Документ взят из кэша поисковой машины. Адрес оригинального документа : http://crydee.sai.msu.ru/public/lyrics/asv-collection/Lyrics/Pink_Floyd/floyd.xx Дата изменения: Wed Nov 30 21:00:48 1994 Дата индексирования: Mon Dec 24 08:42:06 2007 Кодировка: Поисковые слова: m 101

P I N K F L O Y D
Rick Waters, Dave Gilmour, Nick Mason, Rick Wrihgt
- S O N G B O O K -

Arnold Lain (Single) 1967
Games for May (Live) 1967
(See Emily Play - first hit)
Another Break In the Wall, Part 2 - the only #1 hit in UK

CONTENTS

ALBUM NUMBERS
The Piper At the Gates Of Dawn 1967 1-9
A Saucerful Of Secrets 1968 10-15
MORE (Original soundtrack) 1969 16-21
Ummagumma 1969 1,12,22,23
Atom Heart Mother 1970 31-33
Relics 1971 24,30,11,28,
29,16,17,34,9
Meddle 1971 35-33
Obscured By Clouds 1972 41-46
Dark Side Of the Moon (NB!) 1973 47-54
Purple Simon Moves the Pink Harum 55
Picnic, a Breath Of Fresh Air 56
ZABRISKIE POINT (Original soundtrack) 57
The Best Of Pink Floyd 1974 7,3,8,24-30
Wish You Were Here 1975 58-62
Animals 1977 63-68
The Wall 1979 69-95
The Final Cut 1983 96-107
The Momentary Lapse Of Reason 1987 108-118
Delicate Sound of Thunder 1988 58,109,113,114,
118,110,112,35,48,
51,73,61,88,91

ALPHABETICAL INDEX OF TITLES

page number title
21 46' Absolutely Curtains
48 115 A New Machine (part 1)
48 117 A New Machine (part 2)
15 33' Alan's Psychedelic Brekfast
30 71 Another Brick In the Wall part 1
30 73 Another Brick In the Wall part 2
33 80 Another Brick In the Wall part 3
23 52' Any Color You Like
12 26 Apples And Oranges
11 24 Arnold Layne
6 13' A Saucerful Of Secrets
1 1 Astronomy Domine

15 34 Biding My Time
4 9 Bike
23 53 Brain Damage
21 47 Breathe
22 50 Breathe Reprise
34 87 Bring the Boys Back Home
18 41 Burning Bridges

11 25 Candy And a Current Bun
3 7 Chapter 24
19 44 Childhood's End
7 16 Cirrus Minor
6 13 Corporal Clegg
34 88 Comfortably Numb
25 57 Crumbling Land
8 18 Crying Song
9 20 Cymbaline

32 79 Don't Leave Me Now
27 65 Dogs
10 21"" Dramatic Theme

17 40 Echoes
24 54 Eclipse
25 56 Embryo
33 81 Empty Spaces

15 33 Fat Old Sun
16 37 Fearless
2 4 Flaming
20 45 Free Four

40 102 Get Your Filthy Hands off My Desert
18 42 Gold It's In the ..., the
31 75 Goodbye Blue Sky
33 82 Goodbye Cruel World
10 22 Grantchester Meadows
8 19 Green Is the Color

26 60 Have a Cigar
33 83 Hey You

9 21 Ibiza Bar
14 31 If
3 5' Interstellar Overdriver
35 90 In the Flesh
29 69 In the Flesh?
33 84 Is There Anybody Out There?
12 27 It Would Be So Nice

7 15 Jugband Blues
13 29 Julia Dream

4 10 Let There Be More Light
44 109 Learning to Fly
1 2 Lucifer Sam

9 20" Main Theme
1 3 Matilda Mother
22 51 Money
10 21' More Blues
31 74 Mother
19 43' Mudmen

34 85 Nobody Home
42 106 Not Now John

18 41' Obscured By Clouds
32 78 One Of My Turns
39 98 One Of the Few
16 35 One Of These Days
45 111 One Slip
21 47' On the Run
46 112 On the Turning Away
37 95 Outside the Wall

13 28 Paint Box
40 101 Paranoid Eyes
9 20' Party Sequence
28 66 Pigs (Three Different Ones)
27 63 Pigs On the Wing ( part 1 )
29 68 Pigs On the Wing ( part 2 )
16 36 Pillow Of Winds, a
24 55 Point Me At the Sky
2 4' Pow R. Toc H.

10 21" Quicksilver

5 11 Remember a Day
47 114 Round And Around
36 91 Run Like Hell

17 38 San Tropez
17 39 Seamus
14 30 See Emily Play
6 14 See-saw
5 12 Set the Controls For the Heart Of the Sun
29 67 Sheep
25 58 Shine On You Crazy Diamont ( part 1 )
27 62 Shine On You Crazy Diamond ( part 2 )
44 108 Signs Of Life
48 118 Sorrow
41 104 Southampton Dock
10 21"' Spanish Piece, a
21 46" Speak to Me
20 46 Stay
36 93 Stop
15 32 Summer '68

2 5 Take Up the Stethoscope And Walk
48 116 Terminal Frost
45 110 The Ddogs Of War
42 105 The Final Cut
41 103 The Fletcher Memorial Home
3 6 The Gnome
39 100 The Gunners Dream
30 72 The Happiest Days Of Our Lives
39 99 The Hero's Return
10 23 The Narrow Way
8 17 The Nile Song
38 96 The Post War Dream
4 8 The Scarecrow
35 89 The Show Must Go On
30 70 The Thin Ice
36 94 The Trial
21 48 Time
43 107 Two Suns in the Sunset

23 52 Us and Them
8 18' Up the Khyber

34 86 Vera

36 92 Waiting For the Worms
26 59 Welcome To the Machine
31 76 What Shall We Do Now?
18 41" When You're In
26 61 Wish You Were Here
19 43 Wot's ...uh the Deal

32 77 Young Lust
47 113 Yet Another Movie
38 97 Your Possible Pasts


THE PIPER AT THE GATES OF DAWN

1. ASTRONOMY DOMINE
S.Barrett

Lime and limpid green the second scene
the fights between the blue you once knew
floating down the sound resounds
around the icy waters underground

Jupiter and Saturn, Oberon there on the run
Titanian, Neptune, Titan, stars can frighten

Winding signs flap
flicker flicker flicker flam pow pow
stairways scared and death rules there
blindman limpid green the sound
surrounds the ioy waters on the
lime and limpid green the sound
surrounds the ioy waters underground

2. LUCIFER SAM
S.Barrett

Lucifer Sam saw your cat
always sitting by your side
always by your side
that cat's something I can't explain

Jennifer Gentle you're the witch
you're the left side, he's the right side
oh no
that cat's something I can't explain

Wouldn't say we're going to see
me a hip cat, me a ship's cat
somewhere, anywhere
that cat's something I can't explain

3. MATILDA MOTHER
S.Barrett

There was a king who ruled the land
His Majesty was in command
with silver eyes the scarlet eagle
showered silver on the people

Oh mother tell me more
Why'd you have to leave me there
hanging in my infant chair
waiting

You only have to read the lines
they're scribbled in black and everything shines

Across the stream with wooden shoes
bells to tell the king the news
a thousand misty riders climb up
higher once upon a time

Wandering and dreaming
the words had different meanings
yes they did

For all the time spent in that view
the doll's house darkness' old perfume
and fairy-stories held me high
on clouds of sunlight floating by

Oh mother tell me more
tell me more

4. FLAMING
S.Barrett

Alone in the clouds all blue
lying on an eiderdown
yippie, you can't see me
but I can you

Lazing in the foggy dew
sitting on a unicorn
no fear, you can't hear me
but I can you

Watching buttercups cuff the light
sleeping on a dandelion
too much, I won't touch you
but then I might

Screaming through the scarlet sky
travelling by telephone
hey, ho here we go
ever so high

4'. POW R. TOC H.
Instrumental
S.Barrett, R.Wright, R.Waters, N.Mason

5. TAKE UP THE STETHOSCOPE AND WALK
R.Waters

I'm in bed, aching head
gold is red, choke I'm red

I'm the bread, gold is red
Jesus bled, pain is red
dark room

Oh no

Breeze is slow, you are slow
chill grow
feeling seems to melt the brain
seems to cause a painful brain
doctor kindly tell your wife
that I'm alive
flowers thrive
realize realize
realize

5'. INTERSTELLAR OVERDRIVER
Instrumental
S.Barrett, R.Wright, R.Waters, N.Mason

6. THE GNOME
S.Barrett

I want to tell you a story
about a little man
if I can
a gnome named Crimble Cromble
and little gnomes stay in their homes
eating sleeping drinking their wine

He wore a scarlet tunic
a blue-green hood
it looked quite good
he had a big adventure
amidst the grass
fresh air at last
winding dining biding his time

And then one day hurray
another way for the gnomes to say hurray

Look at the sky, look at the river
isn't it good
look at the sky, look at the river
isn't it good
winding finding places to go

7. CHAPTER 24
S.Barrett

A movement is accomplished in six stages
and the seventh brings return
the seven is the number of the young light
if forms when darkness isn't creased by one

Change returns success
going and coming without error
action brings good fortune
sunset, sunrise

The time is with the month of winter solstice
when the change is due to come
thunder in the early course of heaven
things cannot be destroyed once and all for all

8. THE SCARECROW
S.Barrett

The black and green scarecrow as everyone knows
stood with a bird on his hat and swore
everywhere he didn't care
he stood in a field where barley grows

His head did no thinking, his arms didn't move
except when the wind cut-a-pup and mice ran
around on the ground
he stood in a field where barley grows

The black and green scarecrow was sadder than me
but now he's resined to his fate 'cause life's not
unkind, he doesn't mind
he stood in a field where barley grows

9. BIKE
S.Barrett

I've got a bike, you can ride if you like
it's got a basket, a bell that rings
and things to make it look good
I'd give it to you if I could
but I borrowed it

You're the kind of girl
that fits in with my world
I'll give you anything, everything
if you want thing

I've got a cloak, it's a bit of a joke
there's a tear up the front, it's red and black
I've had it for months
if you think it could look good
then I guess it should

I know a mouse and he hasn't got a house
I don't know why I call him Gerald
he's getting rather old but he's a good mouse

