert flies the
corpse of sand batteries the ignition
What did happen! He screams at camera
Here she lie bleeding, blue wounds
just to tell us in our floppy hats
it's over. The cops are rubber animals
w/ surgeons cold pride, w/out their
glamour. The ambulance attendants
are sudden amateurs, good-natured in
this foreign chore. The cliffs no longer
contain faces. "I know what jail is
like" & "I know about time."

So we played the carnival. Car. Carne.
Feast of meat. Celebration of blood.

O lucky ones who enjoy the dumb show

The reptile farm. The snake farm.
Woman & Monkey. The sign. The sign.

Search for the Tree. The place. The sink
Big Dismal

Goes in 2 ways. Spirit & Meat. (sex)
You cannot join what can't be joined
You cannot travel 2 roads
(He road off in all directions)

Hand Grenade

----------------------------------------------------------------------------

VERY BRAVE

Very brave
all the rage
to tempt loneliness
upon Front page
gold head lines
w/ Ali Khan & all the rest
Onassis, Blues
BB Albert Collins
gin & tonic
give him a high martin i
get him down
the prancing clown
will bring the empire
swooping swirling
Tunneling Thundering Tumbling
hell, O, down

(That's as down as I can
get right now, on a
Mainstream, & I am pretty
high, far gone)

Thank god I have the
Sweet warm promise of
a woman there to keep
me warm

So this is where my fine warm
poetry (pottery) has got
me,
led me
back to Madness
& the men who made
me

----------------------------------------------------------------------------

YOU THINK I DON'T KNOW...

You think I don't know that!

your poetry is so obsessed
I like my madmen cold

The abandoned Hotel
flowers dirt on its walls
The labyrinth of bowels
Moves slowly in grim waste
Children play here, wait
& sway here, tiring to her
swoon arched summer
and languid by the bow
Sits Esther, made up
like a queen, port in
a storm, striking fire-bells
in her drawers, chalking
the black street w/ wild lies

----------------------------------------------------------------------------

THE BLUES

O how could this be done to me
great dancer's Witness
God, you are a satyr in disguise
Thus cruelly & uselessly to
Rend my life awry
I'll lie here stolen, in cold wind
in the road, until peace freezes
over,
& hallows me.
Rude ghost bastard.
Ah! Who comes now.

----------------------------------------------------------------------------

AN AFTERNOON OF SUMMER

an afternoon of summer
dread
I'm afraid to meet all
the rest of my brothers
in distress
Couldn't we get in one
big Movie
Blow it all on one
Grand Floozie
& end it all
YAH
YEAH
an autograph sends respects
to her Twin

everyone wants a Christ
& no one will give it to him
Mohammed, the enchanter
Keeper of Harems

Buddha, inkindergardened
under his tree, w/
not a moon-glow
mindless Thought for you
& me

(This does not mean I want
or wish to be prey to people
God forbid)

& look at the steeple
a mindless wit am I
dickless, looking at the sky

----------------------------------------------------------------------------

A HOLE IN THE CLOUDS

a hole in the clouds
where a mind hides
Pagodas -- temples

in child's raw hope

animal in a tunnel
defined by the light
around him

These evil subsidies
these shrouds
surround

----------------------------------------------------------------------------

IF IT'S NO PROBLEM

If it's no problem, why mention it.
Everything spoken means that,
it's opposite, & everything else.
I'm alive, I'm dying.

----------------------------------------------------------------------------

THE END OF THE RAINBOW

The end of the rainbow

put all my screaming phantasies
into one giant
Box-trap

image of self-image-propagation
image of elation

Ungulation
limit 1st tree

image of Utopia
a slaughter of phantoms

innocent -- guilty

The Human World
bounded by words
& dust

sweet soft & velvet
dust

medium trust

----------------------------------------------------------------------------

HEAVEN OR HELL...