I've got a clan of gingerbread men
here a man, there a man, lots of gingerbread men
take a couple if you wish, they're on the dish

I know a room of musical tune
some wine, some gin, most of them are clockwork
let's go into the other room and make them work


A SAUCERFUL OF SECRETS

10. LET THERE BE MORE LIGHT
R.Waters

Far far far away way
people heard him say say
I will find a way way
there will some a day day
something will be done

Then at last the mighty ship
descending at a point of flame
made contat with the human race at no time

Now now now is the time time
time to be be be aware

Not as far the solar bear
in human role revealed to him
a living soul of heavenward forever

Sunlight, something in my eye
something in the sky
waiting there for me

The antilope grows hurling back
the servicemen would like to sigh
the memory went flowing rounds
as Lucy in the sky

Oh oh did you ever know
no never ever will they ascend

Summoning in his cosmic powers
and flowing slightly from his toes
psychedelic nations fly

11. REMEMBER A DAY
R.Wright

Remember a day before today
a day when you were young
renew a play along with time
evening with a thyme

Sing now a song that can't sung
without a morning's kiss
dream you shall be it if you wish
look for your king

Why can't we play today
why can't we stay that way

Climb your fatal apple tree
try to catch the sun
hide from your little brother's gun
dream yourself away

Why can't we reach the sun
why can't we blow the years away
go away
remember remember

12. SET THE CONTROLS FOR HEART OF THE SUN
R.Waters

Little by little the night turns around
counting the leaves which tremble in the dawn
notices leaning on each other and yearning
under the leaves the swallow is resting

Set the controls for the heart of the sun

On to the mountain watching the Watcher
breaking the darkness , breaking the grapevine
the moment your flaw is run to your shadow
notice the shadow that reopens the vine

Set the controls for the heart of the sun
heart of the sun

Breaking the shape of his questions for ever
when the sun will fall in the evening
will he remember the lesson I gave him

Set the controls for the heart of the sun
heart of the sun

13. CORPORAL CLEGG
R.Waters

Corporal Clegg had a wooden leg
he won it in the war in nineteen forty four
Corporal Clegg had a medal too
in orange and blue, he found it in the zoo

Dear oh dear, oh are they really sad for me
dear oh dear, oh will they really laugh at me

Mrs. Clegg, you must be proud of him
mrs. Clegg, another drop of gin

Corporal Clegg received his medal in a dream
from Her Majesty the Queen, his boots were very clean

Corporal Clegg, umbrella in the rain
he's never been the same but no one is to blame

13'. A SAUCERFUL OF SECRETS
Instrumental
R.Waters, R.Wright, N.Mason, D.Gilmour

14. SEE-SAW
R.Wright

Fairy girls were very much in love
but he doesn't mind
pickin' up his sister
makes his way to the see-saw land
all the way she smiled
she goes up while he goes down

Sits on a snake in the river
laughter in his sleeves
sister's throwing stones
hoping for a hit
he doesn't know, so there
she goes up while he goes down

Another time, another day
her brother's plain to me
another time, another day day day

She was selling plastic flowers
on a sunday afternoon
pickin' up me, she has not got the time to care
all can see, he's not there
she grows up for another man and he's down

15. JUGBAND BLUES
S.Barrett

It's awfully considerate of you to think of me here
and I'm most obliged to you for making it clear
that I'm not there
and I never knew the room could be so big
and I never knew the room could be so blue
and I'm grateful that you threw away my old shoes
and brought me here instead dressed in red

And I'm wandering who could be writing this song

I don't care if the sun don't shine
I don't care if nothing is mine
and I don't care I'm nervous with you
I'll do my loving in the winter

And the sea isn't green
and I love the queen
and what exactly is a dream
and what exastly is a joke


MORE

16. CIRRUS MINOR
R.Waters

In a churchyard by a river
lazing in the haze of midday
laughing in the grasses and the graves

Yellow bird you are not lonely
in signing and in flying on
in laughing and in leaving

Willow weeping in the water
waving to the river-daughters
swaying in the ripples and the wreaths

On a trip to Cirrus Minor
saw a crater in the sun
a thousand miles of moonlight later

17. THE NILE SONG
R.Waters

I was standing by the Nile
when I saw the lady smile
I would take her out a while for a while
like tears that like a child
how her golden hair was blowing wild
then she spread her wings to fly for to fly
soaring high above the breezes
going always where she pleases

She will make it to island in the sun
I will follow her in her shadow
and I'll watch her from my window
one day I will catch her

She is calling from the deep
summoning my soul to endless sleep
she is bound to drag me down

18. CRYING SONG
R.Waters

We smile and smile
laughter echoes in your eyes
we climb and climb
fruit falls softly in the pines
we cry and cry
sadness passes in a while
we roll and roll
help me roll away the stone

18'. UP THE KHYBER
Instrumental
R.Wright, N.Mason

19. GREEN IS THE COLOUR
R.Waters

Heavy hung the canopy of blue
shade my eyes and I can see you
white is the light that shines through the dress
that you wore

She lay in the shadow of a wave
hazy were the visions overplayed
sunlight in her eyes, but moonshine made her cry every time

Green is the colour of her kind
quickness of the eye deceives the mind
envy is the bond between the hopeful and the damned

20. CYMBALINE
R.Waters

The path you tread is narrow and the trumpets sheer
and very high
the ravens all are watching from a vantage point nearby
aprehension creeping like a tube train up your spine
will the tight rope reach the end,
will the final couplet rhyme
and it's high time, Cymbaline
please wake me

A butterfly with broken wings is falling by your side
the ravens all are closing in, there's nowhere
you can hide
your manager and agent are both busy on the phone
selling coloured photographs to magasines back home
and it's high time, Cumbaline
please make me

The lions converging where you stand, they mast have moved
the picture plain
the leaves are heavy 'round your feet,
you hear the trunder of the train
suddenly it strikes you that they're moving into range
and Doctor Strange is always changing size
and it's high time, Cumbaline
please make me

20'. PARTY SEQUENCE
Instrumental
All

20". MAIN THEME
Instrumental
All

21. IBIZA BAR
All

I'm so afarid of the mistakes that I made
making every time that I lay
I feel like an odball with a cut-off mind
so if you excuse me it's time
when the count is rhymed
and the story-line is fine

I've been amazed since the first time
I can't get a line too close
take me down, take me down
from the cell of my mind
and hear me slowly floating lonely somewhere

I live far enough on a shelf like a dress
on the end of all that reads like a sad song
leaves began to grow beautiful
and years they began
and hear me slowly floating lonely
flowing down too slow

21'. MORE BLUES
Instrumental
All

21". QUICKSILVER
Instrumental
All

21"'.A SPANISH PIECE
Instrumental
D.Gilmour

21"".DRAMATIC THEME
Instrumental
All


UMMAGUMMA

22. GRANTCHERTER MEADOWS
R.Wright

Icy wind of night be gone, this is not your domain
in the sky a bird was heard to cry
misty morning whisperings and gentle stirring sounds
be like the deathly silence that lay all around

Hear the knock and hearten
to the barking of the dog fox
done to ground
see the splashing of the kingfisher
flashing through the water
and the river of green is sliding unseen beneath the trees
laughing as it passes through the endless summer
making for the sea

In the lazy watermeadow I lay me down
all around me golden sunflakes settle on the ground
basking in the sunshine of a bygone afternoon
bringing sounds of yesterday into the city room

In the lazy watermeadow I lay me down
all around me golden sunflakes covering the ground
basking in the sunshine of a bygone afternoon
bringing sounds of yesterday into the city room


23. THE NARROW WAY
D.Gilmour

Flowing in the path
as it leads toward the darkness in the north
weary stranger's faces show their sympathy
they've seen that home before

If you wanna stay for a little bit
rest your ahcing limbs for a little bit
before you can find his private room
and you can't delay
hear the nightbirds calling him
to care and catch the words to say
close by in the nightmare of your brain

Misty swelling creatures crawling
hear the roar get louder in your ears
you know the volume as you're on the force
behind can't conquer all your fears

All your birds aren't really listening
tell them there is life with every morning
perhaps today you can when you answer me
it's clear, it's all nights warning


25. CANDY AND A CURRENT BUN
S.Barrett

Oh my girl sitting in the sun
go buy candy and a current bun
I like good to see you
lay flat

Oh talk talk sweet
please just fuck with me,
please no feeling afraid

It's true sun shining very bright
it's you I'm gonna love tonight
icecream tastes good in the afternoon
icecream tastes good if you eat it soon

Don't touch me child
please, you know you drive me wild
please, you know I'm feeling frail

Don't try another cat
don't go a lot like that you must know
I'm very very very bad

26. APPLES AND ORANGES
S.Barrett

Got a fliptop pack cigarettes in the pocket
feeling good at the top shopping at shops
she's walking in the sunshine town
feeling very cool
but the butchers and the bakers
in the supermarket stores
getting everything she wants
from the supermarket store

Apples and oranges
Apples and oranges

Cornering meekly she trips up sweetly
to meet the people
she's on time again
and then, I catch her by the eye
then stop and have to think
what a funny thing to do
'cause I'm feeling very thin

I love she
she loves me
see you, see you, see you

Thought you might like to know

I'm a lorrydriver man
she's on the run
down by the riverside
feeding ducks in the afternoon time

27. IT WOULD BE SO NICE
R.Wright

It would be so nice to leave some time
it would be so nice to leave some time
it would be so nice to leave some time

Everybody wakes and in the morning
hot tea can't stop yarning
pass the butter please
have you ever read the Daily Standard
reading all about the plane that's landed
upside down

Everyone knows what I do today
there can be no other way
but I would just like to say

Everybody cares about the weather
but everybody should know better
what a waste of time
everybody lives beneath the ceiling
living out a dream that sends them reeling
to a distant place

But no one knows what I do today
there can be no other way
but I would just like to say


ATOM HEART MOTHER

31. IF
R.Waters

If I were the swan, I'd be gone
if I were the train, I'd be late (again)
and if I were the good man
I'd talk with you more often than I do

If I were to sleep I could dream
if I were afraid I could hide
if I go insane
please don't put your wires in my brain

If I were the moon, I'd be cool
if I were the rule I would bend
if I were a good man
I'd understand the spaces between friends

If I were alone I would cry
and if I were with you, I'd be home and dry
and if I insane
will you still let me join in with the game

32. SUMMER '68
R.Wright

Would you like to say something before you leale
perhaps you'd care to state exactly how you feel
we say goodbye before we've said hello
I hardly even like you, I shouldn't care at all
we met just six hours ago, the music was too loud
from your bed I came today and lost a bloody year
and I would to know, how do you feel
how do you feel

Not a single word we've said, the lights stay without fears
occasionaly you showed a smile but what was the need
I felt the cold far too soon in the world of ninety five
my friends they're in the sun, I wish that I was there
tomorrow brings another town, another girl like you
have you time before you leave to meet another man
just to let me know, how do you feel
how do you feel

Goodbye to you
shall it bring girls due
I had a love for one day

33. FAT OLD SUN
D.Gilmour

When that fat old sun in the sky is falling
summer-evening birds are calling
summer sun do you travel yet
the sound of music in my ears
distant bells, new grown grass smells so sweet
by the river holding hands
you're old enough and lay me down

And if you see, don't make a sound
pick your feet up off the ground
and if you hear as the warm night falls
the silver sound from a time so strange
sing to me, sing to me

When that fat old sun in the sky is falling
summer-evening birds are calling
children's laughter in my ears
and then the sunlight disappears

33'. ALAN'S PSYCHEDELIC BREAKFAST
RAISE AND SHINE; SUNNY SIDE; MORNING GLORY
All


RELICS

24. ARNOLD LAYNE
S.Barrett

Arnold Layne had a strenge hobby
collecting clothes, moonshine washing lines
they suit him fine

On the wall hung a tall mirror
distorted view, see through, baby blue
he got it

Oh Arnold Layne, it's not the same
it takes two to know,two to know,two to know,two to know
why can't you see

Arnold Layne, Arnold Layne
Arnold Layne

Now he's caught a nasty sort of person
they gave him time, doors bang chaingand
he hated

Arnold Layne, Arnold Laune
Arnold Laune
Arnold Laune
don't do it again

30. SEE EMILY PLAY
S.Barrett

Emily tries but misunderstands
she's often inclined to borrow
somebody's dreams till tomorrow

There is no other day
let's try it another way
you'll loose your mind and play
free games today
see Emily play

Soon after dark Emily cries
gazing through trees in sorrow
hardly a sound till tomorrow

Put on a gown that touches the ground
float on a river
for ever and ever
Emily, Emily

28. PAINT BOX
R.Wright

Last night I had too much to drink
sitting in a club with so many fools
playing to rules
trying to impress and feeling rather emrty
I had another drink

What a way to spend that evening
you don't turn up with their friends
playing their game
here in the scene or it should be
far away

Getting up first without remembering
where I've been

I open the door to an empty room
then I forget

The telefone rings and someone speaks
she would very much like to go
out to a show
so what can I do, I can't think what to say
she sees through any way

Out of the front door I go
traffic's moving rather slow
arriving late
there she waits looking very angry
as cross as she can be

29. JULIA DREAM
R.Waters

Sunlight bright upon my pillow
lighter than an eiderdown
wishing that the weeping-willow
winds its branches round

Julia dream
dream that queen
queen of all my dreams

Every night I turn the light out
waiting for the velvet bride
will the scaly armadillo
find me where I'm hiding

Will the misty master break me
will the key unclock my mind
will the following fortsteps catch me
am I realy dying

34. BIDING MY TIME
R.Waters

Wasting my time, resting my mind
and I'll never pine for the sad days and the bad days
when we was working from nine to five

And if you don't mind
I'll spend my time here by the fireside
in the warm light of the love in her eyes


MEDDLE

35. ONE OF THESE DAYS (All)

One of these days
I'm going to cut you into little pieces


36. A PILLOW OF WINDS
R.Waters, D.Gilmour

The cloud of eiderdown draws around me
softening the sound
sleepy time when I lie with my love by my side
and she's breathing low, and the candle dies

When night comes down you lock the door
the book falls to the floor
as darkness falls and waves roll by
the seasons changed, the wind is warm

Now wakes the owl, now sleeps the swan
behold the dream, the dream is gone
green fields, a cold rain
is falling in a golden glow

and deep beneath the ground the early morning sounds
and I go down
sleepy time when I lie with my love by my side
and she's breathing low and I rise like a bird
in the haze when the first rays touch the sky
and the night winds die

37. FEARLESS
R.Waters,D.Gilmour

You say the hill's too steep to climb, try it
you say you'd like to see me try, climb it
you pick the place and I'll choose the time
and I'll climb the hill in my own way
just wait a while for the right day
and as I rise above the tree-line and the clouds
I look down, hearing the sounds of the things
you've said today

Fearlessly the idiot faced the crowd, smiling
mercyless the magistrate turns round, frowning
and who's the fool who wears the crown
go down in your own way
and every day is the right day
and as you rise above the fear-lines in his crown
you look down, hearing the sound of the faces in the crowd

You never walk alone, you never walk alone
walk on, walk on with hope in your heart
and you never walk alone, you never walk alone

38. SAN TROPEZ
R.Waters

As I reach for a peach, slide a ride down behind
a chauffer in San Tropez
breaking a stick with a brick on the sand
riding a wave in the wake of an old sedan
sleeping alone in the drone of the darkness
scratched by the sand that fell from my love
keeping my dreams and I still hear her calling
if you're alone, I'll come home

Backward and homebound, a pigeon, a dove
gone with the wind, the rain on an airplane
owning a home with no silver spoon
I'm drinking champagne like a good tycoon
sooner than wait for a break in the weather
I'll gather my far-flung thoughts together
speeding away on the wind to a new day
if you're alone, I'll come home

And I pause for a while by a country style
and listen to the things they say
digging the gold in a hole in my hand
hoping the good, take a look at the way things end
and you're leading me down to a place by the sea
I hear your soft voice calling to me
making a date for Rita Pavone

39. SEAMUS
All

I was in the kitchen
Seamus, that's the dog, was outside
well I was in the kitchen
Seamus, my own hound, was outside
well you know the sun was sinking slowly
and my own hound-dog sat right down and cried

40. ECHOES
All

Overhead the albatross hangs motionless upon the air
and deep beneath the rolling waves in labyrinths
of coral caves
the echo of a distant time comes billowing across the sand
and everything is green, the sun beneath
and no one showed us to the land
and no one knows the where's or the why's
but something stares and something tries
and starts to climb towards the land

Strangers passing in the street by chance
to separate closes meet
and I am you and what I see is me
and do I take you by the hand and lead you through the land
and help me understand the best I can
and no one calls us to the dawn
and no one forces down our eyes
and no one speaks and no one tries
no one flies around the sun

Cloudless everyday you fall upon my waking eyes
inviting and insighting me to rise
and through the window in the wall
come streaming in on sinlight wings
a million bright ambassadors of morning
and no one sings me lullabies
and no one makes me close my eyes
so I throw the windows wide
and crawl to you across the sky


OBSCURED BY CLOUDS

41'. OBSCURED BY CLOUDS
Instrumental
R.Waters,D.Gilmour

41". WHEN YOU'RE IN
Instrumental
All

41. BURNING BRIDGES
R.Waters,R.Wright

Bridges burning gladly, melting with the shadow
flickering between the lines
stolen mormons floating softly on the air
gone on wings of fire and climbing higher

Ancient bulbs are breaking, leaving all and changing sides
dreaming of a new day, cast aside the other way
magic vision, staring, kindled by the burning flames
lies in her eyes

The door it stands ajar
it was , it once was high beyond the guilded cage
beyond the reach of time , the moment is at hand
she breaks the golden band

42. THE GOLD IT'S IN THE....
R.Waters,D.Gilmour

Come on, my friends, let's make for the hills
they say there's gold and I'm looking for thrills
you can get your hands on whatever me find
'cause I've only come along for the ride

Well you go your way and I'll go mine
I don't care if we get there on time
everybody's searching for something, they say
I'll get my kicks on the way

Over the mountains, across the sea
who knows what may be waiting for me
I could sail forever to strange sounding names
faces of people and places don't change

All I have to do is just close my eyes
to see the seagulls wheeling in the far distant skies
all I wanna tell you, all I wanna say
is count me in on the journey, don't expect me to stay

43. WOT'S ...UH THE DEAL
R.Waters, D.Gilmour

Heaven sent the promised land
looks alright from where I stand
'cause I'm the man on the outside looking in
waiting on the first step
show me where the key is kept
point me down the right line 'cause it's time

To let me in from the cold, turn my lead into gold
'cause there's a chill wind blowing in my soul
and I think I'm growing old

Flash ... the red is ... wot's ...uh deal
got to make it to the next meal
try to keep up with the turning of the wheel
mile after mile, stone after stone
you turn to speak but you're alone
million miles from home you're on your own

Fly kite by candle light
with her by my side
with she prefers we never stirr again
someone sent the promised land
well I grabbed it with both hands
now I'm the man on the inside looking out

Hear me shout, come on in
what's the news, where you've been
'cause there's no wind left in my soul and I've grown old

43'. MUDMEN
Instrumental
R.Waters,D.Gilmour

44. CHILDHOOD'S END
D.Gilmour

You shout in your sleep
that's the price, it's just too sleep
is your conscience at rest
it was put to the test
you awake with a start
just the beating of your heart
just one man beneath the sky
just two ears, just two eyes

You said, sail across the sea
long past thoughts and memories
childhood's end: your fantasies
merging harsh realities
and then as the sail is hoist
you'll find your eyes are growing moist
and all the fears never voiced
say you have to make the final choice

Who are you and who am I
to say we know the reason why
some are born, some men die
beneath one infinite sky
there'll be war and there'll be peace
but anything one day will cease
all the iron turn to rust
all the proud men turn to dust
so all things time will mend
so this song will end

45. FREE FOUR
R.Waters

One two three four

The memories of a men in his old age
are the deeds of a man in his prime
you shuffle in the gloom of the sick room
and talk to yourself as you die

Life is a short warm moment
and death is a long cold rest
you get your chance to try in the twinkling of an eye
eighty years with luck or even less

So all aboard for the American tour
and maybe you'll make it to the top
but mind how you go, and I can tell you 'cause I know
you may find it hard to get off

But you are the angel of death
and I am the dead man's son
he was buried like a mole in a fox-hole
and everyone's still on the run