Heaven or Hell the circus
of your actions

To Play
(chance is god here)
at Carnival

assuage the guilt
The deep fear

The separate loneliness

open Sinygog
open sesame

The Party of new connections
mind made free
Love cannot save you
from your own fate

Art cannot soothe
Words cannot tame
The Night

----------------------------------------------------------------------------

SCOUR THE MIND...

Scour the mind w/ diamond
brushes. Cleanse into Mandalas.
Memory keeps us wicked & warm.
The Time temple. Who'll go 1st?
Cloaked figures huddled by walls.
A head moves clocklike slowly.
I'm coming. Wait for me.

----------------------------------------------------------------------------

LESSONS ON BECOMING

Lessons on becoming
a revolutionary
an actor
(prophet!)
or a poet

There's still good friends
to assist & relieve you
Mercenary whim
for her or for him

First become a
Visionary-Scientist
radiocal biochemical
aviationary sky-diver
Then contact your local pub-
lic accountant (he'll tell you
how to spread the seeds of doubt)

----------------------------------------------------------------------------

MAIDS ARE BICKERING...

Maids are bickering in the hall
The day is warm
Last night's perfume
I lie alone in this
cool room

My mind is calm & swirling
like the marble pages of an
old book

I'm a cold clean skeleton
scarecrow on a hill
in April
Wind eases the arches
of my boney Kingdom
Wind whistles thru my mind
& soul
My life is an open book
or a T.V. confession

----------------------------------------------------------------------------

HURRICANE & ECLIPSE

I wish a storm would
come & blow this shit
away. Or a bomb to
burn the Town & scour
the sea. I wish clean
death would come to me.

----------------------------------------------------------------------------

IF ONLY I

If only I
could feel
The sound
of the sparrows
& feel child hood
pulling me
back again

If only I could feel
me pulling back
again
& feel embraced
by reality
again
I would die
Gladly die

----------------------------------------------------------------------------

IT HAS BEEN SAID...

It has been said that
on birth we are trying
to find a proper womb
for the growth of our
Buddha nature, & that
on dying we find a
womb in the tomb of the
earth. This is my
father's greatest
fear. It shouldn't be.
Instead, he should
be trying to find me
a better tomb.

----------------------------------------------------------------------------

THE END OF THE DREAM

The end of the dream
will be when it
matters

all things lie
Buddha will forgive me
Buddha will

----------------------------------------------------------------------------

AUGMENT OF RE-BIRTH

-- The cycle begins anew

a luring lulling sick-sad maddening
haunting ego-familiar strain
calls the wayward wanderer
home again

a music mosaic made of all image
tune preceding

The whistle or warm woman's cry that
calls the child home from play

----------------------------------------------------------------------------

THANK YOU, O LORD

Thank you, O Lord
For the white blind light
A city rises from the sea
I had a splitting headache
from which the future's made.

----------------------------------------------------------------------------

[Image]
POEMS FROM DRYWATER

by James Douglas Morrison

----------------------------------------------------------------------------

IN THIS DIM CAVE

In this dim cave
we can go no further
Here money is key
to smooth age. Horses,
givers of guilt. Great
bags of gold.

I want obedience!

We examine this ancient
& insane theatre, obscene
like luxuriant churches
altars.

I confess
to scarvess
cool floors
stroked curtain

The actors are twice-blessed
before us. This is
too serious & severe.

Great mystery!
Timeless passion
patterned in stillness.

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SEX FOR YOU

Sex for you
was thread
which binds
us even now
on this pale
planet.

To the poet
& cover-girl,
photo in color,
to armies
that join,
out on a desert,
& to Samson
& all his
generals
bound quiet
now w/ exotic
arch-angels
of dusk, in
Sumarian
& N. African
slumbers.

The bazaar is crowded
as dancers thrive.
Snake-wreaths & pleasures.
I take you to a low cave
called "Calipah".

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STAND THERE LISTENING

Stand there listening
you will hear them
tiny shapes just beyond
the moon
Star-flys, jarts,
dismal fronds
stirring ape-jaws striving
to make the morning
mail call

Cry owl.
Hark to the wood-vine.
Suckle-snake crawls, gnawing
restive

I know you.
The one who left to go
warning. Wishless now
& sullen. Transfer
deferred.