And who is the master of foxhounds
and who says the hunt is begun
and who calls the tune in the court-room
and who beats the funeral drum

46. STAY
R.Wright,R.Waters

Stay and help me to end the day
and if you don't mind, we'll break a bottle of wine
stick around and maybe we'll get one down
'cause I want to find what lies behind those eyes

Midnight blue, burning gold
a yellow moon is growing cold
I rise, looking through my morning eyes
surprised to find you by my side
light my brain, don't try to remember your name
to find the words to tell you good-bye

Morning dews, newborn day
midnight blue turned to grey
midnight blue, burning gold
a yellow moon is growing cold

46'. ABSOLUTELY CURTAINS
Instrumental
All


DARK SIDE OF THE MOON (June 1972-January1973)
Abbey Road Studios, London
Saxophone on "Us And Them"&"Money": Dick Parry
Backing Vocals: Doris Troy, Leslie Duncan,
Liza Strike, Barry StJohn
Vocals on "The Great Gig In the Sky" by Clare Torry
All lyrics by Roger Waters

46". SPEAK TO ME (Mason)
Instrumental
All

47. BREATHE (Waters)

Breathe, breathe in the air
Don't be afraid to care
Leave but don't leave me
Look around and choose your own ground
For long you live and high you fly
And smiles you'll give and tears you'll cry
And all you touch and all you see
Is all your life will ever be

Run, run, rabbit run
Dig that hole, forget the sun
And when at last the work is done
Don't sit down, it's time to start another one
For long fou live and high you fly
But only if you ride the tide
And balanced on the biggest wave
You race towards an early grave

47' ON THE RUN (Gilmour, Waters)
Instrumental
All

48. TIME (All)

Ticking away the moments that make up a dull day
You fritter and waste the hours in an off hand way
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way

Tired of lying in the sunshine, staing home to watch the rain
You are young and life is long and there is time to kill today
And then one day you find ten years have got behind you
No one told you when to run, you missed the starting gun

And you run and you run to catch up with the sun, but it sinking
And racing around to come up behind you again
The sun is the same in the relative way, but you're older
And shorter of breath and one day closer to death

Every year is getting shorter, never seem to find the time
Plans that either come to naught or half a page of scribbled lines
Hanging on the quiet desperation is the English way
The time is gone, the song is over, thought I'd something more to say

50. BREATHE REPRISE
(Waters)

Home, home again
I like to be here when I can
When I come home cold and tired
It's good to warm my bones beside the fire
Far away across the field
The tolling of the iron bell
Calls the faithful to their knees
To hear the softly spoken magic spells

50'. THE GREAT GIG IN THE SKY (Waters)
Instrumental

51. MONEY (Waters)

Money, get away
Get a good job with more pay and you're O.K.
Money, it's a gas
Grab that cash with both hands and make a stash
New car, caviar, four star daydream
Think I'll buy me a football team

Money, get back
I'm alright jack keep your hands off my stack
Money, it's a hit
Don't give me that do goody good bullshit
I'm in the hi-fidelity first class travelling set
And I think I need a Lear jet

Money, it's a crime
Share it fairly but don't take a slice of my pie
Money so they say
Is the root of all evil today
But if you ask for a rise it's no suprise that they're
Giving none away, away, away

52. US AND THEM (Waters)

Us, and them
And after all we're only ordinary men
Me, and you
God only knows it's not what we would choose to do
Forward he cried from the rear
And the front rank died
And the General sat, and the lines on the map
Moved from side to side

Black and blue
And who knows which is which and who is who
Up and down
And in the end it's only round and round and round
Haven't you heard it's a battle of words
The poster bearer cried
Listen, son, said the man with the gun
There's room for you inside

Down and out
It can't be helped but there's a lot of it about
With, without
And who'll deny it's what the fighting's all about
Out of the way, it's a busy day
I've got things on my mind
For want of the price of tea and a slice
The old man died

52'. ANY COLOUR YOU LIKE (Gilmour, Mason, Wright)
Instrumental

53. BRAIN DAMAGE (Waters)

The lunatic is on the grass - 2 times
Remembering games and daisy chains and laughs
Got to keep the loonies on the path

The lunatic is in the hall
The lunatics are in my hall
The paper holds their folded faces to the floor
And every day the paper boy brings more

And if the dam breaks open many years too soon
And if there is no room upon the hill
And if your head explodes with dark forbodings too
I'll see you on the dark side of the moon

The lunatic is in my head - 2 times
You raise the blade, you make the change
You re-arrange me 'till I'm sane
You lock the door and throw away the key
There's someone in my head but it's not me

And if the cloud bursts, thunder in your ear
You shout and no one seems to hear
And if the band you're in starts playing different tunes
I'll see you on the dark side on the moon

54. ECLIPSE (Waters)

All that you touch
All that you see
All that you taste
All you feel
All that you love
All that you hate
All you distrust,
All that you save
All that you give
All that you deal
All that you buy
Beg, borrow or steal
All you create
All you destroy
All that you do
All that you say
All that you eat
Everyone you meet
All that you slight
Everyone you fight
All that is now
All that is gone
All that's to come
And everything under the sun is in tune
But the sun is eclipsed by the moon


PURPLE SIMON MOVES THE PINK HARUM

55. POINT ME AT THE SKY

Hey Gene, this is Henry Maclean
and I finished my beutiful flying machine
and I'm ringing to say that Im leaving and maybe
you'd like to fly with me and hide with me, baby

Isn't it strange how little we changed
isn't it we're insane
playing the games that we know end in tears
the games we've been playing for thousands and thousands

Point me to this cosmic flight
and throw away the plastic coloured eye
I'd like to use the static miles that we fly
this is my last summarize

Point me at the sky and let it fly

And if you survive till two thousand and five
I hope you're exceedingly thin
for if you are stout you will have to breath out
while the people around you breathe in, breathe in

People blaspheme all I say
to something that I hate to say
stooping down to eat the air
breathe careful that you might die, my friend

All we've got to say to you is goodbye
time will die in your eye
and we fly, it's goodbye

Point me at the sky and let it fly


PICNIC, A BREATH OF FRESH AIR

56. EMBRYO

All is love, is all I am
A ball is all I am
I'm so new compared to you
and I am very small

Warm glow, moon bloom
always need a little more room
waiting here seems like years
never seen the light of day

All around I hear strange sounds
come gurgling in my ear
red the light and dark the night
I feel my dawn is near

Warm glow, moon bloom
always need a little more room
whisper low, here I go
I will see the sunshine show


ZABRISKY POINT

57. CRUMBLING LAND

In a while I'll find the time to make the sunshine mine
in a smile I saw a single eagle in the sky
wheeling, soaring, gliding high

On a hill there lived a man with many shining things
shiny gold, shiny car and shiny diamond rings
wining, dining, shining king

Now the eagle flies in clear blue skies
drinking in the clear blue well
back here on the ground another dealer coughs and dies
but fifty more come rolling off the floor production line

Then a man commuting like a village on the sand
in his hand a moving picture of the crumbling land
screaming, dealing, movie man

Here we go, hold your breath to see if something blows
close your eyes, count till ten and see the sunrise rise
gliding higt into the sky

By the holy mansion, let the guardian rise
upon the finger of the king
on high the eagle flies, that glitter all of gold
then wheeling a cloudy sky, he flies into the sun


WISH YOU WERE HERE

58. SHINE ON YOU CRAZY DIAMOND (part 1) (Waters, Gilmour, Wright)

Remember when you were young, you shone like the sun.
Shine on you crazy diamond.
Now there's a look your eyes, like black holes in the sky.
Shine on you crazy diamond.
You were caught on the cross fire of childhood and stardom,
Blown on the steel breeze.
Come on you target for faraway laughter,
Come on you stranger, you legend, you martyr,
And shine!
You reached for the secret too soon, you cried for the moon.
Shine on you crazy diamond.
Threatened by shadows at night, and exposed in the light,
Shine on you crazy diamond.
Well you wore out your welcome with random precision,
Rode on the steel breeze.
Come on you raver, you seer of visions,
Come on you painter, you piper, you prisoner,
And shine!

59. WELCOME TO THE MACHINE

Welcome, my son, welcome to the machine.
Where have you been?
It's alright, we know where you've been.
You've been in the pipeline, filling in time,
Provided with toys and "Scouting for Boys".
You bought a guitar to punish your Ma,
And you didn't like school,
And you know you're nobody's fool,
So welcome to the machine.

Welcome, my son, welcome to the machine.
What did you dream?
It's alright, we told you what to dream.
You dreamed of a big star, he played a mean guitar,
He always ate in the Steak Bar,
He loved to drive in his Jaguar.
So welcome to the machine.

60. HAVE A CIGAR

Come in here, dear boy, have a cigar.
You're gonna go far, fly high, you're never gonna die,
You're gonna make it if you try; they're gonna love you.
Well I've always had a deep respect,
And I mean that most sincerely.
The band is just fantastic, that is really what I think.
Oh by the way, which one is Pink?
And did we tell you the name of the game, boy,
We call it Riding the Gravy Train.

We're just knocked out. We heard about the sell out.
You gotta get an album out, you owe it to the people.
We're so happy we can hardly count.
Everybody else is just green, have you seen the chart?
It's a helluva start, it could be made into a monster
If we all pull together as a team.
And did we tell you the name of the game, boy,
We call it Riding the Gravy Train.

61. WISH YOU WERE HERE (Waters, Gilmour)

So, so you think you can tell Heaven from Hell,
Blue skies from pain.
Can you tell a green field from a cold steel rail?
A smile from a veil? Do you think you can tell?

And did they get you to trade your heroes for ghosts?
Hot ashes for trees? Hot air for a cold breeze?
Cold comfort for change? And did you exchange
a walk on part in the war for a lead role in a cage?

How I wish, how I wish you were here.
We're just two lost souls swimming in a fish bowl,
Year after year, running over the same old ground.
What have we found? The same old fears.
Wish you were here.

62. SHINE ON YOU CRAZY DIAMOND (part 2)

Nobody knows where you are, how near or how far.
Shine on you crazy diamond.
Pile on many more layers and I'll be joining you there.
Shine on you crazy diamond.
And we'll bask in the shadow of yesterday's triumph,
And sail on the steel breeze.
Come on you boy child, you winner and loser,
Come on you miner for truth and delusion,
And shine!


ANIMALS

63. PIGS ON THE WING 1

If you didn't care what happend to me
And I didn't care for you
We would zig zag our way through the boredom and pain
Occasinally glancing up through the rain
Wondering which of the buggers to blame
And watching for pigs on the wing

64. DOGS

You gotta be crasy,you gotta have a real need
You gotta sleep on your toes and when you're on the street
You gotta be able to pick out the easy meat with your
eyes closed
And then moving in silently, down wind and out of sight,
You gotta strike when the moment is right, without thinking

And after a while you can work on points for style
Like the club tie and the firm handshake
A certain look in the eye and an easy smile
You have to be trusted by the people that you lie to
So that when they turn their backs on you
You'll get the chance to put the knife in

You gotta keep one eye looking over your shoulder
You know it's going to get harder, and harder and harder
as you get older
And in the end you'll pack up and fly down south
Hide your head in the sand
Just another sad old man
All alone and dying od cancer

And when you loose control you'll reap the harvest
you have sown
And as the fear grows the bad blood slows
and turns to stone
And it's too late to loose the weight
you used to need to throw around
So have a good drown as you go down, alone,
Dragged down by the stone

I gotta admit that I'm a little bit confused
Sometimes it seems to me as if I'm just being used
Gotta stay awake gotta try
and shake off this creeping malaise
If I don't stand my own ground how can I find my own way
Out of this maze?

Deaf,dumb and blind you just keep on pretending
That everyone's expandable and no-one has a real friend
And it seems to you the thing to do
would be to isolate the winner
And everything's done under the sun
And you believe at heart, everyone's a killer

Who was born in a house full of pain,
Who was trained not to spit in the fan,
Who was told what to do by the man,
Who was broken by trained personnel,
Who was fitted with collar and chain,
Who was given the seat in the stand,
Who was breaking away from the pack,
Who was only a stranger at home,
Who was ground down in the end,
Who was found dead on the phone,
Who was dragged down by the stone.

65. PIGS ( THREE DIFFERENT ONES )

Big man, pig man ha ha charade you are
You well heeled big wheel ha ha charade you are.
And, when your hand is on your heart,
You're nearly a good laugh,
Almost a joker,
With your head down in the pig bin,
Saing "Keep on digging",
Pig stain on your fat chin.
What do you hope to find,
When you're down in a pig mine?
You're nearly a laugh
You're nearly a laugh
But you're really a cry

Bus stop rat bag ha ha charade you are
You fucked up old hag ha ha charade you are
You radiate cold shafts of broken glass
You're nearly a good laugh,
Almost worth a quick grin
You like the feel of steel,
You're hot stuff with a hat pin,
and good fun with a hand gun.
You're nearly a laugh

You're nearly a laugh
But you are really a cry

Hey you Waitehouse,
Ha ha charade you are.
You house prond town mouse,
Ha ha charade you are
You're trying to keep our feelings off the street,
You're nearly a real treat,
All tight lips and cold feet
And do you feel abused?
.....! .....! .....!
You gotta stem the evil tide,
And keep it all on the inside.
Mary you're nearly a treat,
Mary you're nearly a treat,
But you're realy a cry.

66. SHEEP

Harmlessly passing your time in the grassland away,
Only dimly aware of a certian unease in the air
You better watch out,
There may be dogs about.
I've looked over Jordan and I have seen
Things are not what they seem.

What do you get for pretending the dangers not real
Meek and obedient you follow the leader
Down well trodden corridors into the valley of stell.
What a surprise!
A look of terminal shock in your eyes
Now things are realy what they seem
No tris is no bad dream

The Lord is my shepherd. I shall not want
He makes me down to lie.
Trough pastures green.
He leadeth me the silent waters by.
With bright knives. He releaseth my soul.
He maketh me to hang on hooks in high plases.
He converteth me to lamb cutlets.
For to, He hath great power, and great hunger.
When cometh the day we lowly ones,
through quiet reflection and great dedication,
master the art of karate, lo, we shall rise up,
and then we'll make the buggers eyes water.

Bleating and babbling I fell on his neck with a scream
Wave upon wave of demented avengers
March cheerfully out of obscurity into the dream
Have you heard the news?
The dogs are dead !
You better stay home
And do as you're told,
Get out of the road if you want to grow old.

67. PIGS ON THE WING 2

You know that I care what happens to you
And I know that you care for me,
So I don't feel alone,
Or the weight of stone,
No that I've found somewhere safe
To bury my bone
And any fool knows a dog needs a home,
A shelter from pigs on the wing.


THE WALL

69. IN THE FLESH?
R.Waters

So ya Thought ya
Might like to go to the show
To feel the warm thrill of confusion
That space cadet glow
Tell me is something eluding you sunshine?
is this not what you expected to see?
If you'd like to find out what's behind these cold eyes?
You'll just have to claw your way through the disquise

70. THE THIN ICE

Mamma loves her baby
And daddy loves you too
And the sea may look warm to your babe
And the sky may look blue
But Ooooh babe Ooooh baby blue Ooooh babe

If you should go skating
On the thin ice of mode life
Dragging behind you the silent reproach
of a million tear stained eyes
Don't be surprised, when a crack in the ice
appears under your feet
You slip out of your depth and out of your mind
With your fear, flowing out behind you
As your claw the thin ice

71. ANOTHER BRICK IN THE WALL PART I

Daddy's flown across the ocean
leaving just a memory
A snap shot in the family album
Daddy what else did you leave for me
All in all it was just a brick in the wall
All in all it was just bricks in the wall

72. THE HAPPIEST DAYS OF OUR LIVES

When we grew up and went to school
There were certain teachers who would
Hurt the children anyway they could
By pouring their derision
upon anything we did
any exposing every weakness
How ever carefully hidden by the kids

But in the town it was well known
When they got home at night, their fat and
psychopathic wives would thrash them
within inches of their lives

73. ANOTHER BRICK IN THE WALL PART 2

We don't need no education
We don't need no through control
No dark sarcasm in the classroom
Teachers leave the kids alone
Hay teacher leave us kids alone
All in all it's just another brick in the wall
All in all you're just another brick in the wall

74. MOTHER

Mother do you think they'll drop the bomb
Mother do you think they'll like the song
Mother do you think they'll try to break my balls
Mother should I build a wall
Mother should I run for president
Mother should I trust the government
Mother will they put me in the firing line
Mother am I really dying
Hush now baby don't you cry
Mama's gonna make all of your
nightmares come true
Mama's gonna put all of her fears into you
Mama's gonna keep you right here under her wing
She won't let you fly but she might let you sing
Mama will keep baby cosy and warm
Ooooh babe Ooooh babe Ooooh babe
Of course mam'll help build the wall

75. GOODBYE BLUE SKY

Oooooooo ooo ooo oooooh
Did you see the frightened ones
Did you hear the falling bombs
Did you even wonder
Why we had to run for shelter
When the promise of a brave new world
Unfouled beneath a clear blue sky

Oooooooo ooo ooooo oooh
Did you see the frightened ones

Did you hear the falling bombs
The flames are all long gone
But the pain lingers on
Goodbye blue sky, goodbye blue sky, goodbye

76. WHAT SHALL WE DO NOW?

What shall we use to fill the empty spaces
Where waves of hunger roar
Shall we set out across sea of faces
In search of more and more of - applauses
Shall we buy a new guitar
Shall we drive a more powerfull car
Shall we work straight through the night
Shall we get into fights
Leave the lights on drop bombs
Do tours of the east

Contact diseases burry bones
Break up homes Send flowers by phone
Take to drink Go to shrinks give up meat
Lonely sleep keep people as pets
Train dogs race rats
Fill the attic with cash Bring treasure
Stone up leisure But never relax at all
with our backs to the wall

77. YOUNG LUST
R.Waters, D.Gilmour

I am just a new boy
A stranger in this town
Where are all the good times
Who's gonna show this stranger around?
Ooooooooooh I need a dirty woman
Ooooooooooh I need a dirty girl
Will some cold woman in this desertland
make me feel like a real man
Take this rock and roll refugee
Oooh babe set me free
Oooooooooh I need a dirty woman
Oooooooooh I need a dirty girl

78. ONE OF MY TURNS
Day after day, love turns grey
Like the skin of a dying man
Night after night, we pretend it's all right

But I have grown older and
You have grown older and
Nothing is very much fun any more

And I can feel one of my turns coming on
I feel cold as a razor blade
Tight as a tourniquet
Dry as a funeral drum
Run to the bedroom , in the suitcase on the left
You'll find my favourite axe
Don't look so frightened
This is just a passing phase
Fust one of my bad days

Would you like to watch T.V.?
Or get between the sheets?
Or constemplate the silet freeway?
Would you like something to eat?
Would you like to learn to fly?
Would you like to see me try?
Would you like to call the cops?
Do you think it's time I stopped?
Why are you running away?

79. DON'T LEAVE ME NOW

Ooooh babe Don't leave me now
Don't say it's the end of the road
Remember the flowers I sent
I need you babe To put through the shredder
In front of my friends
Ooooh babe
Don't leave me now how could you go?
When you know how I need you
To beat to a pulp on a saturday night
Ooooh babe
Don't leave me now How can you treat me this way
Running away I need you babe
Why are you running away?
Ooooooh babe

80. EMPTY SPACES

What shall we use to fill the empty
Spaces where we used to talk
How shall I fill the final places
How shall i complete the wall

81. ANOTHER BRICK IN THE WALL PART 3

I don't need no arms around me
I don't need no drugs to calm me
I have seen the writing on the wall
Don't think I need anything at all
No don't think I'll need anything at all
All in all it was all just bricks in the wall
All in all you were all just bricks in the wall

82. GOODBYE CRUEL WORLD

Goodbye cruel world
I'm leaving you today
Goodbye goodbye goodbye
Goodbye all you people
There's nothing you can say
To take me change My mind
Goodbye

83. HEY YOU

Hey you out there in the cold
getting lonely getting old can you feel me
Hey you standing in the aisles
with itchy feet and fading smiles can you feel me
hey you don't help them to bury the light
don't give in without a fight
Hey you out there on your own
sitting naked by the phone would you touch me
Hey you with your ear against the wall
waiting for someone to call would you touch me
Hey you would you help me to carry the stone
Open your heart I'm coming home

But it was only fantasy
the wall was too high as you can see
no matter how he tried he could not break free
and the worms ate into his brain
Hey you out there on the road
doing what your told, can you help me
Hey you out there beyond the wall
breaking bottles in the hall can you help me
Hey you don't tell me there's no hope at all
together we stand divided we fall.