Steal me a peach
from the orange tree
grove-keeper

She fell.

What are you doing
w/ your hand on her
breast?

She fell, mam.

Give her to me.

Yes, mam.

Go tell the master
what you've done.

They killed him.

Later.

Going up the stairs
handcuffed
to his cell.

A shot-gun blast
Behind the back.

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UNTRAMPLED FOOTSTEPS

I

Untrampled footsteps
Borderline dreams
Occasion for sinners
alive if it seems
given to wander
alone at the shore
wanton to whisper
I am no more
Am as my heart beats
live as I can
wanton to whisper
faraway sands

II

Now come into my pretty isle
My weary westward wanderer
Faraway is as it seems
& so alone shall shelter
Come along unto my sails
as weary islands go
prosper merry as I went
I shall no more the sailor
Shall I ho the sailor

III

Where were you when I needed you?
Where indeed but in some sheltered
Sturdy heaven; wasted, broken
sadly broke & one thin thing to get us thru

IV

Urchin crawl broke
spenders bleeders all
brew North
stained lot
he was lost
out on an aircraft
high above
long awkward brewer's
shelters breed

this ugly crew
our poisoned jet
god get us love & get
us speed
To get us home again
love
Crippled by people
cut by nothing
Public housing
the incredible damage
can be cured

V

She's my girl friend:
I wouldn't tell her
Name but I think
you already know her
Name
is
Square fire insect
marble saffron intro
demi-rag in flames

it's the same game
whether you call it
by her real name

VI

She lives in the city
under the sea
Prisoner of pirates
prisoner of dreams
I want to be w/ her
want her to see
The things I've created
sea-shells that bleed
Sensitive seeds
of impossible warships

Dragon-fly hovers
& wavers & teases
The weeds & his wings
are in terrible fury

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[Image]
POEMS FROM TAPE NOON

by James Douglas Morrison

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We must tie all these
desperate impressions together

MONEY...

Money, the beauty of

(currency
pale green
greesy
ornate
soft
furrowed
texture)

Skin or leather

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ENTER THE SLIP

Enter the slip
of the warm womb tide

Wet labyrinth kiss

digging the wells
& riding the lies

all holes & poles

Walk down a street
A drive to the beach
Drowning man's flash
A town in siege

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THE DESERT

The Desert
-- roseate metallic blue
& insect green

blank mirrors &
pools of silver

a universe in
one body

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BIBULOUS COMPOUND OF

Bibulous compound of
muck & mulch milk

Tenebrous connections
in forest & farm

all-swarming disk-like
elegance

Say No More

- That sure was a mouthful.
- You said it.

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YOU MUST CONFRONT

you must confront
your life
which is sneaking up
on you
like a rapt coiled
serpent

snail-slime

you must confront
the inevitable
eventually
Bloody Bones has got you!

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HOPE IS JUST...

hope is just a word
when you think in
Table Cloths
Laughter will not end
her funny feeling
or assuage our
strange desire
Children will be born

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WELCOME TO THE AMERICAN NIGHT

Welcome to the American Night
where dogs bite
to find the voice
the face the fate the fame
to be tamed
by The Night
in a quiet soft luxuriant
car
Hitchhikers line the Great Highway

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COCK-PIT

Cock-pit
I am real
Take a snapshot of me
He is real, shot
Reality is what has been
concealed from us
for so long
birth sex death
we're alive when we laugh
when we can feel the
rush & spurt of blood
blood is real in its redness
the rainbow is real in
absence of blood

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SUDDEN ATTACK

Sudden attack
Stabbed & hacked but no
pain no death

Zone of silence
Sudden powered
mute strangeness
& awareness
most awkward to the mind
alive w/ love & laughter
& memory sweet of kinder
times
when we spoke & words
had soft form by
a fire

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THIS IS MY FOREST

This is my forest
a sea of wires.
This gaggle of vision
is my flame.
These trees are men,
the engineers.
And a tribe of farmers
on their Sunday off.