84. IS THERE ANYBODY OUT THERE?

Is there anybody out there?
Is there anybody out there?

85. NOBODY HOME

I've got a little black book with my poems in
I've got a bag with a toothbrush and a comb in
when I'm a good dog they sometimes throw me a bone in
I got elastic bands keeping my shoes on
got those swollen hand blues
got thirteen channels of shit on the TV to choose from
I've got electic light and I've got second sight
I've got amazing powers of observation
and that is how I know when I try to get through
on the telephone to you there'll be nobody at home
I've got the obligatory Hendrix perm
and the inevitable pinhole burns
all down the front of my favourite satin shirt
I've got nicotine stains on my fingers
I've got a silver spoon on a chain
I've a got a grand piano to prop up my mortal remains
I've got wild staring eyes I've got a strong urge to fly
but I've got nowhere to fly to
Ooooh babe when I pick up the phone
there's still nobody home
I've got a pair of Gohills boots and I've got fading roots

86. VERA

Does anybody remember Vera Lynn
remember how she said that
we would meet again some sunny day
Vera Vera what has become of you
does anybody else in here feel the way I do?

87. BRING THE BOYS BACK HOME

Bring the boys back home
Bring the boys back home
Don't leave the children on their own
bring the boys back home

88. COMFORTABLE NUMB (Gilmour, Waters)

Hello is there anybody in there
just nod if you can hear me
is there anyone at home
come on now I hear you're feeling down
I can ease your pain, and get you on your feet again
relax I'll need some information first
just the basic facts can you show me where it hurts
there is no pain you are receding
a distant ship smoke on the horizon
you are only coming through in waves
your lips move but I can't hear what you're saying
when I was a child I had a fever, my hands felt just
like two balloons
now I've got the feeling once again
I can't explain you would not understand
this is not how I am I have become comfortably numb
O.K. just a little pin prick
there'll be no more aaaaaaaaaah
but you may feel a little sick can you stand up?
I do believe it's working good
that'll keep you going through the show
come on it's time to go
there is no pain you are receding, a distante ship
smoke on the horizon
you're only coming through in waves
your lips move but I can't hear what you're saying
when I was a child I caught a fleeting glimpse
out of the corner of my eye I turned to look but it was gone
I cannot put my finger on it now
the child is grown the dream is gone
and I have become comfortably numb

89. THE SHOW MUST GO ON

Oooh ma Oooh pa does the show have to go on
Oooh ma let me go do I have to stand up
wild eyed in the spotlight what a nightmare why
don't I turn and run
there must be some mistake I didn't mean to let them
take away my soul
am I too old is it too late
Oooh ma oooh pa where has the feeling gone
Oooh ma oooh pa will I remember the songs
the show must go on

90. IN THE FLESH ?

So ya thought ya, might like to go to the show
to feel the warm thrill of confusion
that space cadet glow
I've got some bad news for you sunshine
Pink isn't well he stayed back at the hotel
and they sent us along us a surrogate band
and we're going to find out where you fans really stayed
are there any queers in the theatre tonight
get'em up against the wall
that one looks Jewish and that one is a coon
who let this riff raff into the room
there's one smoking a joint and another with spots
If I had my way I'd have all of you shot

91. RUN LIKE HELL (Waters, Gilmour)

You better run like hell
you better make your face up in your favourite disguise
with your button down lips and your roller blind eyes
with your empty smile and your hungry heart
feel the bite rising from your guilty past
with your nervs in tatters when the cockleshell shatters
and the hammers batter down the door
You better run like hell you better run all day
and run all night and keep your dirty feelings
deep inside and if you take your girlfriend out tonight
you better park the car well out of sight
'cause if they catch you in the back seat
trying to pick her looks
they're gonna send you back to mother
in a cardboard box You better run

92. WAITING FOR THE WORMS

Oooh you cannot reach me now
oooh no matter how you try
goodbye cruel world it's over walk on by
sitting in a bunker here behind my wall
waiting for the worms to come
in perfect isolation here behind my wall
waiting for the worms to come waiting
to eat out the deadwood
waiting to clean up the city waiting to follow the worms
waiting to put on the blackshirt waiting
to weed out the weaklings
waiting to smash in their windows and kick in their doors
waiting for the final solution to strengthen the strain
waiting to folow the worms waiting to turn on the showers
and fire the ovens waiting for the queers and the coons
and the reds and the jews waiting to follow the worms
would you like to see Britania rule again my friends
all you have to do is follow the worms
would you like to send our coloured cousins home
again my friend
all you need to do is follow the worms

93. STOP

Stop I wanna go home take off this uniform
and leave the show and I'm waiting in the cell
because I have to know have I been guilty all this time

94. THE TRIAL
R.Waters,B.Ezring

Good morning worm you honour the crown will plainly show
the prisoner who now stands before you
was caught red handed showing feelings
shame for him this will not do call the schoolmaster
I always said he'd come to no good
in the end your honour if they'd let me have my way I would
have flayed him into shape but my hands were tied
the bleeding hearts and artists let him get away with murder
let me hammer him today crazy toys in the attic I am crazy
they must have taken my marbles away
call the defendants wife you little slut you're in it now
I hope they throw away the key
you should have talked to me more often
then you did, but no you had to go your own way
have you broken any homes up lately?
"Just five minutes worm your honour him and me alone"
babe come to mother baby let me hold you in my arms
in bed I never wanted him to get in any trouble
why'd he ever have to leave me worm your honour
let me take him home
crazy over the rainbow I am crazy bars in the window
there must have been a door there in the wall
when I came in
crazy over the rainbow he is crazy the evidence
before the court is
incontravertable, there's no need for the jury to retire
In all my years of judging I have never heard before of
someone more deserving the full penalty of law
the wa you made them
suffer your exquisite wife and mother fills me
with the urge to
defecate but my friend you have revealed your deepset fear
I sentance you to be expose before your peers
Tear down the wall

95. OUTSIDE THE WALL

All alone or in two's the ones who really love you
walk up and down outside the wall some hand in hand
some gathering together in bands the bleeding hearts
and the artists
make their stands and when they've given you their all
some stagger and felt after allits not easy
banging your heart against some maid buggers wall


THE FINAL CUT

A reqiem for the post
war dream. By R. Waters.
For Eric Fletcher Waters (1913-1944)

96. THE POST WAR DREAM

Tell me true, tell me why was Jesus crucified
Is it for this that daddy died?
Was it for you? Was it me?
Did I watch too much TV?
Is that a hint of accusation in your eyes?
If it wasn't for the Nips
being so good at building ships
the yards would still be open on the Clyde
and it can be much fun for them
beneath the rising sun
with all their kids coming suiside.
What have we done Maggie what have we done
what have we done to England
Should we shout should we scream
"What happened to the post war dream?"
Oh Maggie Maggie what have we done?

97. YOUR POSSIBLE PASTS

They flutter behind you your possible pasts
Some brighteyed and crazy some frightened and lost
A warning to anyone still in command
of their possible future to take care
In derelict sidings the poppies entwine
with cattle trucks lying in wait for the next time

Do you remember me? how we used to be?
Do you think we shoud be closer?

She stood in a doorway the ghost of a smile
haunting her face like a cheap hotel sing
her cold eyes emploring the men in their macs
for the gold in their bags or the knives in their backs.
Stepping out boldlly one put out his hand
he said "I was just a child then now I'm only a man".

Do you remember me? How we used to be?
Do you think we shoud be closer?

By the cold and religious we were taken in hand
shown how to feel good and told to feel bed.
Tongue tied and terrified we learned how to pray
now our feelings run deep and cold as the clay
and strung out behind us ihe banners and flags
of our possible pasts lying tatters and rags.

98. ONE OF THE FEW

When you're one of the few to land on your feet
what would you do to make ends meet?
Teach
Make them mad, make them sad, make them add two and two
Make them me, make them you,
make them do what you want them to
Make them laugh, make them cry,
make them lie down and die.

99. THE HERO'S RETURN

Jesus, Jesus what's it all about
Trying to clout these little ingrates into shape
When I was their age all the lights went out
There was no time to wine and mope about
And even now part of me flies over
Dresden at angels one five
Though they'll never fathom it behind my
sarcasm desperate memories lie

Sweetheart sweetheart are you fast asleep good
'cos that's the only time that I can really talk to you
and there's something that I've locked away
a memory that is to painful
to withstand the light of day

When we came back from the war the banners and flags
hung on everyones door
we danced and we sang in the street and
The church bell rang

But burning in my heart my memory smoulders on
of the gunners dying words on the intercom.

100. THE GUNNERS DREAM

Floating down through the clouds
memories come rushing up to meet me now
in the space between the heavens
and in the corner of some foreing field
I had a dream
I had a dream.
Goodbye Max
Goodbye ma

after the service when you're walking slowly to the car
and the silver in her hair shines in the cold november air
you hear the tolling bell
and touch the silk in your lapel
and as the tear drops rise to meet the comfort of the band
you take her frail hand
and hold on to the dream.

A place to stay
enough to eat
somewhere old heroes shuffle safely down the street
where you can speak out loud
about your doubts and fears
you never hear their standart issue kicking in your door
you can relax on both sides of the tracks
and maniacs don't blow holes in bandsmen by remote control
and everyone has recourse to the law
and no one kills the children anymore
and no one kills the children anymore

Night after night
going round and round my brain
his dream is driving me insane
in the corner of some foreing field
the gunner sleep tonight
what's done is done
we cannot just write off his final scene
take heed of his dream
take heed

101. PARANOID EYES

Button your lip don't let the shield slip
take a fresh grip on your bullet proof mask
And if they try to break down your disguise
with the questions
you can hide hide hide
behind paranoid eyes

You put on your brave face and sleep over the road
for a jar
fixing your grin as you casualy lean on the bar
laughing too loud at the rest of the world
with boys in the croud
you can hide hide hide
behind petrified eyes.

You believed in their stories of fame, fortune and glory
now you're lost in a haze of the alcohol soft middle age
the pie in the sky turned out to be miles too high
and you hide hide hide
behind brown and mild eyes

102. GET YOUR FILTHY HANDS OFF MY DESERT

Brezhnev took Afganistan
Begin took Beirut
Galtieri took the Union Jack
and Maggie over lunch one day
took a cruiser with all hands
apparently to make him give it back.

103. THE FLETCHER MEMORIAL HOME

Take all your overgrown infants away somewhere
and build them a home a little place of their own
the Fletcher Memorial
home for incurable tyrans and kings
And they can appear to themselves every day
on closed circuit T.V.
to make sure they're still real
it's the only connection they feel
"Ladies and gentlmen, please welcome Reagan and Haig
mr. Begin and friends mrs. Thatcher and Paisly
mr. Brezhnev and party
the ghost of McCarthy
the memories of Nixon
and now adding colour a group of anonymous latin-
american meat packing glitterati"

Did they expect us to treat them with any respect

They can polish their medals and sharpen their
smiles, and amuse themselves playing games for a while
boom boom bang bang lie down you're dead

Sale in the permanent gates of a cold glass eye
With their favorite toys they'll be good girls and boys
in the Fletcher Memorial home for colonial
wasters of life and limb

Is everyone in?
Are you having a nice time?
Now the final solution can be applied.

104. SOUTHAMPTON DOCK

They disembarked in 45
and no one spoke and no one smile
there where too many spaces in the line
gathered at the cenotaph
all agreed with the hand on heart
to sheath the sartificial knives

but now

she stands upon Southampton dock
with ner handkerchief
and her summer frock
clings to her wet body in the rain
in quiet desperation knuckles
white upon the slippery reins
she bravely waves the boys goodbye again

and still the dark stain spreads between
his shoulder blades
a mute reminder of the poppy fields and grave
and when the fight was over
we spent what they had made
but in the bottom of our hearts we felt the final cut

105. THE FINAL CUT

Through the fish eyed lens of tear stained eyes
I can barely define the shape of this moment in time
and far from flying high in clear blue sky
I'm spiralling down to the hole in the ground where I hide

If you negotitate the minefield in the drive
and beat the dogs and cheat the cold electronic eyes
and if you make it past the shotgun in the hall
dial the combination, open the priesthole
and if I'm in I'll tell you what's behind the wall

There's a kid who had a big hallucination
making love to girls in magazines
he wonders if you're sleeping with your new found faith
could anybody love him
or is it just a crazy dream

And if I show you my dark side
will you still hold me tonight
and if I open my heart to you
and show you my weak side
what would you do
would you sell your story to "Rolling Stone"
would you take the children away
and leave me alone
and smile in reassurance
as you whisper down the phone
would you send me packing
or would you take me home

Thought I oughta bare my naked feelings
thought I oughta tear the curtain down
I held the blade in trembling hands
prepared to make it but just then the phone rang
I never had the nerve to make the final cut.

106. NOT NOW JOHN

Fuck all that we've got to get on with these
got to compete with the wily japanese
there's too many home fires burning
and not enough trees
so fuck all that
we've got to get on with these

Can't stop loose job mind gone silicon
what bomb get away pay day make hay
break down need fix big six
clickity click hold on oh no bring bingo!

make em laugh make em cry make em dance in the aisles
make em pay make em stay make em feel o.k.

Not now John
we've got to get on with the film show
Hollywood waits at the end of the rainbow
who cares what it's all about
as long as the kids go
not now John
got to get on with the show

Hang on John
we've got to get on with this
I don't know what it is
but it fits like ...
come at the end of the shift
we'll go and get pissed
but not now John
I've got to get on with this

Hold on John
I think there's something good on
I used to read books but ...
it could be the news
or some other abuse
or it could be reusable shows

Fuck all that we've got to get on with these
got to compete with the wily japanese
no need to worry about the vietnamese
got to bring the russian bear to his knees
well, maybe not the russian bear maybe the swedes
we showed Argentina
now let's go and show these
make us feel tough
and wouldn't Maggie be pleased
nah nah nah nah nah

s'cusi dove il bar
se para collo pou eine toe bar
s'il vous plait ou est le bar
oi' where's the fucking bar John!

107. TWO SUNS IN THE SUNSET

In my rear view mirror the sun is going down
sinking behind bridges in the road
and I think of all good things
that we have left undone
and I suffer premontions
confirm suspicions
of the holocaust to come

The wire that holds the cork
that keeps the anger in
gives way
and suddenly it's day again
the sun is the east
even though the day is done
two suns in the sunset
hmmmmm

could be the human race is run
Like the moment when the brakes lock
and you slide towards the big truck
you stretch the frozen moments with your fear
and you'll never hear their voices
and you'll never see their faces
you have no recource to the law anymore

And as the windshield melts
my tears evaporate
leaving only charcoal to defend
finally I understand the feelings of the few
ashes and diamonds, foe and friend
we were all equal in the end.


THE MOMENTARY LAPSE OF REASON

108. SIGNS OF LIFE
Instumental
D.Gilmour,B.Ezrin
1986

109. LEARNING TO FLY (Gilmour, Moore, B.Ezrin, Carin)
1986

Into the distance, a ribbon of black
Stretched to the point of on turning back
A flight of fancy on a wind swept field
Standing alone my senses reeled
A fatal attraction holding me fast.
How can I escape this irresistble grasp?

Can't keep my eyes from the circling sky
Tongue-tied & twisted just an earth-bound misfit, I

Ice is forming on the tips of my wings
Unheeded warings, I thought I thought of everything
No navigator to guid my way home
Unlandened, empty and turned to stone

A soul in tension that's learning to fly
Conditon grounded but determined to try
Can't keep my eyes from the circling sky
Tongue-tied & twisted just an earth-bound misfit, I

Above the planet on a wing and a prayer,
My grubby halo, a vapour trail in the empty air,
Across the clouds I see my shadow fly
Out of the corner of my waterings eye
A dream unthreatend by the morning light
Could blow this soul right through the roof the night

There's no sensation to compare with this,
Suspended animation, a state of bliss
Can't keep my eyes from the circling sky
Tongue-tied & twisted just an earth-bound misfit, I.

110. THE DOGS OF WAR (Gilmour, Moore)

Dogs of war and men of hate
With no cause, we don't discriminate
Discovery is to be disowned
Our currency is flesh and bone
Hell opened up and put on sale
Gather round and haggle
For hard cash, we will lie and deceive
Even our masters don't know the webs we weave

One world, it's a battleground
One world, and we will smash it down
One world...one world.

Invisible transfers, long distance calls,
Hollow laughter in marble halls
Steps have been taken, a silent uproar
Has unlearshed the dogs of war
You can't stop what has begin
Signed, sealed, they deliver oblivion
We all have a dark side, to say the least
And dealing in death is the nature of the beast

One world, it's a battleground
One world, and we will smash it down
One world...one world.

The dogs of war don't negotiate
The dogs of war won't capitulate,
They will take and you will give,
And you must die so that they may live
You can knock at any door
But wherever you go, you know they've been there before.
Well winners can lose and things can get strained
But whatever you change, you know the dogs remain.

One world, it's a battleground
One world, and we will smash it down
One world...one world.

111. ONE SLIP
D.Gilmour,Manzanera
1987

A restless eye across a weary room
A glazed look and I was on the road to ruin
The music played and played as we whirled without end
No hint, no word her honour to defend

I will, I will she sighed to my request
And then she tossed her mane while my resolve was put
To the test
Then drowned in desire, our souls on fire
I led the way to the funeral pyre
And without a thought of the consequence
I gave in to my decadence

One slip, and down the hole we fall,
It seems to take no time at all
A momentary lapse of reason
That binds a life for life
A small regret, you won't forget,
There'll be no sleep in here tonight

Was it love, or was it the idea of being in love?
Or was it the hand of fate, that seemed to fit just
Like a glove?
The moment slipped by and soon the seeds were sown
The year grew and neither one wanted to remain alone

One slip, and down the hole we fall,
It seems to take no time at all
A momentary lapse of reason
That binds a life to a life
The one regret, you will never forget.
There'll be no sleep in here tonight
One slip ... One slip ...

112. ON THE TURNING AWAY (Gilmor, Moore)
1986

On the turning away
From the pale and downtrodden
And the words they say
Which we won't understand
"Don't accept that what's happening
Is just a case of others' suffering
Or you'll find that you're joining in
The turning away"

It's a sin that somehow
Light is changing to shadow
And casting it's shround
Over all we have known
Unaware how the ranks have grown
Driven on my a heart of stone
We could find that we're all alone
In the dream of the proud

On the wings of the night
As the daytime is stirring
Were the speechless unite
In a silent accord
Using words you will find are strange
And mesmerised as they light the flame
Feel the new wind of change
On the wings of the night

No more turning away
From the weak and the weary
No more turning away
From the coldness inside
Just a world that we all must share
It's not enough just to stand and stare
Is it only a dream that there'll be,
No more tutning away?

113. YET ANOTHER MOVIE (Gilmour, Leonard)
1987

One sound, single sound
One kiss, one single kiss
A face outside the window pane,
However did it come to this?

A man who ran: a child who cried
A girl who heard, a voice that lied
The sun that burned a fiery red
The vision of an empty bed

The use of force, he was so tough
She'll soon submit, she's had enough
The march of fate, the broken will
Someone is lying very still

He has laughed and he has cried
He has fought and he has died
He's just the same as all the rest,
He's not the worst, he's not the best

And still this ceaseless murmuring,
The babbling that I brook,
The seas of faces, eyes upraised
The empty screen, the vacant look

A man in black on a snow white horse,
A pointless life has run its course,
The red rimmed eyes, the tears still run
As he fades into the setting sun

114. ROUND AND AROUND (Gilmour)
Instrumental
1987

115. A NEW MACHINE
Part. 1
D.Gilmour
1987

I have always been here
I have always looked out from behind these eyes
It feels like more than a lifetime
Feels like more than a lifetime

Sometimes I get tired of the waiting
Sometimes I get tired of being in here
Is this the way it has always been?
Could it ever have been different?