Gods -- the directors.
Cameras, greek
Centaurs on the boom,
sliding w/ silent
Mobile grace

Toward me --
a leaping clown
In the great sun's
eye.

Grand danger there
in curved thigh.
The avenging finger --
lord.

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DANCING & THRASHING

Dancing & thrashing
the reptile summer
They'll be here long
before we're gone
Sunning themselves
on the marble porch
Raging w/in against
the slow heat
Of an invaded Town

The Kingdom is ours

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TRANSLATIONS OF THE DIVINE

Translations of the divine
in all languages. The Blues,
The records get you high,
in armies / on swift channels.
The new dreamer will sing
to the mind w/ thoughts
uncluthed by speech.
Pirate mind stations. Las Vegas T.V.
Midnite showings.

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ELECTRIC STORM

electric storm
from the front
barometer at zero
forest
blue-eyed dog
strangled by snow
Night storm
flight-drive thru deserts
neon capitals, Wilderness
echoed & silenced
by angels

Angel Flight
to tobacco farm
the roadhouse
tomorrow

get ready for the Night
the rumors on waking
a gradual feeling of
learning & remembering

imagine a heaven in the
night-time
would one member be missing?

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THE FORM IS AN ANGEL...

The form is an angel of soul
from horse to man to boy
& back again

Music sex & idea are the
currents of connection

friendship transition

conductor of soul from the
fat brain of stealth
to sunset

Work out

Welcome to the night
Welcome to the deep good
dark American Night

a man gets time to die
his amber waste

sloven footsteps of swine

in the camps, w/ dark black
lumber
crooked stars have destiny's
number

Lord help us

----------------------------------------------------------------------------

LEAVE THE INFORMED SENSE

Leave the informed sense
in our wake
you be Christ
on this package tour
-- Money beats soul --

Last words, last words
out

----------------------------------------------------------------------------

[Image]
POEMS FROM THE VILLAGE READING

by James Douglas Morrison

----------------------------------------------------------------------------

IN THAT YEAR...

In that year we had a great visitation of energy.

Back in those days everything
was simpler & more confused.
One summer night, going
To the pier, I ran into
2 young girls. The
blonde was called Freedom,
the dark one, Enterprise.
We talked, & they told
me this story.

----------------------------------------------------------------------------

& THE COOL FLUTTERING

& the cool fluttering rotten wind
& a child's hand-print on
picture window
& the guncocked held
on the shoulder.
& fire in the night
waiting, in a darkened house
for the cruel insane breed
from town to arrive
& come poking thru smoke
& the fuel & ashes for milk
& the evil leer on their faces
barking w/ triumph
Who will not stop them?
The hollow tree, where
we three slept & dreamed
in the movement of
whirling shadows & grass
Tired rustle of leaves
An oldman stirs the dancers
w/ his old dance
darkening
swift shadows lean on the
meat of forest
to allow breathing

Gently they stir
Gently rise
The dead are new-born
awakening
w/ ravaged limbs
& wet souls
Gently they sigh
in rapt funeral amazement
Who called these dead to dance?
Was it the young woman
learning to play the "Ghost
Song" on her baby grand
Was it the wilderness children?
Was it the Ghost-God himself,
stuttering, cheering,
chatting blindly/
--- I called you up to
anoint the earth.
I called you to announce
sadness falling like
burned skin
I called you to wish
you well, to glory in
self like, a new monster
& now I call on you
to pray:

----------------------------------------------------------------------------

LAMENT FOR THE DEATH OF MY COCK

Lament for my cock
Sore & crucified
I seek to know you
acquiring soulful wisdom
you can open walls of
mystery
strip-show

How to get death
On the morning
show

T.V. death
which the child absorbs

death-well
mystery
which makes
me write

Slow train
The death of my cock
gives life

Guitar player
Ancient wise satyr
Sing your ode
to my cock
caress its lament
stiffen & guide
us

Lost cells
The knowledge of cancer
To speak to the heart
& give the great gift
words

power

trance

This stable friend
& the beasts of his zoo
wild, haired chicks
each color connects
to create the boat
which rocks the race

could any hell be more
horrible than now
& real

"I pressed her thigh
& death smiled"

death, old friend
death & my cock
are the world

I can forgive
my injuries
in the name of
wisdom

luxury

romance

Sentence upon sentence.
Words are healing.