Do you ever get tired of the waiting?
Do you ever get tired of being in there?
Don't worry, nobody lives forever,
Nobody lives forever

116. TERMINAL FROST
Instrumental
D.Gilmour
1987

117. A NEW MACHINE
Part. 2
D.Gilmour
1986

I will always be here
I will always look out from behind these eyes
Its only a lifetime
Its only a lifetime
Its only a lifetime

118. SORROW (Gilmour)
1986

The sweet smell of a great sorrow lies over the land
Plumes of smoke rise and merge into the leanden sky:
A man lies and dreams of green fields and rivers,
But awakes to a morning with no reason for waking

He's haunted by the memory of a lost paradise
In his youth or a dream, he can't be precise
He's chained forever to a world that's departed
It's not enough, it's not enough

His blood has frozen & curdled with fright
His knees have trembled & given way in the night
His hand has weakened at the moment of truth
His step hes faltered

One world, one soul,
Time pass, the river roll.

And he talks to the river of lostlove and dedicatio
And silent replies that swirl invitation
Flow dark and troubled to an oinly sea
A grim intimation of what is to be

There's an unceasing wind that blows through this night
And there's dust in my eyes, that blinds my sight
And silence that speaks so much louder than words,
Of promises broken


DELICATE SOUND OF THUNDER

SHINE ON YOU CRAZY DIAMOND (part 1) (Waters, Gilmour, Wright)

Remember when you were young, you shone like the sun.
Shine on you crazy diamond.
Now there's a look your eyes, like black holes in the sky.
Shine on you crazy diamond.
You were caught on the cross fire of childhood and stardom,
Blown on the steel breeze.
Come on you target for faraway laughter,
Come on you stranger, you legend, you martyr,
And shine!
You reached for the secret too soon, you cried for the moon.
Shine on you crazy diamond.
Threatened by shadows at night, and exposed in the light,
Shine on you crazy diamond.
Well you wore out your welcome with random precision,
Rode on the steel breeze.
Come on you raver, you seer of visions,
Come on you painter, you piper, you prisoner,
And shine!


LEARNING TO FLY (Gilmour, Moore, Ezrin, Carin)

Into the distance, a ribbon of black
Stretched to the point of on turning back
A flight of fancy on a wind swept field
Standing alone my senses reeled
A fatal attraction holding me fast.
How can I escape this irresistble grasp?

Can't keep my eyes from the circling sky
Tongue-tied & twisted just an earth-bound misfit, I

Ice is forming on the tips of my wings
Unheeded warings, I thought I thought of everything
No navigator to guid my way home
Unlandened, empty and turned to stone

A soul in tension that's learning to fly
Conditon grounded but determined to try
Can't keep my eyes from the circling sky
Tongue-tied & twisted just an earth-bound misfit, I

Above the planet on a wing and a prayer,
My grubby halo, a vapour trail in the empty air,
Across the clouds I see my shadow fly
Out of the corner of my waterings eye
A dream unthreatend by the morning light
Could blow this soul right through the roof the night

There's no sensation to compare with this,
Suspended animation, a state of bliss
Can't keep my eyes from the circling sky
Tongue-tied & twisted just an earth-bound misfit, I.


YET ANOTHER MOVIE (Gilmour, Leonard)

One sound, single sound
One kiss, one single kiss
A face outside the window pane,
However did it come to this?

A man who ran: a child who cried
A girl who heard, a voice that lied
The sun that burned a fiery red
The vision of an empty bed

The use of force, he was so tough
She'll soon submit, she's had enough
The march of fate, the broken will
Someone is lying very still

He has laughed and he has cried
He has fought and he has died
He's just the same as all the rest,
He's not the worst, he's not the best

And still this ceaseless murmuring,
The babbling that I brook,
The seas of faces, eyes upraised
The empty screen, the vacant look

A man in black on a snow white horse,
A pointless life has run its course,
The red rimmed eyes, the tears still run
As he fades into the setting sun


ROUND AND AROUND (Gilmour)
Instrumental


SORROW (Gilmour)

The sweet smell of a great sorrow lies over the land
Plumes of smoke rise and merge into the leanden sky:
A man lies and dreams of green fields and rivers,
But awakes to a morning with no reason for waking

He's haunted by the memory of a lost paradise
In his youth or a dream, he can't be precise
He's chained forever to a world that's departed
It's not enough, it's not enough

His blood has frozen & curdled with fright
His knees have trembled & given way in the night
His hand has weakened at the moment of truth
His step hes faltered

One world, one soul,
Time pass, the river roll.

And he talks to the river of lostlove and dedicatio
And silent replies that swirl invitation
Flow dark and troubled to an oinly sea
A grim intimation of what is to be

There's an unceasing wind that blows through this night
And there's dust in my eyes, that blinds my sight
And silence that sreaks so much louder than words,
Of promises broken


THE DOGS OF WAR (Gilmour, Moore)

Dogs of war and men of hate
With no cause, we don't discriminate
Discovery is to be disowned
Our currency is flesh and bone
Hell opened up and put on sale
Gather round and haggle
For hard cash, we will lie and deceive
Even our masters don't know the webs we weave

One world, it's a battleground
One world, and we will smash it down
One world...one world.

Invisible transfers, long distance calls,
Hollow laughter in marble halls
Steps have been taken, a silent uproar
Has unlearshed the dogs of war
You can't stop what has begin
Signed, sealed, they deliver oblivion
We all have a dark side, to say the least
And dealing in death is the nature of the beast

One world, it's a battleground
One world, and we will smash it down
One world...one world.

The dogs of war don't negotiate
The dogs of war won't capitulate,
They will take and you will give,
And you must die so that they may live
You can knock at any door
But wherever you go, you know they've been there before.
Well winners can lose and things can get strained
But whatever you change, you know the dogs remain.

One world, it's a battleground
One world, and we will smash it down
One world...one world.


ON THE TURNING AWAY (Gilmour, Moore)

On the turning away
From the pale and downtrodden
And the words they say
Which we won't understand
"Don't accept that what's happening
Is just a case of others' suffering
Or you'll find that you're joining in
The turning away"

It's a sin that somehow
Light is changing to shadow
And casting it's shround
Over all we have known
Unaware how the ranks have grown
Driven on my a heart of stone
We could find that we're all alone
In the dream of the proud

On the wings of the night
As the daytime is stirring
Were the speechless unite
In a silent accord
Using words you will find are strange
And mesmerised as they light the flame
Feel the new wind of change
On the wings of the night

No more turning away
From the weak and the weary
No more turning away
From the coldness inside
Just a world that we all must share
It's not enough just to stand and stare
Is it only a dream that there'll be,
No more turning away?


ONE OF THESE DAYS (All)

One of these days
I'm going to cut you into little pieces


TIME (All)

Ticking away the moments that make up a dull day
You fritter and waste the hours in an off hand way
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way

Tired of lying in the sunshine, staing home to watch the rain
You are young and life is long and there is time to kill today
And then one day you find ten years have got behind you
No one told you when to run, you missed the starting gun

And you run and you run to catch up with the sun, but it sinking
And racing around to come up behind you again
The sun is the same in the relative way, but you're older
And shorter of breath and one day closer to death

Every year is getting shorter, never seem to find the time
Plans that either come to naught or half a page of scribbled lines
Hanging on the quiet desperation is the English way
The time is gone, the song is over, thought I'd something more to say


MONEY (Waters)

Money, get away
Get a good job with more pay and you're O.K.
Money, it's a gas
Grab that cash with both hands and make a stash
New car, caviar, four star daydream
Think I'll buy me a football team

Money, get back
I'm alright jack keep your hands off my stack
Money, it's a hit
Don't give me that do goody good bullshit
I'm in the hi-fidelity first class travelling set
And I think I need a Lear jet

Money, it's a crime
Share it fairly but don't take a slice of my pie
Money so they say
Is the root of all evil today
But if you ask for a rise it's no suprise that they're
Giving none away, away, away


ANOTHER BRICK IN THE WALL, Part 2 (Waters)

We don't need no education
We don't need no thought control
No dark sarcasm in the classroom
Teachers leave the kids alone
Hay teacher leave us kids alone
All in all it's just another brick in the wall
All in all you're just another brick in the wall


WISH YOU WERE HERE (Waters, Gilmour)

So, so you think you can tell Heaven from Hell,
Blue skies from pain.
Can you tell a green field from a cold steel rail?
A smile from a veil? Do you think you can tell?

And did they get you to trade your heroes for ghosts?
Hot ashes for trees? Hot air for a cold breeze?
Cold comfort for change? And did you exchange
A walk on part in the war for a lead role in a cage?

How I wish, how I wish you were here.
We're just two lost souls swimming in a fish bowl,
Year after year, running over the same old ground.
What have we found? The same old fears.
Wish you were here.


COMFORTABLY NUMB (Waters, Gilmour)

Hello is there anybody in there
Just nod if you can hear me
Is there anyone at home
Come on now I hear you're feeling down
I can ease your pain, and get you on your feet again
Relax I'll need some information first
Just the basic facts can you show me where it hurts

There is no pain you are receding
A distant ship smoke on the horizon
You are only coming through in waves
Your lips move but I can't hear what you're saying
When I was a child I had a fever
My hands felt just like two balloons
Now I've got the feeling once again
I can't explain you would not understand
this is not how I am I have become comfortably numb

O.K. just a little pin prick
There'll be no more aaaaaaaaaah
But you may feel a little sick. Can you stand up?
I do believe it's working good
That'll keep you going through the show
Come on it's time to go

There is no pain you are receding
A distante ship smoke on the horizon
You're only coming through in waves
Your lips move but I can't hear what you're saying
When I was a child I caught a fleeting glimpse
Out of the corner of my eye
I turned to look but it was gone
I cannot put my finger on it now
The child is grown the dream is gone
And I have become comfortably numb


RUN LIKE HELL (Waters, Gilmour)

You better run like hell
You better make your face up in your favourite disguise
With your button down lips and your roller blind eyes
With your empty smile and your hungry heart
Feel the bite rising from your guilty past
With your nervs in tatters when the cockleshell shatters
And the hammers batter down the door
You better run like hell
You better run all day and run all night
And keep your dirty feelings deep inside
And if you take your girlfriend out tonight
You better park the car well out of sight
'cause if they catch you in the back seat trying to pick her looks
They're gonna send you back to mother in a cardboard box
You better run