Words got me the wound
& will get me well

If you believe it.

All join now in lament
for the death of my cock
a tongue of knowledge
in the feathered night

boys get crazy in the head
& suffer
I sacrifice my cock
on the altar
of silence

----------------------------------------------------------------------------

A WAKE

A wake
Shake dream from you hair
My pretty child, my sweet one
Choose the day, & the sign
of your day,
1st thing you see.

A burnt tree, like a giant
primeval bird, a leaf,
dry & bitter, crackling tales
in its warm waves.
Sidewalk gods will do for you.
The forest of the neighborhood,
The empty lost museum, &
The mesa, & the Mt.'s pregnant
Monument above the newstand
where the children hide
When school ends

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CURSES & INVOCATIONS

Weird bait-headed mongrels
I keep expecting one of you
to rise
large buxom obese queens
garden hogs & cunt
Veterans
quaint cabbage saints
Shit horders & individualists
drag-strip officials
Tight-lipped losers
& lustful fuck salesmen
My militant dandies
all strange order of monsters
hot on the trail of the
wood vine
We welcome you to our
Procession

----------------------------------------------------------------------------

THE CROSSROADS

Meeting you at your parent's gate
We will tell you what to do
What you have to do
to survive

Leave the rotten towns
of your father
Leave the poisoned wells
& bloodstained streets
Enter now the sweet forest

----------------------------------------------------------------------------

I WALKED THRU...

I walked thru the panther's living room
And our summer together ended
Too soon
Stronger than farther
Strangled by night
Rest in my sun burst
Relax in her secret wilderness
This is the sea of doubts
which threads harps
unwithered
& unstrung
Its the brother, not the past
who turns sunlight into glass
It's the valley
It's me

Testimony from
a strange witness

----------------------------------------------------------------------------

THE FLOWERING

The flowering
of god-like people
in the muted air
would seem
strange
to an intruder
of certain size

but this is all we have left
to guide us
Now that He is gone

----------------------------------------------------------------------------

THE WILD WHORE LAUGHS

The Wild whore laughs
like an ancient spinster
Crone, we see you, come again
in the mind
I lie like fever
Dancing your nubile hush
willing to be possessed
untold stories
dare injuns rise
Trampled, like red-skins
sacred fore-skin
Cancer began w/ the knife's
cruel blow & the damaged
rod has risen again
in the East
like a star
on fire

Copyright © Doors Music Co
----------------------------------------------------------------------------

All the Poems ...

----------------------------------------------------------------------------

ACT I
All the poems have wolves in them,
all but one -- the most beautiful one of all.
She dances in a ring of fire
and throws off the challenge with a shrug.
"Who did you right that one for?"
"I wrote it for you."

ACT II
All the poems have wolves in them,
all but one -- the most beautiful one of all.
I hope you go out smiling
like a child into the cool remnant of a dream,
the angel man finally claimed his benevolent soul.
Ophelia, leaves sudden and silk
chlorine dream -- mad stifled witness.
"This is the strangest life I have ever known."
--- James Douglas Morrison ---
----------------------------------------------------------------------------

Stop the Car ...

----------------------------------------------------------------------------

have you seen the accident outside
seven people took a ride
six bachelors and their bride
seven people took a ride

don't let me die in an automobile
I want to lie in an open field
want the snakes to suck my skin
want the worms to be my friends
want the birds to eat my eyes
as here I lie
the clouds fly by

ensenada the dog crucifix
the dead seal
ghosts of the dead car's son
stop the car
I'm getting out
I can't take it
hey lookout there's somebody coming
and there's nothing you can do about it

---- James Douglas Morrison ----